Section | Semester | Instructor | Time | Location | Course Areas |
---|---|---|---|---|---|
15 | Spring 2010 | Giscombe, Cecil S.
Giscombe, Cecil |
TTh 3:30-5 | 222 Wheeler |
See below.
A passing narrative is an accountâ€â€fiction or nonfictionâ€â€of a person or group claiming a racial or ethnic identity that she or they do not “possess.†Such narratives speakâ€â€directly, indirectly, and very uneasilyâ€â€to the authenticity, the ambiguity, and the performance of racial or ethnic identity; they also speak to issues of official and traditional categorization. The passing narrativeâ€â€the narrative that accounts for making the “different†claimâ€â€necessarily unsettles notions of belonging and underscores that race can be viewed as a construction or a series of conventions.
The course will investigate the public nature of race by examining narrativesâ€â€published and unpublished stories, novels, memoirs, and filmsâ€â€that call the absoluteness of its boundaries into question. We’ll look as well at texts that treat racial imitationâ€â€minstrelsy, “yellow-face,†etc. All said, we’ll be looking rather closely at books and movies that reveal, document, question, and celebrate ambiguous spaces in an imposing structure, one often assumed to be “natural.â€Â
We’ll likely read Karen Brodkin’s How Jews Became White Folks, James Weldon Johnson’s Autobiography of an Ex-Colored Man, Nella Larsen’s Passing, Philip Roth’s The Human Stain, Gene Yang’s American-Born Chinese, Kenji Yoshino’s Covering, essays by Gloria Anzaldua, Noel Ignatiev, Henry Louis Gates, etc. Films will probably include Orson Welles’ Touch of Evil, Jean-Pierre Jeunet’s Alien: Resurrection, Louis King’s Charlie Chan in Egypt, Alan Crosland’s The Jazz Singer, etc.
Position papers, discussions led by class members, final 12+ page writing project involving research. (Hybrid projects are welcome.)
The book list is tentative. Students should come to class before buying books.
English 190 replaced English 100 and 150 as of Fall '09. English majors may fulfill the seminar requirement for the major by taking one section of English 190 (or by having taken either English 100 or English 150 before Fall '09). Please read the paragraph on page 2 of this Announcement of Classes for more details about enrolling in or wait-listing for this course.
Please click here for more information about enrollment in English 190.
fall, 2022 |
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Research Seminar: Crisis and Culture: The 1930s, 1970s, and post-2008 in Comparative Perspective |
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190/8 |
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190/9 |
spring, 2022 |
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Research Seminar: Race and Travel: Relative Alterity in Medieval Times and Places |
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190/8 |
fall, 2021 |
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Research Seminar: Literature on Trial: Romanticism, Law, Justice |
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190/11 |
spring, 2021 |
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Research Seminar: Literary Collaboration: Samuel Coleridge and William and Dorothy Wordsworth |
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Research Seminar: Black Postcolonial Cultures: Real and Imagined Spaces |
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190/7 |
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190/8 |
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190/9 |