Course # |
Instructor |
Course Area |
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R1A/1 MWF 10-11 |
Please note the changes in the instructor, topic, book list, and course description of this section of English R1A (as of early December). In this course, we will read, analyze, and interpret various artistic responses to the Great Depression of the ...(read more) |
Cruz, Frank Eugene
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R1A/2 Reading and Composition: MWF 12-1 |
Like our 16th- and 17th-century ancestors, in the 21st century we remain fascinated by the supernatural. Yet while witches, wizards, and werewolves abound in the movies and TV shows of today, we have (for the most part) lost any belief in such magica...(read more) |
Scott, Mark JR
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R1A/3 Reading and Composition: MWF 1-2 |
Please note the changes in the instructor, topic, book list, and course description of this section of English R1A (as of January 13). The course material addresses the writings of the African diaspora in a broader definition of the term. It touche...(read more) |
Nanda, Aparajita |
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R1A/4 Reading and Composition: MWF 2-3 |
This course focuses on texts of young womanhood, examining the place of female adolescence in the cultural imagination. It also seeks to interrogate the term “girl” – its fungible application across childhood, adolescence, and adulthood, as well as t...(read more) |
Fleishman, Kathryn
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R1A/5 Reading and Composition: MWF 3-4 |
Note the changes in instructor, topic, book list, and course description (as of Dec. 15). Is homicide ever morally justifiable? . . . Is lying? Is it moral or immoral to lie to a murderer in pursuit of a victim? Humanity has long been concerned with...(read more) |
Carr, Jessica |
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R1A/6 Reading and Composition: TTh 8-9:30 |
“Oh no, no! the letter had much rather be all your own. You will express yourself very properly I am sure. There is no danger of you not being intelligible, which is the first thing.” – Jane Austen, Emma In this class we will consider the letter as o...(read more) |
Gaston, Lise
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R1A/7 Reading and Composition: TTh 5-6:30 |
Please note the changes in the instructor, topic, course description, and book list of this section of English R1A (as of 11/4/16). We're still fighting "The Forever War." We've learned to live with it. But how do we experience it, beyond color-coded...(read more) |
Larner-Lewis, Jonathan
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R1B/1 Reading and Composition: MWF 11-12 |
The last words of Peter Pan allude to an endless cycle in which children become adults, adults produce more children, and the cycle goes on and on “so long as children are gay and innocent and heartless.” If we should pause over this description, it ...(read more) |
Callender, Brandon
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R1B/2 Reading and Composition: MWF 12-1 |
This course will explore the ghosts, corpses, graveyards, and living dead of nineteenth-century American literature. Through an array of fiction, poetry, cultural history, and criticism (as well as potential field trips to local cemeteries), we will ...(read more) |
Bondy, Katherine Isabel
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R1B/3 Reading and Composition: MWF 12-1 |
The biblical book of Hebrews famously defines faith as “the substance of things hoped for, the evidence of things not seen” (11:1, KJV). But in eighteenth-century Europe and North America, “unseen” things were as much a matter of faith as a problem o...(read more) |
de Stefano, Jason
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R1B/4 Reading and Composition: MWF 12-1 |
The journey to self is a theme that we can all relate to and, perhaps for this reason, one that has been explored by many poets and philosophers from many cultures and traditions. Yet, writing about self often seems much like lifting a cup of water fr...(read more) |
Tchetgen, Pierre |
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R1B/5 Reading and Composition: MWF 1-2 |
Since the nineteenth century, the popular image of Romanticism has been that of the solitary genius. Typically poised atop some cloud-capped mountain or madly penning his verse in candlelight, this lone figure appears as a testament to the sovereign ...(read more) |
Ahmed, Adam
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R1B/6 MWF 1-2 |
"The artist . . . is the holiest reformer of them all, for she is creating."—Paulina Wright Davis, The Una, 1853 "Polemics . . . are not likely to be epics. They are likely to be pamphlets, even when they are disguised as stories and plays."—Albert M...(read more) |
Sirianni, Lucy
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R1B/7 MWF 2-3 |
This section of English R1B has been canceled....(read more) |
No instructor assigned yet. |
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R1B/8 MWF 2-3 |
This section of English R1B has been canceled....(read more) |
No instructor assigned yet. |
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R1B/9 MWF 2-3 |
This section has been canceled....(read more) |
No instructor assigned yet. |
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R1B/10 MWF 3-4 |
This section of English R1B has been canceled....(read more) |
No instructor assigned yet. |
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R1B/11 MWF 3-4 |
This section has been canceled....(read more) |
No instructor assigned yet. |
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R1B/12 MWF 3-4 |
This section has been canceled....(read more) |
No instructor assigned yet. |
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R1B/13 MW 5-6:30 |
This section has been canceled....(read more) |
No instructor assigned yet. |
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R1B/14 Reading and Composition: MW 5-6:30 |
“The distortion of a text is not unlike a murder. The difficulty lies not in the execution of the deed but in the doing away with the traces.” —Sigmund Freud, Moses and Monotheism Freud suggests that murder mysteries appeal to us in part because read...(read more) |
Magarik, Raphael
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R1B/15 Reading and Composition: TTh 8-9:30 |
In one common sense, we use the word “magic” to refer to the extraordinary, the otherworldly or the supernatural. We associate this sense of “magic” with the belief that one can gain control over external events through special means that defy logic...(read more) |
Alexander, Edward Sterling
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R1B/16 Reading and Composition: TTh 8-9:30 |
This course investigates monsters—from the stitched-together creatures of The Island of Dr. Moreau (1896) to present-day vampires, werewolves, body snatchers, and other frightening creatures of lore and literature. We will read two short novels (Dr. ...(read more) |
Diaz, Rosalind
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R1B/17 Reading and Composition: TTh 5-6:30 |
With beauty before me, may I walk With beauty behind me, may I walk With beauty above me, may I walk With beauty below me, may I walk With beauty all around me, may I walk Wandering on the trail of beauty, may I walk Navajo Night Chant From Walt ...(read more) |
Gillis, Brian
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R1B/18 TTh 5-6:30 |
This section of English R1B has been canceled....(read more) |
No instructor assigned yet. |
Course # |
Instructor |
Course Area |
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24/2 Freshman Seminar: W 4-5 |
In this seminar we will read the work of Berkeley poets; study the paintings, sculpture, and video installations in our own Berkeley Art Museum; attend musical and theatrical performances at Zellerbach Hall; see and discuss films at the Pacific Film ...(read more) |
Padilla, Genaro M.
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24/3 Freshman Seminar: Tues. 5-6 |
As close and careful a reading of Thoreau's dense and enigmatic work as we can manage in the time that we have. Regular attendance and participation and five pages of writing will be required. This 1-unit course may not be counted as one of the twelv...(read more) |
Breitwieser, Mitchell
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24/4 Freshman Seminar: Wed. 3-4 |
Apocalyptic and post-apocalyptic stories—are these really two different things?—have been told for centuries. But novels and movies that imagine the end of the world (and what comes after that) seem to have inundated us recently. In this course, we wi...(read more) |
Snyder, Katherine
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28/1 Introduction to the Study of Drama MWF 10-11 |
The work of this class will be to understand the drama as literature in company. Lots of other literary forms make claims about what social life is like, and strive to act upon the social life of their readers beyond the reading experience. But the d...(read more) |
Landreth, David
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43A/1 Introduction to the Writing of Short Fiction TTh 11-12:30 |
This is an introductory course on writing short fiction. Its aim is twofold: to help students become more practiced and confident fiction writers, and to foster reflection on and mindful engagement with the writing process. Toward those ends, we will...(read more) |
Mansouri, Leila
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43B/1 Introduction to the Writing of Verse TTh 3:30-5 |
This course is primarily a poetry workshop. Reading and writing assignments will help generate our workshop material and give us the language and tools to treat that material. Readings will include poetry and poetics from the last several hundred y...(read more) |
Gregory, Jane
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45A/1 Literature in English: MW 1-2 + discussion sections F 1-2 |
English 45A introduces students to the foundations of literary writing in Britain, from the early Middle Ages to the Renaissance and English Civil War. This semester I'd like to focus on how that foundational narrative--the story of how British autho...(read more) |
Landreth, David
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45B/1 Literature in English: MW 2-3 + discussion sections F 2-3 |
Readings in English, Scottish, Irish and North American prose fiction, autobiography, and poetry from 1688 through 1848: a century and a half that sees the formation of a new, multinational British state with the political incorporation of Scotland a...(read more) |
Duncan, Ian
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45C/1 Literature in English: MW 12-1 + discussion sections F 12-1 |
This course will survey British, American, and global Anglophone literature from the end of the 19th century through the beginning of the 21st. Moving across a number of genres and movements, this course will examine the ways 20th- and 21st-century w...(read more) |
Gang, Joshua
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45C/2 Literature in English: MW 3-4 + discussion sections F 3-4 |
This course examines radical changes and unexpected continuities in literature in English from 1850 to (almost) the present. We will read poetry and fiction from Britain, Ireland, North America and Africa in order to explore a range of literary resp...(read more) |
Flynn, Catherine
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80K/1 MWF 12-1 |
This course has two principle aims: (1) to provide an overview of the history of children’s literature in English; (2) to introduce students to the major generic, political, aesthetic, and philosophical questions such literature has posed. Among thes...(read more) |
Lavery, Grace
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84/1 Sophomore Seminar: W 2-5 |
We will examine the films and writings of Woody Allen in terms of themes, narration, comic and visual inventiveness, and ideology. The course will also include consideration of cultural contexts and events at Cal Performances and the Pacific Film Arc...(read more) |
Bader, Julia
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Course # |
Instructor |
Course Area |
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105/1 TTh 2-3:30 |
“Britain, once called Albion, is an island of the ocean...” When the priest Bede set out in the early 700s to write the history of the place we now call England, he portrayed it as a new nation with a deep past, a remote corner of the world that was ...(read more) |
Thornbury, Emily V.
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111/1 TTh 3:30-5 |
The course will read Chaucer's two greatest works--the Canterbury Tales (easily one of the most entertaining works and one of the most compelling works in English) and the Troilus and Criseyde (perhaps less entertaining, but no less compelling)--alon...(read more) |
Justice, Steven
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114A/1 TTh 11-12:30 |
For more information on this course, please contact Professor Miller at j_miller@berkeley.edu This course satisfies the pre-1800 requirement for the English major. ...(read more) |
Miller, Jennifer
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117S/1 TTh 12:30-2 |
This course will be an exercise in unabashed celebration of genius. I will be continually asking what work these plays are doing in order to render dynamically certain basic features of human experience and to raise significant questions about why w...(read more) |
Altieri, Charles F.
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117S/2 TTh 3:30-5 |
Shakespeare wrote a massive number of plays. Focusing on a selection of them, we’ll consider the range of Shakespeare's dramaturgy and why this range was important to him. We’ll also explore how the variety of dramatic genres in which he wrote affe...(read more) |
Knapp, Jeffrey
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118/1 MW 10-11 + discussion sections F 10-11 |
Probably the most influential and famous (and, in his own time, infamous) literary figure of the seventeenth century, John Milton has been misrepresented too often as a mainstay of a traditional canon rather than as the rebel he was. He is also somet...(read more) |
Goodman, Kevis
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119/1 Literature of the Restoration and the Early 18th Century TTh 12:30-2 |
In an age of commercial print expansion, men and women writers negotiated the possibilities, limits, and perceived dangers of publishing. In this class, we will explore the forms and strategies writers deployed in those negotiations, whether women po...(read more) |
Sorensen, Janet
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125C/1 The European Novel: MWF 3-4 |
The novel emerged as the principal literary genre in 19th-century Europe and has continued to dominate the literary market in Europe and North America ever since. What were the constitutive formal elements as well as social and psychological concern...(read more) |
Golburt, Luba |
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125E/1 MW 1-2 + discussion sections F 1-2 |
In this class, we will read a selection of 21st-century novels written in English, as well as some book reviews, interviews, and critical essays. We will consider the formal and thematic elements of these contemporary fictions, as well as a variety o...(read more) |
Snyder, Katherine
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130A/1 American Literature: Before 1800 MWF 12-1 |
This course surveys the literatures of early America, from the tracts that envisioned the impact of British colonization to the novels that measured the after-shock of the American Revolution. Throughout, we will consider colonial America as a place...(read more) |
Donegan, Kathleen
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132/1 MW 2-3 + discussion sections F 2-3 |
This course is a survey of major American novels from the late-nineteenth century to the present, with a focus on realism, naturalism, and modernism. Rather than trace a single history of the novel in this period, we will explore a range of genres th...(read more) |
Goble, Mark
|
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C136/1 Topics in American Studies: TTh 2-3:30 |
This course will focus on the lives and struggles of Mexican farm workers in California as represented in Chicano/a literature from the 1970s to the early twentieth-first century—or roughly the period that coincides with the rise of neoliberalism as ...(read more) |
Gonzalez, Marcial
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137B/1 Chicana/o Literature and Culture Since 1910: TTh 11-12:30 |
In this course, we’ll read a cluster of post-1970 Chicanx/Latinx novels. We’ll explore a variety of issues and experiences—race, ethnicity, gender, sexuality, political activism, revolution, philosophy, art, storytelling, and writing—represented in ...(read more) |
Gonzalez, Marcial
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139/1 The Cultures of English: TTh 11-12:30 |
This course will examine some British colonial novels within the socio-political-economic context of late British colonialism and some (post-)colonial novels written after the devolution of formal British colonialism....(read more) |
JanMohamed, Abdul R.
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141/1 Modes of Writing (Exposition, Fiction, Verse, etc.) TTh 12:30-2 |
We'll study some of the ways that fiction writers, essayists, story-tellers, and poets have responded to the worlds that their cultures have built. We'll look at "high" forms and "low" forms and write in both and consider the distinctions. We'll re...(read more) |
Giscombe, Cecil S.
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143A/1 MW 3:30-5 |
The aim of this course to explore the genre of short fiction – to discuss the elements that make up the short story, to talk critically about short stories, and to become comfortable and confident with the writing of them. Students will write two s...(read more) |
Abrams, Melanie
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143A/2 TTh 11-12:30 |
This workshop is designed to hone basic elements of the short story: style, voice, perspective, structure, plot, character, and so on. We will read some exceptional short stories in a variety of genres. We will compose and revise 1-3 short stories (3...(read more) |
Serpell, C. Namwali
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143A/3 Thurs. 3:30-6:30 |
A fiction workshop in which students will be expected to turn in material approximately every third week, to be edited and discussed in class. Emphasis will be upon editing and revising. Quality rather than quantity is the ideal, but each student sho...(read more) |
Oates, Joyce Carol |
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143B/1 TTh 9:30-11 |
In this course you will conduct a progressive series of explorations in which you will try some of the fundamental options for writing poetry today (or any day)--aperture and closure; rhythmic sound patterning; sentence and line; short and long-lined...(read more) |
Shoptaw, John
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143B/2 TTh 3:30-5 |
The purpose of this class will be to produce a collective language in which to treat poetry. Writing your own poems will be a part of this task, but it will also require readings in contemporary poetry and essays in poetics, as well as some writing ...(read more) |
O'Brien, Geoffrey G.
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143C/1 TTh 2-3:30 |
The purpose of this workshop is to begin to write a novel. It is unlikely that you will finish writing a novel in the three months we spend together. Novels take time. There are some reported exceptions to this—Jack Kerouac wrote the first draft of O...(read more) |
Serpell, C. Namwali
|
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143N/1 Prose Nonfiction: TTh 2-3:30 |
This class will be conducted as a writing workshop to explore the art and craft of the personal essay. We will closely examine the essays in the assigned anthology, as well as students’ exercises and essays. Writing assignments will include three s...(read more) |
Kleege, Georgina
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165/1 Special Topics: MWF 10-11 |
A graphic novel is often defined as “a single-author, book-length work, meant for a grown-up reader, with a memoirist or novelistic nature, usually devoid of superheroes.” Many comic artists, however, ridicule the term as a pretentious and disingenu...(read more) |
Wong, Hertha D. Sweet
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165/2 Special Topics: TTh 3:30-5 |
This is a course primarily on the literature of incarceration variously defined and experienced across a range of control systems that attempt to stunt the entire human being. We will read prison narrative/poetry (George Jackson's prison letters, Jim...(read more) |
Padilla, Genaro M.
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166/1 Special Topics: MWF 1-2 |
For the past thirty years, it’s become a cliché that it’s easier to imagine the end of the world than the end of capitalism. Yet, ever since the 2008 financial crash, there’s been rising popular consciousness of capitalism’s crisis-bound character an...(read more) |
Lye, Colleen
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166/2 Special Topics: MWF 3-4 |
What makes environmental violence hard to represent and how can literature bear witness to the silence, slowness, and invisibility of ecological relations? Of what use is the problematic concept of “nature” in ordering our relations to other living b...(read more) |
François, Anne-Lise
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166/3 Special Topics: MWF 3-4 |
This is a multidisciplinary seminar on the law and literature of slave conspiracy. We will be reading novels and stories by authors such as Martin Delany and Herman Melville alongside contemporary newspapers, confessions, warrants, witness deposition...(read more) |
Wagner, Bryan
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166/4 Special Topics: MW 5-6:30 PM |
In this course, we will examine intersections between literature and visual media in the twentieth century, with a particular focus on texts concerned with film and its cultural effects. We will read novels, short stories, poetry, and essays which no...(read more) |
Goble, Mark
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166/5 Special Topics: TTh 11-12:30 |
In this course we will focus on one of the major canons in modern literature, one that includes, some would argue, the most significant English-language poet, the most important novelist, and the most remarkable playwright of the 20th century. Indee...(read more) |
Falci, Eric
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166AC/1 Special Topics in American Cultures: MWF 1-2 |
This aim of this survey is two-fold: First, to interrogate the concept of nationhood and, particularly, what it means to be American. Focusing on writings by and about peoples of Asian descent across the twentieth century and into the twenty-first, ...(read more) |
Lee, Steven S.
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180A/1 Autobiography: TTh 11-12:30 |
Autobiographies written by people with disabilities offer readers a glimpse into lives at the margins of mainstream culture, and thus can make disability seem less alien and frightening. Disability rights activists, however, often criticize these te...(read more) |
Kleege, Georgina
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180L/1 TTh 2-3:30 |
This course will examine the historical trajectory of a very fuzzy category, “lyric,” from its identified origins and early practice in antiquity (Sappho, Catullus, et al.) to its 20th and 21st century rejections and rehabilitations (all the way up t...(read more) |
O'Brien, Geoffrey G.
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180Z/1 TTh 9:30-11 |
This course will examine in depth the history of speculative fiction and its engagement with the thematics and topoi of the new life sciences—representation of cloning, ecological dystopias, hybrid life-forms, genetic engineering dystopias. While sci...(read more) |
Jones, Donna V.
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C181/1 Digital Humanities, Visual Cultures: MWF 10-11 |
This course introduces tools and methods of the Digital Humanities as they can be used in studying the art and literature of the early modern period. Our focus is on how, around 1600, things were in motion: people, but also objects and ideas. By 1600...(read more) |
Honig, Elizabeth |
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190/1 Research Seminar: MW 9:30-11 |
This is a course that weds postcolonial literary theory to cultural studies to critical geography to art. We'll read novels and watch films from several cities--London, Kingston, Johannesburg, New York, New Orleans, Lagos, Bombay/Mumbai--and think ab...(read more) |
Ellis, Nadia
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190/2 Research Seminar: MW 11-12:30 |
The Harlem Renaissance was a cultural and intellectual movement of black artists and writers in the 1920s. Centered in the Harlem neighborhood in Manhattan, the movement extended outward through international collaboration that reached all the way to...(read more) |
Wagner, Bryan
|
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190/3 Research Seminar: MWF 12-1 |
In the early twentieth century, philosophers began to suspect that all their ancient problems—from the riddle of selfhood to the mystery of other minds to the imprecision of sensation—were actually problems with language. We could fix everything, the...(read more) |
Blevins, Jeffrey
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190/4 Research Seminar: MW 12:30-2 |
While there is hardly a dearth of criticism on Jane Austen, it is rare to find her used, as Balzac, Flaubert, Dostoevsky, or Proust is used, as the basis for theorizing the Novel as a form. The gender bias of classic continental novel theory ignores...(read more) |
Miller, D.A.
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190/5 Research Seminar: MWF 1-2 |
Please note the changes in the topic, book list, and courses description of this class (as of November 22). This course looks at two distinct moments in which individual authors attempted to create encyclopedic visions in an attempt to diagnose what ...(read more) |
Perry, R. D.
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190/6 Research Seminar: MWF 2-3 |
William Shakespeare's works have been staged all over the world, adapted as films, operas, musicals, ballets, and novels. They have been transposed into diverse settings, from fascist Italy to the Wild West, medieval Japan to the fictional planet of...(read more) |
Bahr, Stephanie M
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190/7 Research Seminar: MWF 3-4 |
Philosophy as a form has been governed by a sense of “homesickness.” Literary discourse has similarly grappled with a longing for remembered places. Thornfield Hall, Satis House, Brideshead Castle, the Isle of Skye, Manderley—from pristine estates an...(read more) |
Xin, Wendy Veronica
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190/8 Research Seminar: TTh 9:30-11 |
In this seminar we’ll explore literary (and some non-literary) representations of life at sea and of sailors, both offshore and on, primarily but not exclusively during the expansion of Britain’s first empire during the eighteenth century. We’ll expl...(read more) |
Sorensen, Janet
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190/9 TTh 9:30-11 |
Beowulf is the longest, subtlest, and in many ways the strangest and most difficult Old English poem that has survived from Anglo-Saxon England. Since its rediscovery in the 18th century, we have learned much about its language and literary backgroun...(read more) |
Thornbury, Emily V.
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190/10 Research Seminar: TTh 12:30-2 |
Our subject will be the theory and practice of mass entertainment in Hollywood from the birth of talking pictures to the start of W.W. II. We'll sample the extraordinary range of films that Golden-Age Hollywood offered its consumers: from screwball ...(read more) |
Knapp, Jeffrey
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190/11 Research Seminar: TTh 12:30-2 |
Class description to come. |
Jones, Donna V.
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190/13 Research Seminar: Tues. 5-8:30 PM (see the course description) |
Besides reading and discussing some fiction and poetry with Western settings, and essays that attempt to identify or explain distinctive regional characteristics, this course will consider various movies shaped by and shaping conceptions of Californi...(read more) |
Starr, George A.
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H195B/1 TTh 2-3:30 |
This course is a continuation of section 1 of H195A, taught by David Marno in Fall 2016. No new students will be admitted, and no new application needs to be submitted. Professor Marno will give out permission codes in class in November. There will b...(read more) |
Marno, David
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H195B/2 TTh 9:30-11 |
This is a continuation of section 2 of H195A, taught by Celeste Langan in Fall 2016. No new students will be admitted, and no new application form needs to be filled out. Professor Langan will give out permission codes in class in November. ...(read more) |
Langan, Celeste
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Graduate students from other departments and exceptionally well-prepared undergraduates are welcome in English graduate courses (except for English 200 and 375) when space permits. Please contact the instructor if you have questions.
Course # |
Instructor |
Course Area |
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203/1 Graduate Readings: MW 9:30-11 |
World literature theories that have borrowed from the work of Immanuel Wallerstein on early capitalism to conceptualize the dynamics of literary centers and peripheries have difficulty accounting for the Asian Anglophone novel, an ascendant form of l...(read more) |
Lye, Colleen
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203/2 W 3-6 |
Using psychoanalytic, phenomenological, and economic theorization of death and life, this course will examine instances of the political economy of life (and birthing) and death in African American literature. We will read the (Euro-American) exeg...(read more) |
JanMohamed, Abdul R.
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205B/1 Old English: TTh 12:30-2 |
In the last decade, there has been considerable interest in Anglo-Saxon law from the perspectives of history and literature, including a new, international project to re-edit the corpus. This course will consider both the social and textual dimension...(read more) |
O'Brien O'Keeffe, Katherine
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211/1 TTh 2-3:30 |
This course will introduce specialists and non-specialists alike to the close reading of Chaucer's Canterbury Tales. You need have no previous experience with Middle English; indeed, if you do have previous experience, you may find that Chaucer chal...(read more) |
Nolan, Maura
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243A/1 TTh 9:30-11 |
A graduate-level fiction workshop. Students will write fiction, produce critiques of work submitted to the workshop, and participate in discussions about the theory and practice of writing. We’ll also read published fiction and essays about writing f...(read more) |
Chandra, Vikram
|
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243N/1 Prose Nonfiction Writing Workshop: Tues. 3:30-6:30 |
A graduate-level writing workshop, open both to graduate students from any department as well as to undergraduate students from any department who have taken English 143-level writing seminars or have equivalent skills or experience. Drawing on narra...(read more) |
Farber, Thomas
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246C/1 Graduate Pro-seminar: TTh 11-12:30 |
In this survey, we follow how authors from Francesco Petrarca and Thomas More to John Donne participated in the grand cultural project of the Renaissance, ostensibly defined by the belief that consuming and producing culture would elevate human being...(read more) |
Marno, David
|
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246H/1 Graduate Pro-seminar: MW 11-12:30 |
We will read and discuss some major works of Victorian poetry, fiction, and critical and scientific prose, in light of nineteenth-century discussions of aesthetic, social, and natural conceptions of form, as well as current debates over the status an...(read more) |
Duncan, Ian
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246J/1 Graduate Pro-seminar: F 12-3 |
In a speech delivered on the bicentenary of the ratification of the Constitution, Justice Thurgood Marshall scandalized his audience (and much of the nation) when he proposed that “while the Union survived the civil war, the Constitution did not” – f...(read more) |
Best, Stephen M.
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250/1 Research Seminar: M 3-6 |
This class will study the major poetry and prose that emerged from the remarkable literary collaboration and conflict between William Wordsworth and Samuel Taylor Coleridge, including their jointly produced Lyrical Ballads (1798 and 1800), Coleridge’s...(read more) |
Goodman, Kevis
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250/2 Research Seminar: Thurs. 3:30-6:30 |
This course is still a work in progress. The basic idea is to develop the possibility that new developments in materialism offer tremendous possiblities for appreciating Impressionist art and Imagist writing. But they also make it imperative to app...(read more) |
Altieri, Charles F.
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250/3 W 2-5 |
The history of Western literary theory is often told in terms of the concept of mimesis. But there is another, equally powerful, anti-mimetic strand to this history, and that is the critique of mimesis as a form of idolatry. In this course, we will e...(read more) |
Kahn, Victoria
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310/1 Field Studies in Tutoring Writing T. B. A. |
Through seminars, discussions, and reading assignments, students are introduced to the language/writing/literacy needs of diverse college-age writers such as the developing, bi-dialectal, and non-native English-speaking (NNS) writer. The course will ...(read more) |
T. B. A. |
PLEASE READ CAREFULLY ALL THE PARAGRAPHS BELOW THAT APPLY TO ENGLISH COURSES IN WHICH YOU WANT TO ENROLL. SOME COURSES HAVE LIMITED ENROLLMENT AND/OR HAVE EARLY APPLICATION PROCEDURES.
ALL ENGLISH COURSES: Some courses are in such high demand that they will end up having wait lists. If you end up having to put yourself on one for an English course, please attend the first few classes, as space might open up for you after classes have started.
BERKELEY CONNECT: Would you like to get together with your peers to talk about literature and books? Are you wondering what to do with your English major once you graduate? Do you want to hear about the books that most influenced your English professors? Do you want expert advice about which courses to take? Would you like to see your favorite professors debating about a great work of literature? If so, please join Berkeley Connect!
Berkeley Connect in English fosters community in the English Department and offers a space for “serious play”: small group discussions about ideas and texts, explorations of the many riches of the Berkeley campus, visits by department faculty and distinguished alumni, and one-on-one advice on courses and graduate programs from graduate students and professors.
Individual Berkeley Connect groups (each with about 14-20 students) meet every other week for one hour of “serious play.” On the off weeks, your graduate student mentor will hold office hours so that you can talk individually about issues important to you. Some of the small group meetings will be informal discussions of a range of literary issues, while others involve visits to places around campus (such as the Berkeley Art Museum and the Bancroft Library). On other weeks we will meet as a large group to hear from distinguished alumni, or to listen to Berkeley English professors talk about their own paths into literary study or debate key books in their field with other professors.
There are no essays, papers, exams, or outside reading for Berkeley Connect, just lots of good discussion, valuable advice, and all sorts of “serious play.” Although this is not a traditional course, each participant will enroll in and earn one unit for group independent study (as English 98BC or 198BC, on a Pass/NP basis). The program is not meant to offer extra help or tutoring on things like the mechanics of paper-writing or literary analysis; rather, it aims at providing a more relaxed and fun way to make the best of your Berkeley experience.
Berkeley Connect in English sections: English 98BC sections 1-3 are intended for lower-division (freshmen and sophomore) students. English 198BC sections 1-2 and 5-9 are intended for upper-division (junior and senior) students, while English 198BC sections 3 and 4 are intended for new (spring) junior transfer students (as well as other juniors and seniors).
CREATIVE WRITING WORKSHOP COURSES (English 43A, 43B, 143A, 143B, 143C, 143N, 243A, and 243N): These are instructor-approved courses, and enrollment is limited. Only continuing UC Berkeley students are eligible to apply. Only lower-division students should apply for 43A and 43B; only upper-division students should apply for 143A, 143B, 143C, and 143N; and only graduate students (and upper-division students with considerable writing experience) should apply for 243A and 243N. In order to be considered for admission to any of these courses, you must electronically submit a writing sample AND an application form, using the link on the corresponding class entry on this "Announcement of Classes," BY 11 P.M., THURSDAY, OCTOBER 27, AT THE LATEST. (If you are applying for more than one of these classes, you will need to submit an application and the corresponding writing sample for each of the classes/sections you are applying for.) The instructors will review the writing samples and applications, and the class lists will be posted on the partition "wall" for the desk area just inside the entrance to the English Department, at the Hearst Field Annex, Building B, on Thursday, November 3. Please come on or shortly after Thursday, November 3, to see if your name is on the class list for the section(s) you applied for; please check in person, as this information is NOT available over the phone. ONLY STUDENTS ON THESE CLASS LISTS WILL BE ADMITTED TO THE CORRESPONDING CLASSES, AND EACH ADMITTED STUDENT WILL NEED TO OBTAIN HIS/HER INDIVIDUAL PERMISSION CODE FROM THE INSTRUCTOR AT THE FIRST CLASS MEETING. NO ONE WILL THEREFORE BE ABLE TO ACTUALLY ENROLL IN THESE PARTICULAR CLASSES BEFORE THESE CLASSES START MEETING IN THE SPRING.
ENGLISH 190 (RESEARCH SEMINAR): English 190 is intended for senior and junior English majors. During at least Phase I of enrollment, only already-declared majors who will be in their fourth or third year as of spring '17 will be able to enroll in this course; upper-division students who intend to major in English and have taken some courses that will count towards the major but who have not yet delcared will need to put themselves on the wait list of the section they are interested in taking, and they will be admitted later (probably towards the end of Phase II) if and when there is still room for them. Due to space limitations (maximum enrollment is 18 students per section), students may initially enroll in or wait-list themselves for only one section of English 190. However, if it turns out that some sections still have room in them at or near the end of Phase II appointments, we may loosen the restrictions for admission to those sections.
ENGLISH H195B (HONORS COURSE): This course is open only to students who are enrolled in a Fall 2016 English H195A section. Your H195A instructor will give each of you a permission code for H195B in class sometime in November.
DE-CAL CLASSES: All proposals for Spring 2017 DE-Cal courses must be submitted to the work-study student at the front desk of the English Department Office (in the Hearst Field Annex, Builiding B), addressed to the attention of the Chair of the English Department, BY 4:00 P.M., THURSDAY, OCTOBER 27. Please note that individual faculty members may sponsor only one DE-Cal course per semester. Students wishing to offer a DE-Cal course must provide, to the English Department Chair, the following for approval: (1) a completed COCI Special Studies Course Proposal Form, available on DE-Cal’s website at http://www.decal.org, for 98 and 198 classes. Students must download and complete this form and obtain the proposed faculty sponsor’s signature on it before submitting it, along with the other necessary paperwork; (2) a copy of the syllabus of the proposed course; (3) a copy of the course description, including the criteria for passing the course; (4) a unit value worksheet (obtainable by following these steps: log onto: academic-senate.berkeley.edu; click "committees" [in the left-hand toolbar]; click "COCI"; click "Information on student-facilitated courses"; scroll down and click "unit value worksheet"). A few days after the October 27 submission deadline, the students whose proposals have been approved will be notified that they need to see Laurie Kerr, in the Hearst Field Annex, Building B, in order to arrange for a classroom for their course and to work out a few other details before the delivery of copies of their approved proposals to COCI and to the DE-Cal office.
INDEPENDENT STUDY COURSES: These are instructor-approved courses and require a written petition, available from the rack on the front counter as you enter Hearst Field Annex, Building B. Completed petitions should be signed by the instructor and returned by the student to the "undergraduate petitions" drop box on the same counter as the rack containing the blank petition forms. Students will subsequently be emailed the Class Number that they will use to actually enroll in the class. Often students will elect to wait until spring courses have started to apply for independent study courses.
UNDERGRADUATE AND GRADUATE STUDENTS INTERESTED IN BECOMING WRITING TUTORS (ENGLISH 310): This is an instructor-approved course with limited enrollment. In order to be considered for admission, you must pick up an application for an interview at the Student Learning Center, Atrium, in the Cesar Chavez Student Center, during the fall semester through finals week or during the week before spring semester classes begin. No one may apply after Wednesday of the first week of classes. Students admitted to 310 will need to appear in person at the Student Learning Center, at the time the Learning Center specifies, in order to obtain the Class Number and then enroll. See the course description in this Announcement of Classes under English 310 for more details.