Section | Semester | Instructor | Time | Location | Course Areas |
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12 | Spring 2015 | Miller, D.A.
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TTh 2-3:30 + films W 7-10 P.M. | 300 Wheeler |
Williams, Tennessee: A Streetcar Named Desire
Film texts by Pedro Almodóvar: All About My Mother; Bad Education; Broken Embraces; The Flower of My Secret; Law of Desire; Pepi, Luci, Bom; The Skin I Live In; Talk to Her; Volver; Women on the Verge of a Nervous Breakdown
Intertexts for Pedro Almodóvar: Luis Buñuel, Viridiana; John Cassavetes, Opening Night; Georges Franju, Eyes without a Face; Mel Gibson, The Passion of the Christ; Rainer Werner Fassbinder, The Bitter Tears of Petra Von Kant; Alfred Hitchcock, Vertigo; Joseph Mankiewicz, All About Eve; Roberto Rosselini, Voyage to Italy
Tabloid, soap opera, camp, porn, classicism, citation, stories-within-stories, films-within-films—these are some of the styles and devices that Pedro Almodovar mixes together to render a subject matter typically consisting of exorbitant and often taboo sexual compulsion. The course will ask students to reflect on the interrelation between a heterogeneous form and the aberrancy of desire, and between highly plot-propelled stories and erotic drivenness.
Seminar members are required to write weekly response papers in addition to a final paper. A willingness to participate in class discussion is also a must.
Please read the paragraph on page 2 of the instructions area of this Announcement of Classes for more details about enrolling in or wait-listing for this course.
Please click here for more information about enrollment in English 190.
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Research Seminar: Crisis and Culture: The 1930s, 1970s, and post-2008 in Comparative Perspective |
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Research Seminar: Race and Travel: Relative Alterity in Medieval Times and Places |
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fall, 2021 |
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Research Seminar: Literature on Trial: Romanticism, Law, Justice |
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spring, 2021 |
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Research Seminar: Literary Collaboration: Samuel Coleridge and William and Dorothy Wordsworth |
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Research Seminar: Black Postcolonial Cultures: Real and Imagined Spaces |
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