English 190
Research Seminar: Postcolonial Cinema
| Section | Semester | Instructor | Time | Location | Course Areas |
|---|---|---|---|---|---|
| 13 | Fall 2010 | Rubenstein, Michael
Rubenstein, Michael |
TTh 12:30-2 | 206 Wheeler |
Other Readings and Media
A course reader
Films: Ray, S.: Pather Panchali, 1955; Lean, D.: Lawrence of Arabia, 1962; Pontecorvo, G.: The Battle of Algiers, 1966; Sembene, O.: Xala, 1975; Frears, S.: Sammy and Rosie Get Laid, 1987; Kassovitz, M.: La Haine, 1995; Denis, C.: Beau Travail, 1999; Haneke, M.: Caché, 1995; Meirelles, F.: City of God, 2002; Costa, P.: Colossal Youth, 2006; McQueen, S.: Hunger, 2008; Boyle, D.: Slumdog Millionaire, 2008
Description
This course examines cinematic productions originating in or concerning themselves with the former colonial territories of the European empires of the late nineteenth and early twentieth centuries. We will cover some general film studies theories and methodologies; conduct an overview of postcolonial theory; and address critical trends in postcolonial cinema studies. A substantial reader (critical-theoretical writings by Kracauer, Benjamin, Bazin, Metz, Spivak, Shohat, Minh-ha, Rosen, Stam, Guneratne, et. al.), regular film screenings, participation in class discussion, and two 10-page research papers are required.
The film list is tentative.
This section of English 190 is now open to Letters and Science juniors and seniors with majors other than English.
Please click here for more information about enrollment in English 190.
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