Semester | Course # |
Instructor |
Course Area |
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Fall 2022 |
100/5 The Seminar on Criticism: TuTh 8-9:30 |
Focusing on the Victorian novel, this course will examine why it emerged as the dominant literary form in nineteenth-century Britain. What made the novel so popular, and in what ways did the novel shape—and was shaped in turn...(read more) |
Banerjee, Sukanya
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Fall 2021 |
90/5 Practices of Literary Study: TTh 5-6:30 |
When I was a child, I spake as a child, I understood as a...(read more) |
Landreth, David
|
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Fall 2021 |
100/7 The Seminar on Criticism: TTh 5-6:30 |
The Victorian period (1837-1901) is striking for social, poli...(read more) |
Hanson, Kristin
|
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Fall 2021 |
190/2 Research Seminar: W 2-5 |
This seminar will introduce students to “law and literature” studies, focusing on the way literature imagines the relation between law and justice. We’ll begin with literature of the Romantic period, and concentrate on intersectio...(read more) |
Langan, Celeste
|
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Spring 2021 |
121/1 The Romantic Period: MWF 11-12 |
"Thou hast a voice, great Mountain, to repeal/ Large codes of fraud and woe..." --P.B. Shelley, "Mont Blanc" Romanticism has long been identified with democratic revolutions of the late 18th century, wi...(read more) |
Langan, Celeste
|
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Spring 2021 |
125B/1 The English Novel (Dickens through Conrad) TTh 9:30-11 |
In this course we will read novels that were written from the 1840s through the end of the nineteenth century, a period that is marked by Britain’s growth as the first modern industrialized society and as an expansive colonial power. This was...(read more) |
Banerjee, Sukanya
|
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Spring 2021 |
190/1 Research Seminar: MW 5-630 |
We will study the poetry and prose that emerged from t...(read more) |
Goodman, Kevis
|
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Spring 2020 |
80K/1 Children's Literature: TTh 12:30-2 |
From cannibalistic witches in the tales of the Grimm Brothers to sadistic parents in Roald Dahl, children's literature is riff with terrifying and troubling figures. This class will look at the forms of monstrosity, deviance, and horror that ap...(read more) |
Saha, Poulomi
|
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Spring 2020 |
125C/2 The European Novel: TTh 2-3:30 |
The novel emerged as the principal literary genre in 19th-century Europe and has continued to dominate the literary market in Europe and North America ever since. What were the constitutive formal elements as well as social and psychological concer...(read more) |
Golburt, Lyubov |
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Spring 2020 |
165/4 Special Topics: TTh 3:30-5 |
This seminar will explore the fraught status of families in literature and what it means to write about one’s own family. The family has generated a diverse range of literary and textual forms, from the list of “begats” in th...(read more) |
Wilson, Evan
|
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Spring 2020 |
190/9 Research Seminar: TTh 3:30-5 |
The Victorian period (1837-1901) is striking for its social, political, economic, technical and scientific developments that seem at once old-fashioned and recognizably modern. Its formal poetic achievements are no exception to this character...(read more) |
Hanson, Kristin
|
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Fall 2019 |
122/1 TTh 9:30-11 |
The Victorian period (1837 - 1901) is a notoriously arbitrary periodic designation, tied to the reign of one particular woman, Victoria Alexandrina Hanover, otherwise known as Queen Victoria I. The period is not self-evidently defined by any generi...(read more) |
Lavery, Grace
|
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Fall 2019 |
166/7 Special Topics: TTh 2-3:30 |
Close readings of several of Charles Dickens's major works. Grading will be based on two eight-page essays, on-time completion of all assigned reading, and attendance and participation in discussion. Please purchase the indi...(read more) |
Breitwieser, Mitchell
|
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Fall 2019 |
190/6 Research Seminar: TTh 11-12:30 |
This course will introduce students to “law and literature” studies, focusing on the way literature imagines the relation between law and justice. We’ll concentrate on literature of the ...(read more) |
Langan, Celeste
|
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Spring 2019 |
45B/1 Literature in English: Late-17th Through Mid-19th Centuries Lectures MW 11-12 in 3 LeConte + one hour of discussion section per week in various locations (sec. 101: F 9-10; sec. 102: F 9-10; sec. 103: F 11-12; sec. 104: F 11-12; sec. 105: Thurs. 9-10; sec. 106: Thurs. 10-11) |
Readings in English, Scottish, Irish and North American prose fiction, autobiography, and poetry from 1688 through 1848: a century and a half that sees the formation of a new, multinational British state with the political incorporation of Scotland...(read more) |
Duncan, Ian
|
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Spring 2019 |
121/1 The Romantic Period: MWF 2-3 |
Romanticism has long been identified with democratic revolutions of the late 18th century, and the social demand that every citizen have a “voice” in the constitution of community and law. In this survey of li...(read more) |
Langan, Celeste
|
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Spring 2019 |
165/9 Thurs. 5-8 |
What difference does a date make? What is it about the numerical end of a century that encourages feelings of apocalypse, degeneration, or renewal? This course will consider texts written in and around the 1890s, a decade characterized by its inten...(read more) |
Puckett, Kent
|
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Spring 2019 |
166/1 MWF 2-3 |
In the eighteenth century, Gothic was a historical category (the “Dark” or “Middle” Ages, between the fall of Rome and the Renaissance) and then an ethnic one (the Germanic peoples who overthrew classical civilization). It&r...(read more) |
Duncan, Ian
|
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Spring 2019 |
166/6 Special Topics: MW 5-6:30 |
This course explores the relationship between life and literature, with a focus on the following types of questions: How have novelists and poets—as well as filmmakers, television producers, and Instagram aficionados—attempted to repres...(read more) |
Cordes Selbin, Jesse
|
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Spring 2019 |
190/7
|
This section of English 190 was canceled on November 2. ...(read more) |
Stancek, Claire Marie
|
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Summer 2019 |
152/1 MTuTh 4-6 |
In this course we will read—closely and deeply—a handful of novels by Jane Austen, considering them in terms of their historical context, their stylistic sophistication and innovation, and their enduring popular appeal. Accord...(read more) |
Creasy, CFS
|
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Fall 2018 |
121/1 TTh 12:30-2 |
Romanticism was once defined as a turn toward “nature” in response to the industrialization marking Britain’s transition to modern capitalism in the late eighteenth and early nineteenth centuries. Rather than simply resurrec...(read more) |
François, Anne-Lise
|
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Fall 2018 |
122/1 Lectures MW 12-1 + one hour of discussion section per week (sec. 101: F 12-1; sec. 102: F 2-3) |
The Victorian period witnessed dramatic and probably permanent changes to the literary culture of Britain, including: the morphing of scattered memoirs into formal autobiographies; the rise of the realist novel as the indispensable genre of bourgeo...(read more) |
Lavery, Grace
|
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Fall 2018 |
165/1 Special Topics: MW 3-4:30 |
Oscar Wilde's jokes, and his pathos, can seem out of place in Victorian literature: they leap off the dusty page and into a present moment where their author seems to fit more happily. Without wishing to consign him back to that potentially hos...(read more) |
Lavery, Grace
|
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Fall 2018 |
190/4 Research Seminar: TTh 9:30-11 |
In this seminar, we will read our way slowly into William Blake's forbidding and exciting “fourfold” poetic environments: graphic works of “Illuminated Printing” in which a city like London, or “Golgonooza,” ...(read more) |
Goldstein, Amanda Jo
|
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Fall 2018 |
250/4 Research Seminar: Thurs. 3:30-6:30 |
Reading the newly published On the Origin of Species together in November 1859, George Eliot and George Henry Lewes hailed Charles Darwin’s book as confirmation of the “Development Hypothesis,” founded a hundred years ear...(read more) |
Duncan, Ian
|
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Spring 2018 |
125B/1 The English Novel (Dickens through Conrad) TTh 3:30-5 |
In this class we'll read novels by Charles Dickens, Charlotte Brontë, George Eliot, W.M. Thackeray, and others. We'll think about these novels in two related ways. First, what was it about the novel—as opposed, for instance, to t...(read more) |
Puckett, Kent
|
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Spring 2018 |
138/1 TTh 2-3:30 |
From Harry Potter to Oliver Twist, the figure of the orphan is a much beloved literary trope. Why do children have to be denuded of family ties in order to set off on self-making adventures? What in the traditional family form hinders our developme...(read more) |
Saha, Poulomi
|
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Spring 2018 |
166/2 Special Topics: Note new time: TTh 2-3:30 |
Today we use the word “experimental” to designate both the most respected scientific method and the most outlandish works of art. This course on Romantic era literature and science explores a key phase of the hidden interrelation (and r...(read more) |
Goldstein, Amanda Jo
|
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Spring 2018 |
177/1 Literature and Philosophy: TTh 9:30-11 |
This course examines the long, intimate relationship between technologies of surveillance and the making of British and American empires. While digital technology and state surveillance has been significant in the post-9/11 world, identifying, moni...(read more) |
Saha, Poulomi
|
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Spring 2018 |
190/1 Research Seminar: MW 9:30-11 |
This seminar will focus on the way literature imagines the relation between law and justice, concentrating on literature of the Romantic period. We’ll consider writers’ interest in persons (from beggars and trespassers to gods and sover...(read more) |
Langan, Celeste
|
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Spring 2018 |
203/1 Graduate Readings: Note new time: TTh 9:30-11 |
Channeling the voice of his own Enlightened despot, Kant’s famous answer to the question “What is Enlightenment?” included the chilling injunction to “argue as much as you want and about whatever you want, ...(read more) |
Goldstein, Amanda Jo
|
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Spring 2018 |
250/4 Research Seminar: Thurs. 3:30-6:30 |
“Sex is boring,” Foucault declared in an interview published posthumously in 1986, before expressing his interest in those “intentional and voluntary actions by which men […] make their life an oeuvre that car...(read more) |
Lavery, Grace
|
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Fall 2017 |
122/1 MW 2-3 + discussion sections F 2-3 |
The Victorian period witnessed dramatic and probably permanent changes to the literary culture of Britain, including: the morphing of scattered memoirs into formal autobiographies; the rise of the realist novel as the indispensable genre of bourgeo...(read more) |
Lavery, Grace
|
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Fall 2017 |
180L/1 TTh 5-6:30 PM |
This course will examine the historical trajectory of a very fuzzy category, “lyric,” from its identified origins and early practice in English (anonymous medieval lyrics) to its 20th- and 21st- cent...(read more) |
O'Brien, Geoffrey G.
|
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Fall 2017 |
190/2 Research Seminar: MW 2-3:30 |
“It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the ...(read more) |
Puckett, Kent
|
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Fall 2017 |
190/3 Research Seminar: MW 3:30-5 |
Life is full of death; the steps of the living cannot press the earth without disturbing the ashes of the dead—we walk upon our ancestors—the globe itself is one vast churchyard. |
Creasy, CFS
|
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Fall 2017 |
190/8 Research Seminar: TTh 11-12:30 |
Note the changes in the topic, book list, and course description for this section of English 190 as of early June, 2017. Beginning at the age of 37, publishing under a male pen name,George Eliot reinvented the novel as we know it...(read more) |
Kolb, Margaret
|
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Fall 2017 |
190/11 TTh 3:30-5 |
This course will explore nonsense as a literary genre, connecting its distinctive linguistic form to the ideas it takes up. In nonsense, conventional meanings of linguistic forms are prevented from arising, but the forms themselves are ...(read more) |
Hanson, Kristin
|
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Fall 2017 |
250/1 Research Seminar: W 9-12 |
This course will follow the long history of the culture concept in Britain. We will begin by working through Raymond Williams’ account in Culture & Society in order to see how several senses of the word “culture&rdquo...(read more) |
Puckett, Kent
|
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Spring 2017 |
180L/1 TTh 2-3:30 |
This course will examine the historical trajectory of a very fuzzy category, “lyric,” from its identified origins and early practice in antiquity (Sappho, Catullus, et al.) to its 20th and 21st century rejections ...(read more) |
O'Brien, Geoffrey G.
|
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Spring 2017 |
190/4 Research Seminar: MW 12:30-2 |
While there is hardly a dearth of criticism on Jane Austen, it is rare to find her used, as Balzac, Flaubert, Dostoevsky, or Proust is used, as the basis for theorizing the Novel as a form. The gender bias of classic continental novel theory...(read more) |
Miller, D.A.
|
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Fall 2016 |
121/1 TTh 11-12:30 |
This course will look with wild surmise at the event of Romanticism. What happened to literature between 1789 and 1830? Is it true, as some critics have claimed, that Romantic-era writers revolutio...(read more) |
Langan, Celeste
|
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Fall 2016 |
190/9 TTh 2-3:30 |
NOTE: The topic, course description, book list, and instructor for this section of English 190 changed on May 2. Good style is easy to spot but tough to imitate, and "style," good or bad, is itself difficult to define: does style ...(read more) |
Xin, Wendy Veronica
|
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Spring 2016 |
122/1 MWF 12-1 |
The Victorian period witnessed dramatic and probably permanent changes to the literary culture of Britain, including: the morphing of scattered memoirs into formal autobiographies; the rise of the realist novel as the indispensable genre of bourge...(read more) |
Lavery, Grace
|
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Spring 2016 |
165/3 Special Topics: MW 4-5:30 |
Oscar Wilde's jokes, and his pathos, can seem out of place in Victorian literature: they leap off the dusty page and into a present moment where their author seems to fit more happily. Without wishing to consign him back to that potentially ho...(read more) |
Lavery, Grace
|
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Spring 2016 |
190/13 Research Seminar: TTh 5-6:30 P.M. |
This research seminar focuses on the poems and letters of John Keats. We will read his work in relation to some of his predecessors (Shakespeare, Milton) and near contemporaries (Wordsworth, Hazlitt) while addressing questions of the burdens of cu...(read more) |
François, Anne-Lise
|
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Spring 2016 |
203/1 Graduate Readings: MW1:30-3 |
A study of the Victorian novel in relation to nineteenth-century theories of natural and aesthetic form, focused on major writings by George Eliot and Charles Darwin. We will read two novels -- Middlemarch and Daniel Deronda &nda...(read more) |
Duncan, Ian
|
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Fall 2015 |
45B/1 Literature in English: Late-17th Through Mid-19th Centuries MW 12-1; discussion sections F 12-1 |
This course has two fundamental purposes. The first is to provide a broad working overview of the development of literature in English, from the end of the 17th century, in the wake of civil war, revolution, and restoration in England, to the mid-...(read more) |
Blanton, C. D.
|
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Fall 2015 |
125B/1 The English Novel: MW 4-5:30 |
In this class we'll read novels by Charles Dickens, Charlotte Bronte, George Eliot, Lewis Carroll and others. We'll think about these novels in two related ways. First, what was it about the novel—as opposed, for instance, to the poe...(read more) |
Puckett, Kent
|
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Fall 2015 |
203/3 Graduate Readings: TTh 2-3:30 |
This course embarks from the premise that “Victorian” names neither a period of time (1837 – 1901) nor the body of a British sovereign (Alexandrina Victoria Hanover) but a spatially and temporally mobile set of stylistic practice...(read more) |
Lavery, Grace
|
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Spring 2015 |
27/1 Introduction to the Study of Fiction MWF 2-3 |
A 2013 study at the New School for Social Research corroborates the truism that reading literary fiction enhances our ability to understand the emotional states of other people. Even without the blessing of the sciences, it is undeniable that fict...(read more) |
Knox, Marisa Palacios
|
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Spring 2015 |
121/1 TTh 11-12:30 |
This course will look with wild surmise at the event of Romanticism. What happened to literature between 1789 and 1830? Is it true, as some critics have claimed, that Romantic w...(read more) |
Langan, Celeste
|
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Spring 2015 |
122/1 TTh 3:30-5 |
The Victorian period witnessed dramatic and probably permanent changes to the literary culture of Britain, including: the morphing of scattered memoirs into formal autobiographies; the rise of the realist novel as the indispensable genre of bourge...(read more) |
Lavery, Grace
|
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Spring 2015 |
125B/1 |
This course has been canceled. ...(read more) |
Christ, Carol T.
Christ, Carol |
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Spring 2015 |
166/1 Special Topics: MWF 11-12 |
Between 1760 and 1830 Scotland was one of the centers of the European-North Atlantic “Republic of Letters.” Here were invented the signature forms and discourses of the “Enlightenment” and “Romanticism” (terms f...(read more) |
Duncan, Ian
|
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Fall 2014 |
45B/1 Literature in English: Late-17th Through Mid-19th Centuries MW 1-2 + discussion sections F 1-2 |
As we read works produced in a period of often tumultuous change, we shall consider those works as zones of contact, reflecting and sometimes negotiating conflict. In a world of expanding global commerce (imports like tea suddenly becoming commonp...(read more) |
Sorensen, Janet
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Fall 2014 |
45B/2 Literature in English: Late-17th Through Mid-19th Centuries MW 3-4 + discussion secctions F 3-4 |
On the face of it, English 45B seems like a “neither/nor” course; neither a course in the great English "originals" (Chaucer, Spenser, Shakespeare, Milton) nor a course in “modern(ist)” literature. It represents n...(read more) |
Langan, Celeste
|
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Fall 2014 |
45C/1 Literature in English: Mid-19th Through the 20th Century MW 11-12 + discussion sections F 11-12 |
This course provides an overview of the many literary innovations now grouped under the term “modernism,” as well as their relations to the historical and social disruptions associated with the term “modernity.” After...(read more) |
Lee, Steven S.
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Fall 2014 |
45C/2 Literature in English: Mid-19th Through the 20th Century MW 3-4 + discussion sections F 3-4 |
This course examines a range of British and American texts from the period with an emphasis on literary history and its social and political contexts. We will focus on the emergence, development, and legacy of modernism as a set of formal innovati...(read more) |
Goble, Mark
|
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Fall 2014 |
174/1 Literature and History: MWF 12-1 |
“The French Revolution did not take place.” “The French Revolution is not yet over.” These two sentences might seem not only counterfactual, but also contr...(read more) |
Langan, Celeste
|
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Fall 2014 |
180N/1
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This course has been canceled. ...(read more) |
No instructor assigned yet. |
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Fall 2014 |
190/4 Research Seminar: TTh 9:30-11 |
The Queen for whom the Victorian era was named defines the period’s cultural reputation in more ways than one; the stereotypes of Victorianism—moral constraint, prudery, repression—are almost always associated with women. This co...(read more) |
Knox, Marisa Palacios
|
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Fall 2014 |
190/10 Research Seminar: TTh 2-3:30 |
Readings in the “novelistic revolution” (Franco Moretti’s phrase) of European Romanticism. With our main focus on the establishment of “the classical form of the historical novel” in Scott’s Waverley(read more) |
Duncan, Ian
|
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Fall 2014 |
250/2 Research Seminars: Thurs. 3:30-6:30 |
In this course, we’ll look at the idea of prose style in a few different ways. First, we’ll read some key texts on the theory of st...(read more) |
Puckett, Kent
|
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Spring 2014 |
121/1 MWF 2-3 |
Romanticism was once defined as a turn toward “nature” in response to the industrialization marking Britain’s transition to modern capitalism in the late eighteenth and early nineteenth centuries. Rather than simply resurrecting ...(read more) |
François, Anne-Lise
|
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Spring 2014 |
165/2 Special Topics: TTh 11-12:30 |
Oscar Wilde’s jokes, and his pathos, can seem out of place in Victorian literature: they leap off the dusty page and into a present moment where their author seems to fit more happily. Without wishing to consign him back to that potentially ...(read more) |
Lavery, Grace
|
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Spring 2014 |
174/1 Literature and History: TTh 12:30-2 |
This course will offer an introduction to critical methods focused on practices of historical interpretation. While we will read widely in critical and theoretical writing, our case studies will focus on key texts in the history of nationhood and ...(read more) |
Savarese, John L.
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Spring 2014 |
190/2 Research Seminar: MW 4-5:30 |
George Eliot was the Victorian novelist most attuned to contemporary developments in the natural and human sciences. We will read three of her major novels -- The Mill on ...(read more) |
Duncan, Ian
|
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Spring 2014 |
190/3 Research Seminar: TTh 9:30-11 |
“In France it was what people did that was wild and elemental; in England it was what people wrote…Verbally considered, Carlyle’s French Revolution was more revolutionary than the real French Revolution” –G....(read more) |
Knox, Marisa Palacios
|
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Spring 2014 |
190/5 Research Seminar: TTh 11-12:30 |
This course will recreate the reading experiences of the nineteenth-century public, examining publishing trends and literary forms in Victorian Britain. We'll explore the rise of mass literacy, the growth of the periodical press, the serializa...(read more) |
Browning, Catherine Cronquist
|
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Spring 2014 |
250/2 Research Seminars: Thurs. 3:30-6:30 |
The kinds of writing called “aesthetics” and “Orientalism” are usually studied in relative isolation from each other, but they share certain features. Both pull readers outside their comfort zones, towards an unfamiliar pla...(read more) |
Lavery, Grace
|
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Summer 2014 |
N20/1 Modern British and American Literature MTuTh 10-12 |
Virginia Woolf famously wrote that “on or about December 1910, human character changed.” In her view, the exciting and experimental works of modernism—written by authors like T.S. Eliot, James Joyce, and Woolf herself—came ...(read more) |
Creasy, CFS
|
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Summer 2014 |
N125B/1 The English Novel: Dickens through Conrad TTh 12-2 |
In this class we'll read novels by Charles Dickens, Emily Brontë, George Eliot, Lewis Carroll and others. We'll think about these novels...(read more) |
Puckett, Kent
|
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Fall 2013 |
121/1 MWF 10-11 |
This course will examine the Romantic movement in Britain, a movement often described as an outgrowth of the “Age of Revolution.” From the hopes for the French Republic to the “revolution in poetic language” attempted in (read more) |
Savarese, John L.
Savarese, John |
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Fall 2013 |
122/1 MWF 2-3 |
The Victorian period witnessed dramatic and probably permanent changes to literature in Britain, including: the morphing of scattered memoirs into formal autobiographies; the rise of the realist novel as the indispensable genre for describing the ...(read more) |
Lavery, Grace
Lavery, Joseph |
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Fall 2013 |
190/1 Research Seminar: MW 4-5:30 |
The literary genre of the Victorian sensation novel of the 1860s-1870s was defined less by its form and content than by the response it was supposed to engender in its readers. This course will explore the significance of physical and psy...(read more) |
Knox, Marisa Palacios
|
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Fall 2013 |
250/3 Research Seminar: Thurs. 3:30-6:30 |
In his introduction to Tom Jones (1749) Henry Fielding formally announced the “rise of the novel” by grounding the new genre on “human nature,” which David Hume had recently proclaimed the foundation of all the sci...(read more) |
Duncan, Ian
|
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Spring 2013 |
122/1 TTh 2-3:30 |
This course is designed to be a wide-ranging survey of some of the best imaginative writing in English from the so-called “Victorian” period (roughly, 1837-1901), as well as an introduction, though only incidentally, to the historical ...(read more) |
Jordan, Joseph P
|
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Spring 2013 |
125B/1 The English Novel (Dickens through Conrad) TTh 11-12:30 |
What do novels do? How do they 'think'? How do they change the ways in which we perceive fictional and real worlds? Why does the novel come to dominate the literary scene so thoroughly in the Victorian period and into the twentieth century...(read more) |
Eichenlaub, Justin
Eichenlaub, Justin |
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Fall 2012 |
45B/1 Literature in English: Late 17th- Through Mid-19th Centuries MW 10-11 + discussion sections F 10-11 |
Our course begins at sea, with the “violent storm” and shipwreck of Gulliver’s Travels, and ends at sea in <...(read more) |
Goldsmith, Steven
|
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Fall 2012 |
45B/2 Literature in English: Late 17th- Through Mid-19th Centuries MW 12-1 + discussion sections F 12-1 |
This course is an introduction to British and American literature from the eighteenth through the mid-nineteenth century. We'll read works from that period (by Swift, Pope, Sterne, Franklin, Equiano, Wordsworth, Austen, Melville, Dickinson, Wh...(read more) |
Puckett, Kent
|
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Fall 2012 |
45C/2 Literature in English: Mid-19th Through the 20th Century MW 1-2 + discussion sections F 1-2 |
This survey course of literature in English from the mid-nineteenth century to the present will consider a variety of literary forms and movements in their historical and cultural contexts. We'll examine the literature of colonization and impe...(read more) |
Wong, Hertha D. Sweet
|
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Fall 2012 |
122/1 MWF 2-3 |
In the years 1837 to 1901 British literary culture responded to and helped to shape a range of world-historic events, trends, and revolutions. During these years Darwin published his theory of natural selection and evolution, the industrial city w...(read more) |
Eichenlaub, Justin
Eichenlaub, Justin |
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Fall 2012 |
166/2 Special Topics: TTh 12:30-2 |
The large scale transportation of Africans to the Americas is a signal fact of modernity in the West. The trouble is that we both do and do not know this. One of the most salient, confounding aspects of life in the Caribbean and the United States,...(read more) |
Ellis, Nadia
|
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Fall 2012 |
190/10 Research Seminar: TTh 9:30-11 |
John Clare was an uneducated farm laborer, a contemporary of Keats, who became very briefly a very famous poet in the 1820's in the wake of the great years of Burns, Byron, Wordsworth, Coleridge, and Shelley. He published three books, co...(read more) |
Hass, Robert L.
|
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Fall 2012 |
203/2 Graduate Readings: TTh 2-3:30 |
The Romantic Age is arguably the first age in which we see systematic attempts at deriving the self from itself, at constructing an identity through the discourse that is produced by a subject, which, however, is itself seen as the product of that...(read more) |
Bode, Christoph
Bode, Christoph |
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Fall 2012 |
250/1 Research Seminars: M 3-6 |
This course will follow the long history of the culture concept in Britain.&n...(read more) |
Puckett, Kent
|
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Spring 2012 |
45B/1 Literature in English: Late 17th- Through Mid-19th Centuries MW 10-11, + discussion sections F 10-11 |
This course is an introduction to British and American literature from the eighteenth through the mid-nineteenth century. We'll read works from that period (by Pope, Sterne, Franklin, Equiano, Wordsworth, Austen, Shelley, Melville, Dickinson, ...(read more) |
Puckett, Kent
|
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Spring 2012 |
45B/2 Literature in English: Late 17th- Through Mid-19th Centuries MW 12-1, + discussion sections F 12-1 |
Readings in English, Scottish, Irish and North American prose narrative and poetry from 1688 through 1848: a century and a half that sees the formation of a new...(read more) |
Duncan, Ian
|
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Spring 2012 |
45C/2 Literature in English: Mid-19th Through the 20th Century MW 3-4, + discussion sections F 3-4 |
A broad survey of the period that witnessed the arrival of English as a fully global literary language, with Anglophone empires (both political and cultural) centered on both sides of the Atlantic and spread around the world. (read more) |
Blanton, C. D.
Blanton, Dan |
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Spring 2012 |
190/3 MW 4-5:30 |
This course will explore the relationship between two characteristics of these classic works of nonsense literature for children. One is their foregrounding of linguistic form, shared with language games and of obvious special interest to children...(read more) |
Hanson, Kristin
Hanson, Kristin |
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Spring 2012 |
203/1 Graduate Readings: M 3-6 |
William Wordsworth’s 1800 declaration that poetry “is the history or science of feelings” cuts many ways, as such genitive constructions often do. His phrase alludes both to the contemporary human and life sciences that mad...(read more) |
Goodman, Kevis
Goodman, Kevis |
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Spring 2012 |
203/4 Graduate Readings: W 3-6 |
Reading and discussion of a selection of major nineteenth-century British novels. We will bring large questions to bear on one another, concerning: the worlds and communities the novel aims to represent and to address (region or province; na...(read more) |
Duncan, Ian
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Summer 2012 |
N121/1 MTuTh 12-2 |
We'll spend six weeks reading the poetry and prose of the Romantic Period. Although we'll read a number of different figures, we will focus on the careers of William Wordsworth and Samuel Taylor Coleridge. This cour...(read more) |
Puckett, Kent
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Spring 2011 |
125B/1 The English Novel: Dickens through Conrad MW 3-4 + discussion sections F 3-4 |
In this class we'll read novels by Charles Dickens, Charlotte Bronte, George Eliot, Lewis Carroll and others. We'll think about these novels in two related ways. First, what was it about the novel--as opposed, for instance, to the poem or ...(read more) |
Puckett, Kent
Puckett, Kent |
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Spring 2010 |
121/1 TTh 9:30-11 |
Romanticism is a term as difficult to define as it is persistent. We will read British Romanticism as a set of diverse, sometimes contradictory responses to an overarching question: what is the role of literature in a rapidly modernizing world? Britis...(read more) |
Goldsmith, Steven
Goldsmith, Steven |
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Fall 2009 |
122/1 TTh 12:30-2 |
A survey of and introduction to the writing produced in the years between 1837 and 1901, when Victoria presided over the apparent apogee of British cultural power and (formally at least) over a very large portion of the planet. We will explore this lo...(read more) |
Blanton, C. D.
Blanton, C.D. |
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Spring 2009 |
121/1 MWF 11-12 |
The word ‘romantic’ has come to mean so many things that, by itself, it has ceased to perform the function of a verbal sign.” --Arthur O. Lovejoy This course will look with wild surmise at the phenomenon of Rom...(read more) |
Langan, Celeste
Langan, Celeste |
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Spring 2008 |
121/1 MWF 11-12 |
"In 1796, Samuel Taylor Coleridge published a poem in the Monthly Magazine with an odd subtitle: ""A Poem which affects not to be Poetry."" Why write a poem that doesn�t want to seem like a poem? Literature since that time has been in conversation wit...(read more) |
Langan, Celeste
Langan, Celeste |
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Spring 2008 |
122/1 MWF 12-1 |
This course is an introduction to the literature and culture of the Victorian period. Victorian poets, novelists, and critics responded to rapid industrial growth, colonial expansion, and profound developments in science, technology, and social life w...(read more) |
Puckett, Kent
Puckett , Kent |
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Fall 2005 |
122/1 Upper Division Coursework: TTh 9:30-11 |
This course is an introduction to the literature and culture of the Victorian period. Victorian poets, novelists, and critics responded to rapid industrial growth, colonial expansion, and profound developments in science, technology, and social life w...(read more) |
Puckett, Kent
Puckett, Kent |
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Spring 2005 |
121/1 Upper Division Coursework: MWF 1-2 |
"In 1796, Samuel Taylor Coleridge published a poem in the Monthly Magazine with an odd subtitle: ""A Poem which affects not to be Poetry."" Literature since that time has been in conversation with the experimental poetry of Coleridge and of the Romant...(read more) |
Langan, Celeste
Langan, Celeste |
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Fall 2004 |
125B/1 Upper Division Coursework: TTh 11-12:30 |
This course will consider the British novel between Late Victorianism and Modernism. The reading list will include some of the above. ...(read more) |
Banfield, Ann
Banfield, Ann |