English 190

Research Seminar: The Medium Is the Message: Reading Poetry in Manuscript & Print, 1300-1600

Other Readings and Media

Primary Works: A course reader including selections from the following: Chaucer's Canterbury Tales and 16th-c. Apocrypha; Malory's Morte d' Arthur; Sir Orfeo, the Findern Manuscript; the Devonshire Manuscript; Tottel's Miscellany; lyric poetry of Wyatt and Surrey; Golding's Metamorphoses; Sidney's Defense of Poetry; Spenser's Faerie Queene.

Secondary Works: Selections from: Cultural Reformations: Medieval and Renaissance in Literary History, ed. Brian Cummings & James Simpson; Understanding Media, Marshall McLuhan; The Marketplace of Print: Pamphlets and the Public Sphere in Early Modern England, Alexandra Halasz; Fragments & Assemblages: Forming Compilations in Medieval London, A.W. Bahr; English handwriting, 1400-1650: an introductory manual, Jean F. Preston & Laetitia Yeandle; The Medieval Book, Barbara A. Shailor; Used Books: Marking Readers in Renaissance England, William Sherman.

Description

Modern readers almost exclusively encounter medieval and Renaissance literature in highly mediated anthologies and scholarly editions, far removed from the manuscripts and early print books in which they first circulated. In this course, we will peer behind the veil of modern editions for a vibrant look at this literature in its original context. How might our often static understanding of canonical literature change when read in idiosyncratic volumes full of scribblings, where doodles cover up transcription errors? How should we read a love lyric when it rests beside a storeroom inventory, or a misogynist poem whose refrain is rewritten to praise rather than mock women? A broad range of English readers participated in their literary culture in ways that can shape our own reading. We will examine how books were made, read, and circulated—censored and even smuggled—and how these practices changed with the emergence of the printing press. How did medieval and Renaissance poets respond to the materiality of their works and the particularities of their medium? In the words of Marshall McLuhan's famous aphorism, was the medium the message?

To help you engage these questions, you'll learn skills in both codicology (the study of material books) and paleography (the study of historical handwriting), working with digital resources and the Bancroft Library's rare books collection. These new skills will complement your training as close readers of literature and will bring material books into your analysis. This will enable you to interpret not just individual works by Chaucer, Wyatt, Surrey, etc. in isolation, but collections of works—to reconstruct the cultural logic by which multiple works were assembled in particular orders and to analyze the new meanings these compilations generate. We will also consider the implications of page layouts, illustrations, marginalia, and commonplacing, as we study the broader literary culture of the middle ages and Renaissance.

This section of English 190 satisfies the pre-1800 requirement for the English major.

Please read the paragraph about English 190 on page 2 of the instructions area of this Announcement of Classes for more details about enrolling in or wait-listing for this course.

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