Section | Semester | Instructor | Time | Location | Course Areas |
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4 | Spring 2005 | Rubenstein, Michael
Rubenstein, Michael |
MW 2-4 | 109 Wheeler |
Joyce, J.: Dubliners; Synge, J.M.: The Aran Islands; Yeats, W.B.: Selected Poems and Four Plays; O'Brien, F.: The Third Policeman; O'Flaherty, L.: The Informer; Gregory, A.: Selected Writings; a course reader, including selections from R. Casement, C. Toibin, S. Deane, T. Eagleton, E. Said, and B. Anderson
Irish writing in the period is almost invariably concerned with Irish national independence, which was often justified by way of arguments for Irish difference or Irish originality. We will explore the idea of Irishness through the writing of those, in the period of the struggle for independence and after, who defined it, defied it, debated it, and in some cases died for it. Is there, we might consider, some particularly Irish aesthetic born of the cultural and literary struggle for self-definition? What is it that makes Irish literature Irish? The course will introduce some key concepts of postcolonial theory and theories of nationalism.
fall, 2022 |
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100/1 |
The Seminar on Criticism: "Atlantic Haunts, Black Possession" |
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100/2 |
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100/3 |
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100/4 |
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100/5 |
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100/8 |
spring, 2022 |
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100/1 |
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100/3 |
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100/4 |
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100/5 |
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100/7 |
fall, 2021 |
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100/1 |
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100/3 |
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100/4 |
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100/5 |
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100/7 |