Section | Semester | Instructor | Time | Location | Course Areas |
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1 | Spring 2017 | Wong, Hertha D. Sweet
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MWF 10-11 | 4 Evans |
Barry, Lynda: One! Hundred! Demons!; Bechdel, Alison: Are You My Mother? A Comic Drama; Bechdel, Alison: Fun Home: A Family Tragicomic; Chast, Roz: Can't We Talk About Something More Pleasant? A Memoir; McCloud, Scott: Understanding Comics: The Invisible Art; Sacco, Joe: Palestine; Satrapi, Marjane: Persepolis; Spiegelman, Art: Maus, Volumes I and II; Yang, Gene Luen: American Born Chinese
Reader (scholarly essays on comics and memoir).
A graphic novel is often defined as “a single-author, book-length work, meant for a grown-up reader, with a memoirist or novelistic nature, usually devoid of superheroes.” Many comic artists, however, ridicule the term as a pretentious and disingenuous attempt to rebrand comics in order to elevate their cultural status. We will examine the definitions, history, and diverse forms of graphic narratives in the U.S., focusing on graphic memoirs.
This class is open to English majors only.
spring, 2022 |
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165/1 |
summer, 2022 |
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165/1 |
Special Topics: Writing at the University: A Writing Studio for Transfer Students |
Atkinson, Nate
|
fall, 2021 |
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165/2 |
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165/3 |
Special Topics: Rebel Slaves and Dark Doubles: Black Women Writers' Engagements with Jane Eyre |
spring, 2021 |
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165/2 |
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165/3 |
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165/4 |
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165/5 |
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165/6 |
Special Topics: “Moments of Truth”: Narrating the Endings of Lies, Disinformation, and Deceit |
Ramona Naddaff
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summer, 2021 |
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165/1 |
Special Topics: Writing at the University: A Writing Studio for Transfer Students |
Atkinson, Nate
|