Announcement of Classes: Spring 2012

The Announcement of Classes is available one week before Tele-Bears begins every semester. Creative Writing and (for fall) Honors Course applications are available at the same time in the racks outside of 322 Wheeler Hall.

PLEASE READ CAREFULLY ALL THE PARAGRAPHS BELOW THAT APPLY TO ENGLISH COURSES IN WHICH YOU WANT TO ENROLL. SOME COURSES HAVE LIMITED ENROLLMENT AND/OR HAVE EARLY APPLICATION PROCEDURES.

ALL ENGLISH COURSES: Some courses are in such high demand that they will end up having wait lists on Tele-BEARS. If you end up having to put yourself on one for an English course, you can log on to Info-BEARS (http://infobears.berkeley.edu) to check your advancing status on the wait list.

ENGLISH R1A AND R1B: Note that the book lists and course descriptions for individual sections of English R1A and R1B are posted on the web and also on the SOUTHERN-most bulletin board in the hall across from the English Department office (322 Wheeler Hall).

CHERNIN MENTORING PROGRAM:Would you like to get together with your peers to talk about literature and books? Are you wondering what to do with your English major once you graduate? Do you want to hear about the books that most influenced your English professors? Do you want expert advice about which courses to take? Would you like to see your favorite professors debating about a great work of literature? If so, please join the Chernin Mentoring Program!

The Chernin Mentoring Program fosters community in the English department and offers a space for “serious play”: small group discussions about ideas and texts, explorations of the many riches of the Berkeley campus, visits by department faculty and distinguished alumni, and one-on-one advice on courses and graduate programs from graduate students and professors.

Individual Chernin groups (each with about 14-20 students) meet every other week for one hour of “serious play.” On the off weeks, your graduate student mentor will hold office hours so that you can talk individually about issues important to you. Some of the small group meetings will be informal discussions of a range of literary issues, while others involve visits to places around campus (such as the Berkeley Art Museum and the Bancroft Library). On other weeks we will meet as a large group to hear from distinguished alumni, or to listen to Berkeley English professors talk about their own paths into literary study or debate key books in their field with other professors.

There are no essays, papers, exams, or outside reading for the Chernin Program, just lots of good discussion, valuable advice, and all sorts of “serious play.” Although this is not a traditional course, each participant will enroll in and earn one credit for an independent study (as English 98 or 198, on a Pass/NP basis). The program is not meant to offer extra help or tutoring on things like the mechanics of paper-writing or literary analysis; rather, it aims at providing a more relaxed and fun way to make the best of your Berkeley experience.

CREATIVE WRITING WORKSHOP COURSES (English 43A, 43B, 143A, 143B, 143C, 143N, 143T, AND 243N): These are instructor-approved courses, and enrollment is limited. Only lower-division students should apply for 43A or 43B. Only upper-division students should apply for 143A, 143B, 143C, 143N, or 143T. Graduate students and (in exceptional cases) upper-division students may apply for 243N. In order to be considered for admission to any of these courses, you must submit a writing sample AND an application form to the corresponding instructor's mailbox in 322 Wheeler Hall BY 4 P.M., TUESDAY, OCTOBER 25, AT THE LATEST; consult the course description in this Announcement of Classes for the section you are applying to for details concerning the length and nature of the writing sample required, and get the application form from the racks outside the door to the English Department (322 Wheeler Hall). The instructors will review the writing samples and applications, and the class lists will be posted on the bulletin board in the hall directly across from the English Department office (322 Wheeler) on Thursday, November 3. Please come on or shortly after Thursday, November 3, to see if your name is on the class list for the section you applied to; please check in person, as this information is NOT available over the phone. ONLY STUDENTS ON THESE CLASS LISTS WILL BE ADMITTED TO THE CORRESPONDING CLASSES, AND EACH ADMITTED STUDENT WILL NEED TO OBTAIN HIS/HER CLASS ENTRY CODE (CEC) FROM THE INSTRUCTOR AT THE FIRST CLASS MEETING. NO ONE WILL THEREFORE BE ABLE TO ENROLL IN THESE PARTICULAR CLASSES ON TELE-BEARS BEFORE THE FIRST DAY THESE CLASSES MEET IN THE SPRING. ADMITTED STUDENTS WILL NEED TO LOG ON TO TELE-BEARS SOON AFTER CLASSES HAVE STARTED TO ACTUALLY ENROLL IN THESE COURSES.

ENGLISH 190 (RESEARCH SEMINAR): English 190 is intended for senior and junior English majors. Only already-declared fourth- and third-year majors may enroll directly on Tele-BEARS. Upper-division students who intend to major in English and have taken some courses that will count towards the major but who have not yet declared will need to put themselves on the wait list for the section of 190 they are interested in, and they will be admitted if and when there is space for them. Due to space limitations, students may enroll in or wait-list themselves for only one section of English 190. However, if it turns out that some sections still have room in them at or near the end of Phase II Tele-BEARS appointments, we may loosen the restrictions for admission to those sections.

ENGLISH H195B (HONORS COURSE): This course is open only to students who are enrolled in a Fall 2011 English H195A section. Your H195A instructor will give you a Class Entry Code (CEC) for H195B in class sometime in November.

DE-CAL CLASSES: All proposals for Spring 2012 DE-Cal courses must be submitted to the English Department Chair’s office (in 322 Wheeler Hall) BY 4:00 P.M., THURSDAY, OCTOBER 27. Please note that individual faculty members may sponsor only one DE-Cal course per semester. Students wishing to offer a DE-Cal course must provide, to the English Department Chair’s office, the following for approval: 1) a completed COCI Special Studies Course Proposal Form, available on DE-Cal’s website at http://.decal.org, for 98 and 198 classes. Students must download and complete this form and obtain the proposed faculty sponsor’s signature on it before submitting it, along with the other necessary paperwork; 2) a copy of the syllabus of the proposed course; 3) a copy of the course description, including the criteria for passing the course. A few days after the October 27 submission deadline, the students whose proposals have been approved will be notified that they need to see Laurie Kerr, in 322 Wheeler, in order to arrange for a classroom for their course and to work out a few other details before they deliver copies of their approved proposals to COCI and to the DE-Cal office.

INDEPENDENT STUDY COURSES: These are instructor-approved courses and require a written application, obtainable in 319 Wheeler. After you have received the instructor's signature on the form, you will need to return to 319 Wheeler to obtain a course control number before you can enroll in the course on Tele-BEARS. Often students will elect to wait until spring courses have started to apply for independent study courses.

UNDERGRADUATE AND GRADUATE STUDENTS INTERESTED IN BECOMING WRITING TUTORS (ENGLISH 310): This is an instructor-approved course with limited enrollment. In order to be considered for admission, you must pick up an application for an interview at the Student Learning Center , Atrium, in the Cesar Chavez Student Center , during the fall semester through finals week or during the week before spring semester classes begin. No one may apply after Wednesday of the first week of classes. Students admitted to 310 will need to appear in person at the Student Learning Center, at the time the Learning Center specifies, in order to obtain the course control number and then enroll. See the course description in this Announcement of Classes under English 310 for more details.


Course # Sec. Course Time Instructor
Course Area
R1A 1 Reading & Composition: American Song MWF 9-10 Sullivan, Khalil
Reading and Composition
R1A 2 Reading & Composition: Apocalypse / Now MWF 10-11 Cullen, Ben
Reading and Composition
R1A 3 Reading & Composition: Ideas of the University: School, Work, and the World MWF 11-12 Larner-Lewis, Jonathan
Reading and Composition
R1A 4 Reading & Composition: Autobiography MWF 12-1 Ketz, Charity Corine
Reading and Composition
R1A 5 Reading & Composition: Refusal and Resistance in Tragedy MWF 1-2 Moore, Stephanie Anne
Reading and Composition
R1A 6 Reading & Composition: The Social Practice of Love MWF 3-4 Weiner, Joshua J
Reading and Composition
R1A 7 Reading & Composition: Communication of Poetic Effects in Shakespeare TTh 5-6:30 Castillo, Carmen
Reading and Composition
R1A 8 Reading & Composition: Ghosts of the Past TTh 8-9:30 Knox, Marisa Palacios
Reading and Composition
R1A 9 Reading & Composition: Writing About Literarary Experience TTh 9:30-11 Jordan, Joseph P
Reading and Composition
R1A 10 Reading & Composition: Totality Chic MWF 10-11 Fan, Christopher
Reading and Composition
R1A 11 Reading & Composition: American Exposures TTh 12:30-2 Clinton, Daniel Patrick
Reading and Composition
R1A 13 Reading & Composition: 19th- and 20th-Century Experiment/alisms TTh 3:30-5 Rahimtoola, Samia Shabnam
Reading and Composition
R1B 1 Reading & Composition: 21st-Century Native American Fiction MWF 9-10 Gillis, Brian
Reading and Composition
R1B 2 Reading & Composition: U.S. Autobiography as Ethnography MWF 9-10 Rana, Swati
Reading and Composition
R1B 3 Reading & Composition: No Man's Land--Dividing Lines in the Great War MWF 10-11 Jeziorek, Alek M
Reading and Composition
R1B 6 Reading & Composition: Victorian Research MWF 11-12 Terlaak Poot, Luke
Reading and Composition
R1B 7 Reading & Composition: Speaking the Unspeakable, Voicing the Unspoken MWF 12-1 Seeger, Andrea
Reading and Composition
R1B 8 Reading & Composition: Beyond Islands MWF 12-1 Shelley, Jonathan
Reading and Composition
R1B 9 Reading & Composition: The Gothic: Revivals and Survivals MWF 1-2 Cannon, Benjamin Zenas
Reading and Composition
R1B 10 Reading & Composition: Strange Cases MWF 1-2 Mershon, Ella
Reading and Composition
R1B 11 Reading & Composition: Recent Memoirs on Loss MWF 2-3 Fritz, Tracy
Reading and Composition
R1B 12 Reading & Composition: Late Victorians MWF 2-3 Naturale, Lauren
Reading and Composition
R1B 14 Reading & Composition: Country and City MWF 3-4 Bauer, Mark
Reading and Composition
R1B 15 Reading & Composition: Storytelling MWF 11-12 Gordon, Zachary
Reading and Composition
R1B 16 Reading & Composition: Victorian Crime TTh 8-9:30 Baldwin, Ruth
Reading and Composition
R1B 17 Reading & Composition: Alternate Narratives TTh 8-9:30 Menilla, David D.
Reading and Composition
R1B 18 Reading & Composition: Modern African American Poetry, 1940-1960 TTh 9:30-11 Gardezi, Nilofar
Reading and Composition
R1B 19 Reading & Composition: Postcolonial China MWF 9-10 Lee, Amy
Reading and Composition
R1B 20 Reading & Composition: Reading California TTh 11-12:30 Hausman, Blake M.
Reading and Composition
R1B 22 Reading & Composition: Shakespearean Tragedy TTh 12:30-2 Jordan, Joseph P
Reading and Composition
R1B 23 Reading & Composition: Laughter and Literature TTh 2-3:30 Huerta, Javier
Reading and Composition
R1B 24 Reading & Composition: Reading California TTh 2-3:30 Hausman, Blake M.
Reading and Composition
R1B 25 Reading & Composition: Paranoia TTh 3:30-5 Ahmed, Adam
Reading and Composition
R1B 26 Reading & Composition: Shakespearean Tragedy TTh 3:30-5 Jordan, Joseph P
Reading and Composition
R1B 27 Reading & Composition: 'They did not wear such hats'; or, Puritans in the New World TTh 5-6:30 Trocchio, Rachel
Reading and Composition
R1B 28 Reading & Composition: Reading California TTh 5-6:30 Hausman, Blake M.
Reading and Composition
R1B 29 Reading & Composition: The Essay--Evidence and Idea MW 9-10:30 Speirs, Kenneth
Reading and Composition
R1B 30 Reading & Composition: The Essay--Evidence and Idea MW 12-1:30 Speirs, Kenneth
Reading and Composition
24 1 Freshman Seminar: Bullets Across the Bay--Detective Narratives Set in San Francisco W 9-10 Hutson, Richard
Freshman Seminars
24 2 Freshman Seminar: Reading Walden Carefully M 2-3 Breitwieser, Mitchell
Freshman Seminars
43A 1 Introduction to the Writing of Short Fiction TTh 9:30-11 Chandra, Vikram
Creative Writing Workshops
43B 1 Introduction to the Writing of Verse: Received Forms and Invented Forms MW 10:30-12 Pugh, Megan
Creative Writing Workshops
45A 1 Literature in English: Through Milton MW 11-12, + discussion sections F 11-12 Arnold, Oliver
Introductory Surveys
Middle English
Renaissance and Early Modern
45A 2 Literature in English: Through Milton MW 1-2, + discussion sections F 1-2 Thornbury, Emily V.
Introductory Surveys
Middle English
Renaissance and Early Modern
45B 1 Literature in English: Late 17th- Through Mid-19th Centuries MW 10-11, + discussion sections F 10-11 Puckett, Kent
Duncan, Ian
Introductory Surveys
British 18th-Century
British 19th-Century
American Literature
45B 2 Literature in English: Late 17th- Through Mid-19th Centuries MW 12-1, + discussion sections F 12-1 Duncan, Ian
Puckett, Kent
Introductory Surveys
British 18th-Century
British 19th-Century
American Literature
45C 1 Literature in English: Mid-19th Through the 20th Century MW 10-11, + discussion sections F 10-11 Snyder, Katherine
Introductory Surveys
45C 2 Literature in English: Mid-19th Through the 20th Century MW 3-4, + discussion sections F 3-4 Blanton, C. D.
Introductory Surveys
British 19th-Century
British 20th- and 21st-Century
American Literature
84 1 Sophomore Seminar: Woody Allen W 2-5 Bader, Julia
Sophomore Seminars
101 1 History of the English Language MWF 1-2 Hanson, Kristin
English Language and Linguistics
C107 1 The English Bible as Literature TTh 9:30-11 Goldsmith, Steven
Special Topics
117B 1 Shakespeare TTh 11-12:30 Hass, Robert L.
Renaissance and Early Modern
Shakespeare
Drama
117S 1 Shakespeare: Selected Plays TTh 12:30-2 Knapp, Jeffrey
Renaissance and Early Modern
Shakespeare
Drama
118 1 Milton TTh 3:30-5 Goodman, Kevis
English Language and Linguistics
Renaissance and Early Modern
Poetry
119 1 Augustan Age: Literature of the Restoration and the Early 18th Century TTh 3:30-5 Picciotto, Joanna M
Renaissance and Early Modern
British 18th-Century
Novel
Drama
Poetry
125A 1 The English Novel (Defoe through Scott) TTh 12:30-2 Sorensen, Janet
British 18th-Century
Novel
125C 1 The European Novel: Tolstoy, Dostoevsky, and the English Novel TTh 3:30-5 Paperno, Irina
World Literature
Novel
130B 1 American Literature: 1800-1865 TTh 2-3:30 McQuade, Donald
American Literature
130D 1 American Literature: 1900-1945 TTh 2-3:30 Carmody, Todd
American Literature
133B 1 African American Literature and Culture Since 1917 TTh 3:30-5 Wagner, Bryan
American Literature
African American Literature
133T 1 Topics in African American Literature and Culture: Slavery--Theory and Literature TTh 11-12:30 JanMohamed, Abdul R.
American Literature
African American Literature
Novel
134 1 Contemporary Literature MWF 11-12 Falci, Eric
British 20th- and 21st-Century
Novel
Poetry
C136 1 Topics in American Studies: Boys and Girls in the Era of Mark Twain and Henry James TTh 3:30-5 Hutson, Richard
American Literature
Special Topics
137T 1 Topics in Chicana/o Literature and Culture: Chicano Poetry--Text and Context MWF 1-2 Padilla, Genaro M.
American Literature
Chicana/o and/or Latina/o
Poetry
Graduate Courses
141 1 Modes of Writing (Exposition, Fiction, Verse, etc.): Writing Fiction, Drama, and Poetry TTh 3:30-5 Chandra, Melanie Abrams
Creative Writing Workshops
143A 1 Short Fiction TTh 2-3:30 Chandra, Vikram
Creative Writing Workshops
143A 2 Short Fiction Tues. 3:30-6:30 Mukherjee, Bharati
Creative Writing Workshops
143B 1 Verse TTh 11-12:30 Shoptaw, John
Poetry
Creative Writing Workshops
143C 1 Long Narrative: The Short Novel W 3-6 Alarcon, Daniel
Novel
Creative Writing Workshops
143N 1 Prose Nonfiction TTh 11-12:30 Kleege, Georgina
Creative Writing Workshops
143N 2 Prose Nonfiction: The Essay TTh 12:30-2 Gallagher, Catherine
Creative Writing Workshops
143N 3 Prose Nonfiction: Traveling, Thinking, Writing TTh 2-3:30 Giscombe, Cecil S.
American Literature
African American Literature
World Literature
Creative Writing Workshops
143T 1 Poetry Translation Workshop TTh 2-3:30 Hass, Robert L.
Poetry
Literary Theory
Creative Writing Workshops
161 1 Introduction to Literary Theory TTh 11-12:30 Hale, Dorothy J.
Literary Theory
165 1 Special Topics: The Pisan and Later Cantos of Ezra Pound MW 1:30-3 Campion, John
American Literature
World Literature
Poetry
Special Topics
165 2 Special Topics: Race, Literature, and the Archive TTh 9:30-11 Carmody, Todd
American Literature
African American Literature
Special Topics
165 4 Special Topics: Self Creation--Confession, Memoir, Autobiography M 3-6 Danner, Mark
Special Topics
166 1 Special Topics: Specters of the Atlantic Ellis, Nadia
Special Topics
166 2 Special Topics: Narrating the Nation TTh 12:30-2 Mukherjee, Bharati
Novel
Special Topics
166AC 1 Special Topics in American Cultures: Race and Performance MW 3-4, + discussion sections F 3-4 Saul, Scott
American Cultures
American Literature
African American Literature
171 1 Literature and Sexual Identity: Sex & Race in Postcolonial London Ellis, Nadia
Special Topics
176 1 Literature and Popular Culture: The Promised Land--Representations of Confidence, Trust, Belief, and Faith in Nineteenth Century American Literature, Religion, and Patent Medicine Advertising TTh 9:30-11 McQuade, Donald
American Literature
Special Topics
180A 1 Autobiography: Disability Memoir TTh 2-3:30 Kleege, Georgina
Special Topics
180E 1 The Epic MWF 2-3 Nolan, Maura
Altieri, Charles F.
Renaissance and Early Modern
World Literature
Poetry
180Z 1 Science Fiction: Speculative Fiction and Dystopias MWF 12-1 Jones, Donna V.
Novel
Special Topics
190 1 Research Seminar Tanemura, Janice
Research Seminars
190 2 Research Seminar: Yeats, Joyce, & Beckett MW 4-5:30 Falci, Eric
British 20th- and 21st-Century
Novel
Poetry
Research Seminars
190 3 Research Seminar: Nonsense MW 4-5:30 Hanson, Kristin
English Language and Linguistics
British 19th-Century
Research Seminars
190 4 Research Seminar: American Gothic TTh 9:30-11 Donegan, Kathleen
American Literature
Research Seminars
190 5 Research Seminar: The Historical Novel TTh 9:30-11 Gordon, Zachary
World Literature
Novel
Research Seminars
190 6 Research Seminar: Moby-Dick TTh 11-12:30 Breitwieser, Mitchell
American Literature
Research Seminars
190 7 Research Seminar: Literature of Racial Passing TTh 11-12:30 Giscombe, Cecil S.
American Literature
African American Literature
Novel
Research Seminars
190 8 Research Seminar: Medieval English Poetry TTh 12:30-2 Lankin, Andrea A
Middle English
Poetry
Research Seminars
190 9 Research Seminar: Emily Dickinson TTh 12:30-2 Shoptaw, John
American Literature
Poetry
Research Seminars
190 10 Research Seminar: Mark Twain TTh 2-3:30 Hirst, Robert H.
American Literature
Research Seminars
190 11 Research Seminar: Mass Entertainment in 1930s Hollywood TTh 3:30-5 Knapp, Jeffrey
American Literature
Literary Theory
Research Seminars
Special Topics
190 12 Research Seminar: Henry James TTh 3:30-5 Otter, Samuel
American Literature
Novel
Research Seminars
190 14 Research Seminar: Cultures of Realism in Postwar Britain Tues. 3:30-6:30 Premnath, Gautam
British 20th- and 21st-Century
World Literature
Novel
Research Seminars
190 15 Research Seminar: Literature of California & the West Since WWI Thurs. 6-9 P.M. Starr, George A.
American Literature
Research Seminars
190 16 Research Seminar: Film Noir MW 5:30-7 P.M., + films W 7-10 P. M. Bader, Julia
Research Seminars
H195B 1 Honors Course TTh 2-3:30 Miller, D.A.
Honors and Tutorial Courses
H195B 2 Honors Course MW 12-1:30 Picciotto, Joanna M
Honors and Tutorial Courses
203 1 Graduate Readings: Literature & the Science of the Feelings, 1740-1819 M 3-6 Goodman, Kevis
British 18th-Century
British 19th-Century
Poetry
Graduate Courses
203 2 Graduate Readings: Struggling With Consolation--Reading Boethius in Anglo-Saxon England TTh 9:30-11 O'Brien O'Keeffe, Katherine
Old English
Special Topics
Graduate Courses
203 3 Graduate Readings: Politics of Death, Cultural Regenerations W 3-6 JanMohamed, Abdul R.
Graduate Courses
203 4 Graduate Readings: British Novel--1800-1900 W 3-6 Duncan, Ian
British 19th-Century
Novel
Graduate Courses
211 1 Chaucer: Early Poetry and the Troilus and Criseyde MW 10:30-12 Justice, Steven
Graduate Courses
212 1 Readings in Middle English: The Auchinleck Manuscript W 3-6 Miller, Jennifer
English Language and Linguistics
Middle English
Poetry
Literary Theory
Graduate Courses
243N 1 Prose Nonfiction Writing Workshop: Like & Love M 3-6 Farber, Thomas
Creative Writing Workshops
Graduate Courses
250 1 Research Seminar: Marxist Literary Theory Tues. 3:30-6:30 Gonzalez, Marcial
Literary Theory
Research Seminars
Graduate Courses
250 2 Research Seminar: Renaissance Things Thurs. 3:30-6:30 Landreth, David
Renaissance and Early Modern
Research Seminars
Graduate Courses
250 3 Research Seminar: Everyday Postcoloniality Thurs. 3:30-6:30 Premnath, Gautam
World Literature
Novel
Research Seminars
Graduate Courses
310 1 Field Studies in Tutoring Writing TBA Staff
Honors and Tutorial Courses