Section | Semester | Instructor | Time | Location | Session | Course Areas |
---|---|---|---|---|---|---|
1 | Summer 2020 | Stevenson, Max
|
MW 2-5 | C |
Writers in the 20th and 21st centuries have continually looked to the Middle Ages — or, more to the point, to their idea of the Middle Ages — when constructing epic narratives in fantastic worlds. In this course we’ll ask what it is about the medieval that writers of fantasy find so useful, as well as consider what aspects of the medieval — especially race, gender, and sexuality — their accounts ignore. We’ll read both the medieval literature that modern fantasy draws on and works by (this is a likely list, but subject to change) J.R.R. Tolkien, George R.R. Martin, and Kazuo Ishiguro, as well as view film and television adaptations.
fall, 2022 |
||
166/1 |
Special Topics: Form and Invention in Native American Literature |
Piatote, Beth
|
spring, 2022 |
||
166/1 |
||
166/2 |
Naiman, Eric
|
summer, 2022 |
||
166/1 |
Delehanty, Patrick
|
|
166/2 |
||
166/4 |
Ghosh, Srijani
|
fall, 2021 |
||
166/1 |
||
166/2 |
Special Topics: Burn it Down/Build it Up: Protest, Dissent, and the Politics of Resistance |
|
166/3 |
Special Topics: "Race, Social Class, Creative Writing, and Difference" |
|
166/4 |
spring, 2021 |
||
166/1 |
||
166/3 |
||
166/4 |
||
166/5 |
Muza, Anna
|
summer, 2021 |
||
166/1 |
||
166/2 |
||
166/3 |
||
166/4 |
Special Topics: Four Nobelists: Czeslaw Milosz, Derek Walcott, Toni Morrison, and Seamus Heaney |