English 190

Research Seminar: Literary Collaboration: Samuel Coleridge and William and Dorothy Wordsworth


Section Semester Instructor Time Location Course Areas
1 Spring 2021 Goodman, Kevis
MW 5-630

Book List

Shelley, M.: Frankenstein; Wordsworth, D.: The Grasmere and Alfoxden Journals; Wordsworth, W., and S.T. Coleridge: Lyrical Ballads, 1798 and 1800 (Broadview Critical Edition); Wordsworth,, W.: The Prelude, 1799, 1805, 1850 (Norton Critical Edition)

Other Readings and Media

A Course Reader, with poems by Coleridge and the two Wordsworths not collected in the books above, as well as selected works of criticism and theory.

Description

We will study the poetry and prose that emerged from the remarkable collaboration (and competition) between William and Dorothy Wordsworth and Samuel Taylor Coleridge, written in the tumultuous decades around 1800. We will devote some of our time to questions raised by the complexity of collaborative authorship itself: matters of property and possession, conversation and miscommunication, friendship, influence, ventriloquism, and plagiarism. Moreover, since these three writers witnessed a time and a place rapidly changing under the pressures and effects of war, vagrancy, industrialization, and capitalism, we will study their ways of representing and responding to the flux around them – conditions that remain with us, in a later form, more than 200 years later. This class will culminate in a study of Mary Shelley’s Frankenstein as a commentary on the dangers of solitary authorship and the failure to collaborate.

Along with our readings, you will receive guidance from me and from your peers about conducting research, learning how and where to integrate literary criticism and theory into your writing, and the process of constructing and revising a longer paper over time.

This class is planned for synchronous instruction.

Please click here for more information about enrollment in English 190.

Other Recent Sections of This Course

spring, 2021

190/2

Research Seminar: The Art of Reconstruction

190/3

Research Seminar: Fictions of Los Angeles

190/4

Research Seminar: Emily Dickinson

190/5

Research Seminar: Climate Change Fiction, or Cli-Fi

190/6

Research Seminar: Black Postcolonial Cultures: Real and Imagined Spaces

190/7

Research Seminar: Ecopoetry and Ecopoetics

190/8

Research Seminar: The Other Melville

190/9

Research Seminar: Chicanx Literature, Art and Performance

fall, 2020

190/1

Research Seminar: Utopia and Anti-Utopia

190/2

Research Seminar: Eco-crisis and Climate Refugueeism

190/3

Research Seminar: The Spy Novel

190/4

Research Seminar: Modern California Books and Movies

190/5

Research Seminar: Is It Useless to Revolt?

190/8

Research Seminar: Anatomy of Criticism

190/9

Research Seminar: James / Baldwin

190/10

Research Seminar: Medieval Sexuality

spring, 2020

190/1

Research Seminar: Ecopoetry and Ecopoetics

190/2

Research Seminar: William Faulkner’s Temporalities

190/3

Research Seminar: American Romanticism

190/4

Research Seminar: Poetry and the Virtues

190/5

Research Seminar: British Fiction Since 1945

190/6

Research Seminar: Hollywood in the Thirties

190/7

Research Seminar: Jane Austen

190/8

Research Seminar: James Joyce

190/9

Research Seminar: Victorian Versification

190/10

Research Seminar: Modern California Books and Film

fall, 2019

190/1

Research Seminar: Creative Sentences

190/2

Research Seminar: Shakespeare and Company

190/3

Research Seminar: American Transcendentalism

190/4

Research Seminar: Cli Fi (Climate Change Fiction)

190/5

Research Seminar: The Urban Postcolonial

190/6

Research Seminar: Literature on Trial: Romanticism, Law, Justice

190/8

Research Seminar: Ideology

190/10

Research Seminar: Inventing Nature and Constructing Race

spring, 2019

190/1

Research Seminar: Flann O'Brien and Irish Literature

190/2

Research Seminar: Transsexual Literatures and Cultures

190/3

Research Seminar: James / Baldwin

190/5

Research Seminar: California Books and Movies Since World War I

190/6

Research Seminar: Carnal Knowledge in Medieval and Early Modern Literature

190/7

Research Seminar

190/8

Research Seminar: Edgar Allan Poe

190/9

Research Seminar: Frederick Douglass and Abraham Lincoln

190/10

Research Seminar: Emily Dickinson

190/11

Research Seminar: Willa Cather

190/13

Research Seminar: Sixties Cinema

fall, 2018

190/1

Research Seminar: Melville in the 50s

190/2

Research Seminar: Laughter and Vision: Explorations in the Novel of Ideas

190/3

Research Seminar: Representations of Coercion and Resistance in African American Slave, Jim Crow, and Neo-slave Narratives

190/4

Research Seminar: William Blake

190/7

Research Seminar: The Urban Postcolonial

190/8

Research Seminar: Repression and Resistance

190/9

Research Seminar: Mark Twain

Griffin, Ben

190/10

Research Seminar

No instructor assigned yet.

190/11

Research Seminar

No instructor assigned yet.

190/12

Research Seminar: California Books and Movies Since World War I

190/13

Research Seminar: The Jamesian Novel

190/14

Research Seminar

spring, 2018

190/1

Research Seminar: Trials of Literature: Romanticism, Justice, and the Law

190/2

Research Seminar: James Joyce

190/3

Research Seminar: Hawthorne & Melville

190/4

Research Seminar: Reading Walden Carefully

190/5

Research Seminar: Harlem Renaissance

190/6

Research Seminar: Sixty Years Since: The Historical Novel

190/7

Research Seminar: Contemporary Historical Fiction

190/8

Research Seminar: Literary Theory and Its Objects

190/9

Research Seminar: The Faerie Queene: The Ethics of Imagination

190/10

Research Seminar: Pagan Fictions in Christian Literature

190/11

Research Seminar: Andrew Marvell

190/12

Research Seminar: California Books and Movies Since World War I

190/13

Research Seminar: Alfred Hitchcock


Back to Semester List