Section | Semester | Instructor | Time | Location | Course Areas |
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15 | Spring 2014 | Miller, D.A.
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MW 11-12:30 + films Tues. 7-10 P.M. | 300 Wheeler |
Spoto, D.: The Art of Alfred Hitchcock; Truffaut, F.: Hitchcock
A course reader on bSpace.
Unique among Hollywood directors, Hitchcock played on two boards. As a master of entertainment who had nothing to say, he produced work as thoroughly trivial as it was utterly compelling. But thanks to the French reception of his work in the 1950s, Hitchcock also came to be considered a master of art, the Auteur par excellence. If his films had nothing to say, they hardly needed to; in their unparalleled formal originality, they distilled the pure essence of cinema itself. The course will focus on this dialectic between entertainment and art, between saying nothing and being everything. We shall pay particular attention to a Style that is, on the one hand, commodified as a “touch” that all can recognize, and, on the other, recessed in strange, inconsequential, gibberish-making touches that, far from courting recognition, seem to defy it.
Attendance at Tu night screenings is mandatory.
Please read the paragraph on page 2 of the instructions area of this Announcement of Classes for more details about enrolling in or wait-listing for this course.
Please click here for more information about enrollment in English 190.
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