English 250

Research Seminar: Marxist Literary Theory


Section Semester Instructor Time Location Course Areas
1 Spring 2012 Gonzalez, Marcial
Gonzalez, Marcial
Tues. 3:30-6:30 202 Wheeler

Book List

Adorno, T., et. al.: Aesthetics and Politics: The Key Texts of the Classic Debate Within German Marxism; Eagleton T. and Milne D., eds.: Marxist Literary Theory: A Reader; Jameson, F.: Marxism and Form: Twentieth-century Dialectical Theories of Literature; Sartre, J-P.: Search for a Method

Other Readings and Media

Course reader.

Description

In the early 1990s, literary theorist Fredric Jameson responded to critics who were at once proclaiming the emergence of a rejuvenated capitalist "new world order" and asserting the death of Marxism.  "It does not seem to make much sense," he wrote, "to talk about the bankruptcy of Marxism, when Marxism is very precisely the science and the study of just that capitalism whose global triumph is affirmed in talk of Marxism's demise."  What we can infer from Jameson's comments is the idea that historically Marxism has been useful not only for the critique of social systems, but for the study of literature and culture, as well.  Two decades later—and with the political, economic and environmental contradictions of the "new world order" now in plain sight—critics might benefit once again from reassessing the appropriateness of Marxism for the study of literature and culture.  This course will provide the opportunity for such a reassessment by focusing on the ways that Marxist social thought in the past century has contributed to theories of literature and culture.  We will attempt to understand and theorize the relation between the material conditions of social life and aesthetic forms.  The goal of the course is to provide a broad introduction to the range of Marxist analysis and critique in contemporary literary and cultural studies.  In the first part of the course, we will read several classic works of Marxist cultural theory to ground our study historically.  In the second part of the course, driven partly by student concerns and interests, we will analyze the compatibility of Marxist literary theory with feminism, critical race studies, and postcolonial studies.

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