Section | Semester | Instructor | Time | Location | Course Areas |
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8 | Fall 2021 | Starr, George A.
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T 5:30-8:30 | 301 Wheeler |
Most utopian and dystopian authors and film-makers are more concerned with persuading readers and viewers of the merits of their ideas than with the "merely" literary or artistic qualities of their work. Although utopias have sometimes made converts, inspiring readers to try to realize the ideal society, most have had limited practical impact, yet have managed to provoke readers in various ways--for instance, as a kind of imaginative fiction that comments on "things as they are" indirectly yet effectively, with fantasy and satire in varying doses. Among the critical questions posed by such material are the problematic status of work that is not primarily mimetic, but has “an axe to grind”—i.e. is produced in the service of some ulterior purpose; the shifting relationships between what is and what some think might be or ought to be; how to create the new and strange other than by recombining the old and familiar; and so on. Most of the films included in the syllabus will be dystopian rather than utopian; all will be streamed, and discussed (but not shown) in class.
Please click here for more information about enrollment in English 190.
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Research Seminar: Crisis and Culture: The 1930s, 1970s, and post-2008 in Comparative Perspective |
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Research Seminar: Race and Travel: Relative Alterity in Medieval Times and Places |
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Research Seminar: Literature on Trial: Romanticism, Law, Justice |
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Research Seminar: Literary Collaboration: Samuel Coleridge and William and Dorothy Wordsworth |
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Research Seminar: Black Postcolonial Cultures: Real and Imagined Spaces |
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