Section | Semester | Instructor | Time | Location | Course Areas |
---|---|---|---|---|---|
2 | Fall 2009 | Jones, Donna V.
Jones, Donna |
TTh 11-12:30 | 301 Wheeler |
David L. Lewis ed., Harlem Renaissance Reader; Jean Toomer, Cane; E.E Cummings, The Enormous Room; Gertrude Stein, Three Lives; Frantz Fanon, Black Skin, White Mask, Michael North, The Dialect of Modernism: Race, Language and Twentieth-Century Literature
In this prose seminar we will focus on recent attempts in cultural criticism to shift the study of modernism beyond Anglo-American works and formalism. We will begin with an examination of questions about race and ‘otherness’ in modernist literature, visual culture and aesthetics—how are non-Western cultures used to mediate metropolitan anxieties towards the limits of language and representation? To approach this question we will trace the development and function of primitivism and fetishism in modernist literature and art. We will also examine the transnational dimensions of modernism and the relationship between modernism and the modernization. This is an ideal course for graduate students preparing for their qualifying exams and for those who expect to write on the topics around race and in early 20th century literature.
fall, 2022 |
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203/2 |
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203/3 |
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203/4 |
spring, 2022 |
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203/1 |
Graduate Readings: Marx and Marxism Today: Re-Reading the Grundrisse |
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203/2 |
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203/3 |
Graduate Readings: Novel Theory, Narrative Theory, and the Sociology of the Novel |
fall, 2021 |
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203/1 |
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203/2 |
Graduate Readings: The Politics and Aesthetics of Latinx Literature |
spring, 2021 |
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203/1 |
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203/2 |
Graduate Readings: "A dream of passion": Affects in the Renaissance Theater |
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203/3 |
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203/4 |
Graduate Readings: Philosophical Contexts for Modernist Poetry |
fall, 2020 |
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203/1 |
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203/2 |
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203/3 |
spring, 2020 |
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203/1 |
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203/2 |
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203/3 |
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203/4 |
Graduate Readings: The Lyric Eye: A Material History of Poetic Form |