English 190

Research Seminar: Racial Passing


Section Semester Instructor Time Location Course Areas
15 Spring 2010 Giscombe, Cecil S.
Giscombe, Cecil
TTh 3:30-5 222 Wheeler

Other Readings and Media

See below.

Description

A passing narrative is an account—fiction or nonfiction—of a person or group claiming a racial or ethnic identity that she or they do not “possess.” Such narratives speak—directly, indirectly, and very uneasily—to the authenticity, the ambiguity, and the performance of racial or ethnic identity; they also speak to issues of official and traditional categorization. The passing narrative—the narrative that accounts for making the “different” claim—necessarily unsettles notions of belonging and underscores that race can be viewed as a construction or a series of conventions.

The course will investigate the public nature of race by examining narratives—published and unpublished stories, novels, memoirs, and films—that call the absoluteness of its boundaries into question. We’ll look as well at texts that treat racial imitation—minstrelsy, “yellow-face,” etc. All said, we’ll be looking rather closely at books and movies that reveal, document, question, and celebrate ambiguous spaces in an imposing structure, one often assumed to be “natural.”

We’ll likely read Karen Brodkin’s How Jews Became White Folks, James Weldon Johnson’s Autobiography of an Ex-Colored Man, Nella Larsen’s Passing, Philip Roth’s The Human Stain, Gene Yang’s American-Born Chinese, Kenji Yoshino’s Covering, essays by Gloria Anzaldua, Noel Ignatiev, Henry Louis Gates, etc. Films will probably include Orson Welles’ Touch of Evil, Jean-Pierre Jeunet’s Alien: Resurrection, Louis King’s Charlie Chan in Egypt, Alan Crosland’s The Jazz Singer, etc.

Position papers, discussions led by class members, final 12+ page writing project involving research. (Hybrid projects are welcome.)

The book list is tentative. Students should come to class before buying books.

English 190 replaced English 100 and 150 as of Fall '09. English majors may fulfill the seminar requirement for the major by taking one section of English 190 (or by having taken either English 100 or English 150 before Fall '09). Please read the paragraph on page 2 of this Announcement of Classes for more details about enrolling in or wait-listing for this course.

Please click here for more information about enrollment in English 190.

Other Recent Sections of This Course

fall, 2022

190/1

Research Seminar: Ulysses

190/3

Research Seminar: Nineteenth Century American Ecologies

190/4

Research Seminar: Material Dickinson

190/5

Research Seminar: 1922: Modernism's Year 1

190/6

Research Seminar: Crisis and Culture: The 1930s, 1970s, and post-2008 in Comparative Perspective

190/7

Research Seminar: Medieval Sexualities

190/8

Research Seminar: The Work of Ursula Le Guin

190/9

Research Seminar: Modern California Books and Movies

spring, 2022

190/1

Research Seminar: Emily Dickinson

190/2

Research Seminar: Anatomy of Criticism

190/4

Research Seminar: What is Community?

190/5

Research Seminar: Repression and Resistance

190/6

Research Seminar: The Historical Novel

190/7

Research Seminar: Race and Travel: Relative Alterity in Medieval Times and Places

190/8

Research Seminar: Modern California Books and Movies

fall, 2021

190/1

Research Seminar: Beckett's Prose

190/2

Research Seminar: Literature on Trial: Romanticism, Law, Justice

190/3

Research Seminar: Sensation Novels in Victorian England

190/5

Research Seminar: Anti-Jewish Diatribe in Medieval England

190/8

Research Seminar: Utopian and Dystopian Books and Movies

190/10

Research Seminar

190/11

Research Seminar: Latinx Modernism

spring, 2021

190/1

Research Seminar: Literary Collaboration: Samuel Coleridge and William and Dorothy Wordsworth

190/2

Research Seminar: The Art of Reconstruction

190/3

Research Seminar: Fictions of Los Angeles

190/4

Research Seminar: Emily Dickinson

190/5

Research Seminar: Climate Change Fiction, or Cli-Fi

190/6

Research Seminar: Black Postcolonial Cultures: Real and Imagined Spaces

190/7

Research Seminar: Ecopoetry and Ecopoetics

190/8

Research Seminar: The Other Melville

190/9

Research Seminar: Chicanx Literature, Art and Performance


Back to Semester List