English 190

Research Seminar: Homocinema


Section Semester Instructor Time Location Course Areas
10 Spring 2011 Miller, D.A.
Miller, D.A.
TTh 12:30-2 + film screenings Wednesdays 5-7:30 P.M. 226 Dwinelle

Other Readings and Media

Bersani, L.: Homos; Edelman, L.: No Future; Hocquenghem, G.: Homosexual Desire; Hocquenghem, G.: The Screwball Asses

Description

Under the assumption that male homosexual fantasy is not the peculiar coinage of a homosexual brain, but the common, even central daydream of the normal world, the course identifies three modes of broaching it in narrative cinema. In Hollywood classicism, this mode involves what Lee Edelman has called "the invisible spectacle," the formation of a homosexual closet intended for general heterosexual use. In a later development, when this cinema treats homosexuality explicitly, the work of closeting becomes a minoritizing of "the homosexual" as a individual problem. A third kind of relation, on which this course will concentrate, is undertaken outside the Hollywood system, and in particular in the international "art film" (Almodovar, Fassbinder, Genet, Oshima, Pasolini). It involves uncloseting not the homosexual, but homosexual fantasy itself in its radical potential to disrupt social and symbolic order. This (dark? utopian? at any rate intractable) vision is not necessarily compatible or even tolerable to liberal or gay politics, as we presently know them.

English 190 replaced English 100 and 150 as of Fall '09. English majors may fulfill the seminar requirement for the major by taking one section of English 190 (or by having taken either English 100 or English 150 before Fall '09). Please read the paragraph on page 2 of this Accouncement of Classes for more details about enrolling in, or wait-listing for, this course.

Please click here for more information about enrollment in English 190.

Other Recent Sections of This Course

fall, 2022

190/1

Research Seminar: Ulysses

190/3

Research Seminar: Nineteenth Century American Ecologies

190/4

Research Seminar: Material Dickinson

190/5

Research Seminar: 1922: Modernism's Year 1

190/6

Research Seminar: Crisis and Culture: The 1930s, 1970s, and post-2008 in Comparative Perspective

190/7

Research Seminar

190/8

Research Seminar: The Work of Ursula Le Guin

190/9

Research Seminar: Modern California Books and Movies

spring, 2022

190/1

Research Seminar: Emily Dickinson

190/2

Research Seminar: Anatomy of Criticism

190/4

Research Seminar: What is Community?

190/5

Research Seminar: Repression and Resistance

190/6

Research Seminar: The Historical Novel

190/7

Research Seminar: Race and Travel: Relative Alterity in Medieval Times and Places

190/8

Research Seminar: Modern California Books and Movies

fall, 2021

190/1

Research Seminar: Beckett's Prose

190/2

Research Seminar: Literature on Trial: Romanticism, Law, Justice

190/3

Research Seminar: Sensation Novels in Victorian England

190/5

Research Seminar: Anti-Jewish Diatribe in Medieval England

190/8

Research Seminar: Utopian and Dystopian Books and Movies

190/10

Research Seminar

190/11

Research Seminar: Latinx Modernism

spring, 2021

190/1

Research Seminar: Literary Collaboration: Samuel Coleridge and William and Dorothy Wordsworth

190/2

Research Seminar: The Art of Reconstruction

190/3

Research Seminar: Fictions of Los Angeles

190/4

Research Seminar: Emily Dickinson

190/5

Research Seminar: Climate Change Fiction, or Cli-Fi

190/6

Research Seminar: Black Postcolonial Cultures: Real and Imagined Spaces

190/7

Research Seminar: Ecopoetry and Ecopoetics

190/8

Research Seminar: The Other Melville

190/9

Research Seminar: Chicanx Literature, Art and Performance

fall, 2020

190/1

Research Seminar: Utopia and Anti-Utopia

190/2

Research Seminar: Eco-crisis and Climate Refugueeism

190/3

Research Seminar: The Spy Novel

190/4

Research Seminar: Modern California Books and Movies

190/5

Research Seminar: Is It Useless to Revolt?

190/8

Research Seminar: Anatomy of Criticism

190/9

Research Seminar: James / Baldwin

190/10

Research Seminar: Medieval Sexuality

spring, 2020

190/1

Research Seminar: Ecopoetry and Ecopoetics

190/2

Research Seminar: William Faulkner’s Temporalities

190/3

Research Seminar: American Romanticism

190/4

Research Seminar: Poetry and the Virtues

190/5

Research Seminar: British Fiction Since 1945

190/6

Research Seminar: Hollywood in the Thirties

190/7

Research Seminar: Jane Austen

190/8

Research Seminar: James Joyce

190/9

Research Seminar: Victorian Versification

190/10

Research Seminar: Modern California Books and Film


Back to Semester List