Section | Semester | Instructor | Time | Location | Course Areas |
---|---|---|---|---|---|
4 | Spring 2019 | Knapp, Jeffrey
|
TTh 2-3:30 | 186 Barrows |
Bevington, D.: English Renaissance Drama; Shakespeare, W.: Hamlet; Shakespeare, W.: Henry IV Part 1; Shakespeare, W.: The Merchant of Venice; Shakespeare, W.: Twelfth Night
Course Reader, which includes plays and criticism
Shakespeare’s preeminence as a dramatist has often paradoxically excluded him from courses on English Renaissance drama. We’ll be returning Shakespeare to the company of his fellow playwrights, reading (among other works) Twelfth Night with Lyly’s Gallathea, The Merchant of Venice with Marlowe’s Jew of Malta, and Hamlet with Kyd’s Spanish Tragedy. We will also be exploring Renaissance drama from a variety of other perspectives: its generic diversity and complexity; the social status of actors and playwrights; tensions between art and commerce; the representations of gender, class, and race in the plays; and important recent scholarship on these subjects.
fall, 2022 |
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203/2 |
||
203/3 |
||
203/4 |
spring, 2022 |
||
203/1 |
Graduate Readings: Marx and Marxism Today: Re-Reading the Grundrisse |
|
203/2 |
||
203/3 |
Graduate Readings: Novel Theory, Narrative Theory, and the Sociology of the Novel |
fall, 2021 |
||
203/1 |
||
203/2 |
Graduate Readings: The Politics and Aesthetics of Latinx Literature |
spring, 2021 |
||
203/1 |
||
203/2 |
Graduate Readings: "A dream of passion": Affects in the Renaissance Theater |
|
203/3 |
||
203/4 |
Graduate Readings: Philosophical Contexts for Modernist Poetry |