Section | Semester | Instructor | Time | Location | Course Areas |
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10 | Fall 2016 | No instructor assigned yet. |
TTh 3:30-5 | C57 Hearst Annex |
Barnes, Djuna: Nightwood; Barth, John: The End of the Road; Ellison, Ralph: Invisible Man; Ford, Ford Madox: The Good Soldier; James, Henry: The Golden Bowl; Woolf, Virginia: To the Lighthouse
A reader that may contain short pieces by Simone de Beauvoir, Samuel Beckett, W.E.B. Du Bois, Cleanth Brooks, Kenneth Burke, E.E. Cummings, T.S. Eliot, Robert Frost, James Joyce, Alain Locke, Marianne Moore, John Crowe Ransom, I.A. Richards, Bertrand Russell, Jean-Paul Sartre, Simone Weil, Edith Wharton, Ludwig Wittgenstein, and others.
Please note that the book list and and the contents of the reader were revised on April 18.
From Prufrock's peach to Frost's two roads, modernism gave us many famous moments of indecision. We will follow along with texts depicting speakers and characters as they hesitate, delay, cavil, evade, hedge, sidestep, prevaricate, tergiversate, equivocate, and otherwise wring their hands over even the most inconsequential choices. Their protracted deliberations foreground states of uncertainty and feelings of doubt, which we will investigate by closely reading the ambiguous and often paradoxical language that constrains and displays them. These uncertainties and doubts will provide openings for discussions of how texts present the situations that elicit indecision in the first place: temerity, alienation, physical peril, disaffection, ethical vagueness, mental exhaustion, circumstantial complexity, and so on. At the same time, we will see how indecision provokes fantasies about other outcomes and speculations on alternative possibilities, which become microcosms for the broader imaginative procedures behind literary world-building.
In tandem we will consider contemporaneous essays on the role of ambiguity and paradox in literature, and we will study how the early history of literary criticism dramatized its own indecisiveness over just how to read and evaluate (modernist) texts. We will also touch on broader philosophies of decision, judgment, choice, will, and selfhood.
Please read the paragraph about English 190 on page 2 of the instructions area of this Announcement of Classes for more details about enrolling in or wait-listing for this course.
Please click here for more information about enrollment in English 190.
fall, 2022 |
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Research Seminar: Crisis and Culture: The 1930s, 1970s, and post-2008 in Comparative Perspective |
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190/9 |
spring, 2022 |
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Research Seminar: Race and Travel: Relative Alterity in Medieval Times and Places |
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190/8 |
fall, 2021 |
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Research Seminar: Literature on Trial: Romanticism, Law, Justice |
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190/8 |
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190/10 |
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190/11 |
spring, 2021 |
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Research Seminar: Literary Collaboration: Samuel Coleridge and William and Dorothy Wordsworth |
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190/6 |
Research Seminar: Black Postcolonial Cultures: Real and Imagined Spaces |
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190/7 |
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190/8 |
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190/9 |