English 190

Research Seminar: Medieval English Poetry


Section Semester Instructor Time Location Course Areas
8 Spring 2012 Lankin, Andrea
TTh 12:30-2 54 Barrows

Other Readings and Media

Course reader containing Malcolm Andrew and Ronald Waldron. ed., Pearl, Bella Millet, ed., Harley Lyrics, Rosemary Allen, ed., King Horn, David Burnley and Allison Wiggins, ed., Sir Orfeo and The King of Tars, selections from Thomas Wright, Political Poems and Songs from Edward III to Richard II, selections from other Middle English and multilingual English lyric collections, assorted influential and recent medieval verse criticism

Description

The poetry of medieval England, often witty, sometimes moving, occasionally shocking, and frequently creative in form, style and use of language, has inspired poets including Seamus Heaney, Gerard Manley Hopkins and Geoffrey Hill. We will be exploring the form, style and content of Middle English poetry and multilingual poems of medieval England. Comparing the layout of medieval poems on their original manuscript pages to their modern editions, we will consider what kind of layout best suits the poems and what we may learn from manuscript structures. In a translation project, all students will have the opportunity to bring the features of medieval poetry which they value in Middle English into modern English. There will also be regular reading responses and a final research paper.

We will read most texts in the original Middle English. Some poems of medieval England are written in Latin, French, or even a combination of Latin, French and English; poetry in languages other than Middle English will always be printed alongside extensive glossing or translation. Previous enrollment in English 45a or in another Middle English literature class is welcome, but not required; no prior knowledge of Middle English is necessary for this class.

A course reader containing printed copies of all of the class readings will be available. We will also be using online scholarly editions, so students should plan to use campus computer labs or personal computers, netbooks or tablets in order to prepare for class.

This section of English 190 satisfies the pre-1800 requirement for the English major.

English 190 replaced English 100 and 150 as of Fall '09. English majors may fulfill the seminar requirement for the major by taking one section of English 190 (or by having taken either English 100 or English 150 before Fall '09). Please read the paragraph on page 2 of the Announcement of Classes for more details about enrolling in or wait-listing for this course.

Please click here for more information about enrollment in English 190.

Other Recent Sections of This Course

fall, 2022

190/1

Research Seminar: Ulysses

190/3

Research Seminar: Nineteenth Century American Ecologies

190/4

Research Seminar: Material Dickinson

190/5

Research Seminar: 1922: Modernism's Year 1

190/6

Research Seminar: Crisis and Culture: The 1930s, 1970s, and post-2008 in Comparative Perspective

190/7

Research Seminar

190/8

Research Seminar: The Work of Ursula Le Guin

190/9

Research Seminar: Modern California Books and Movies

spring, 2022

190/1

Research Seminar: Emily Dickinson

190/2

Research Seminar: Anatomy of Criticism

190/4

Research Seminar: What is Community?

190/5

Research Seminar: Repression and Resistance

190/6

Research Seminar: The Historical Novel

190/7

Research Seminar: Race and Travel: Relative Alterity in Medieval Times and Places

190/8

Research Seminar: Modern California Books and Movies

fall, 2021

190/1

Research Seminar: Beckett's Prose

190/2

Research Seminar: Literature on Trial: Romanticism, Law, Justice

190/3

Research Seminar: Sensation Novels in Victorian England

190/5

Research Seminar: Anti-Jewish Diatribe in Medieval England

190/8

Research Seminar: Utopian and Dystopian Books and Movies

190/10

Research Seminar

190/11

Research Seminar: Latinx Modernism

spring, 2021

190/1

Research Seminar: Literary Collaboration: Samuel Coleridge and William and Dorothy Wordsworth

190/2

Research Seminar: The Art of Reconstruction

190/3

Research Seminar: Fictions of Los Angeles

190/4

Research Seminar: Emily Dickinson

190/5

Research Seminar: Climate Change Fiction, or Cli-Fi

190/6

Research Seminar: Black Postcolonial Cultures: Real and Imagined Spaces

190/7

Research Seminar: Ecopoetry and Ecopoetics

190/8

Research Seminar: The Other Melville

190/9

Research Seminar: Chicanx Literature, Art and Performance

fall, 2020

190/1

Research Seminar: Utopia and Anti-Utopia

190/2

Research Seminar: Eco-crisis and Climate Refugueeism

190/3

Research Seminar: The Spy Novel

190/4

Research Seminar: Modern California Books and Movies

190/5

Research Seminar: Is It Useless to Revolt?

190/8

Research Seminar: Anatomy of Criticism

190/9

Research Seminar: James / Baldwin

190/10

Research Seminar: Medieval Sexuality

spring, 2020

190/1

Research Seminar: Ecopoetry and Ecopoetics

190/2

Research Seminar: William Faulkner’s Temporalities

190/3

Research Seminar: American Romanticism

190/4

Research Seminar: Poetry and the Virtues

190/5

Research Seminar: British Fiction Since 1945

190/6

Research Seminar: Hollywood in the Thirties

190/7

Research Seminar: Jane Austen

190/8

Research Seminar: James Joyce

190/9

Research Seminar: Victorian Versification

190/10

Research Seminar: Modern California Books and Film


Back to Semester List