Semester | Course # |
Instructor |
Course Area |
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---|---|---|---|---|---|---|
Fall 2022 |
43A/1 Introduction to the Writing of Short Fiction MW 9:30-11 |
The aim of this course is to introduce students to the study of short fiction—to explore the elements that make up the genre, and to enable students to talk critically about short stories and begin to feel comfortable and confident with their...(read more) |
Abrams, Melanie
|
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Fall 2022 |
43B/1 Introduction to the Writing of Verse TuTh 8-9:30 |
This is an introductory creative writing workshop in which participants write, revise, and discuss their original works of poetry in a collaborative group setting. We'll ...(read more) |
Nathan, Jesse
|
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Fall 2022 |
143A/1 MW 9:30-11 |
A short fiction workshop with a focus on the craft of writing. In this course, we will be readers, writers, and editors of short fiction. We'll read a range of published short stories in order to explore the technical ways in which a short stor...(read more) |
McFarlane, Fiona
|
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Fall 2022 |
143B/1 MW 5-6:30 |
There’ll be writing prompts and there’ll be experiments involving old forms—the sonnet, the ghazal, the haibun, varieties of orature (including song). Old forms? From an essay: “I find [form] interestin...(read more) |
Giscombe, Cecil S.
|
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Fall 2022 |
143B/2 MW 12:30-2 |
Musician and poet Sun Ra once noted, after writing a requiem for a former band member this is the first time a black man received his very own requiem. We’ll be reading...(read more) |
Holiday, Harmony |
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Fall 2022 |
143C/1 MW 12:30-2 |
This course is for students who are interested in writing, or are already working on, a novel or novella. Through creative writing exercises, discussion and reading, we’ll generate ideas and explore how a novel is made; through workshops, you...(read more) |
McFarlane, Fiona
|
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Fall 2022 |
243B/1 MW 12:30-2 |
This fall I’m going to ask that poetry workshop members join me in reading and thinking about location as an active process and about cross-genre writing as a response to and engagement with that process. Those are my particular—t...(read more) |
Giscombe, Cecil S.
|
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Spring 2022 |
43A/1 Introduction to the Writing of Short Fiction TTh 9:30-11 |
This is an introductory workshop that focuses on writing and revising short fiction. We will also read published short stories to see how writers handle the essentials of voice, character, setting, structure, point of view, conflict, and ...(read more) |
Rowland, Amy
|
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Spring 2022 |
43B/1 Introduction to the Writing of Verse MW 12:30-2 |
"There is no greater fallacy going than that art is expression" (Robert Frost) This introductory workshop will ask: what is poetry if it is not (or not only) self-expression? We will write, workshop and revise our own poems and ...(read more) |
Laser, Jessica
|
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Spring 2022 |
143A/1 TTh 11-12:30 |
The aim of this course is to explore the genre of short fiction—to discuss the elements that make up the short story, to talk critically about short stories, and to become comfortable and confident with the writing of them. Students wil...(read more) |
Abrams, Melanie
|
|||
Spring 2022 |
143A/2 TTh 11-12:30 |
A short fiction workshop. Over the course of the semester, each student will write and revise two stories. Each participant in the workshop will edit student-written stories and will write a formal critique of each manuscript. Students will also ta...(read more) |
Chandra, Vikram
|
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Spring 2022 |
143B/1 MW 2-3:30 |
In this course you will conduct a progressive series of explorations in which you will try some of the fundamental options for writing poetry today (or any day) — aperture and closure; rhythmic sound patterning; sentence and line (verse); sho...(read more) |
Shoptaw, John
|
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Spring 2022 |
143B/2 MW 3:30-5 |
In this class we will read as writers and write as readers, explore some of the larger mysteries and technical fine points of poetry, and how one is often to be found in the other. Course readings covering a range of 20th and 21st(read more) |
Solie, Karen |
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Spring 2022 |
143C/1 MW 12:30-2 |
This course is for students who are interested in or already working on a novel or novella. Through creative writing exercises and reading, we’ll explore how a novel is made, including questions of structure, research, and planning; through w...(read more) |
McFarlane, Fiona
|
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Spring 2022 |
143N/1 Prose Nonfiction: MW 11-12:30 |
This is a creative nonfiction writing workshop focused on the topic of food. Food writing encompasses more than snooty restaurant reviews or poetic descriptions of the taste of wine, coffee, and chocolate. Food writing can include memoi...(read more) |
Kleege, Georgina
|
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Spring 2022 |
143N/2 TTh 9:30-11 |
This course is a nonfiction workshop in which you’ll learn to write about many different types of art and culture, from TV to music and other forms of performance, while also developing your own voice and sensibility on the page as you learn ...(read more) |
Saul, Scott
|
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Spring 2022 |
143N/3 Friday 9-12 |
An upper division writing workshop, open to undergraduate and graduate students from any department who have either taken English 43-level writing seminars or have equivalent skills/experience. Drawing on narrative strategies in memoir, t...(read more) |
Farber, Thomas
|
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Spring 2022 |
243B/1 M 9-12 |
Studies in contemporary poetic cases will focus our discussions of each other's poems. ...(read more) |
O'Brien, Geoffrey G.
|
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Spring 2022 |
243N/1 Prose Nonfiction Writing Workshop: MW 5-6:30 |
By the time James Baldwin died in 1987, he had, arguably, become the voice of black and queer America. As the author of numerous novels, essays, plays, and social commentaries, the Harlem-born author had managed, over his nearly forty-year career, ...(read more) |
Als, Hilton
|
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Fall 2021 |
43A/1 Introduction to the Writing of Short Fiction MWF 1-2 |
The aim of this course is to introduce students to the study ...(read more) |
Abrams, Melanie
|
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Fall 2021 |
143A/1 MW 2-3:30 |
A short fiction workshop. Over the course of the semester, each student will write and revise two stories. Each participant in the workshop will edit student-written stories and will write a formal critique of each manuscript. Students will also ta...(read more) |
Chandra, Vikram
|
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Fall 2021 |
143A/2 TTh 12:30-2 |
A short fiction workshop with a focus on the craft of writing. In this course, we will be readers, writers, and editors of short fiction. We'll read a range of published short stories in order to explore the technical ways in which a short stor...(read more) |
McFarlane, Fiona
|
|||
Fall 2021 |
143B/1 TTh 11-12:30 |
There’ll be writing prompts and there’ll be experiments involving old forms—the sonnet, the ghazal, the haibun, varieties of orature (including song). Old forms? From an essay: I find [form] interes...(read more) |
Giscombe, Cecil S.
|
|||
Fall 2021 |
143B/2 TuTh 3:30-5 |
The purpos...(read more) |
O'Brien, Geoffrey G.
|
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Fall 2021 |
143C/1 MW 5:30-7 |
This course is for students interested in or already working on a novel or novella. Questions of structure, plot, setting, character, time, and voice will be addressed in our readings and throughout the course, particularly during our workshops, wh...(read more) |
Rowland, Amy
|
|||
Fall 2021 |
143N/1 Prose Nonfiction: TTh 9:30-11 |
This class will be conducted as a writing workshop to explore the art and craft of the personal essay. We will closely examine the essays in the assigned anthology, as well as students’ exercises and essays. Writing assignments wi...(read more) |
Kleege, Georgina
|
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Fall 2021 |
243A/1 Th 9-12 |
In this class, we’ll think about fiction as practitioners: we’ll explore how fiction is made through making our own. This class will begin with generation and end with revision, and new writers are very welcome. Students will writ...(read more) |
McFarlane, Fiona
|
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Spring 2021 |
43A/1 Introduction to the Writing of Short Fiction MW 3-4:30 |
This is an introductory workshop that focuses on writing and revising short fiction. We will also read published short stories and other literary work to see how writers handle the essentials of voice, character, setting, structure, point...(read more) |
Rowland, Amy
|
|||
Spring 2021 |
143A/1 MW 10:30-12 |
A short fiction workshop. Over the course of the semester, each student will write and revise two stories. Each participant in the workshop will edit student-written stories and will write a formal critique of each manuscript. Students are required...(read more) |
Chandra, Vikram
|
|||
Spring 2021 |
143A/2 TTh 3:30-5 |
The aim of this course is to explore the genre of short fiction—to discuss the elements that make up the short story, to talk critically about short stories, and to become comfortable and confident with the writing of them. Students wil...(read more) |
Abrams, Melanie
|
|||
Spring 2021 |
143B/1 TTh 11-12:30 |
In this course you will conduct a progressive series of explorations in which you will try some of the fundamental options for writing poetry today (or any day) — aperture and closure; rhythmic sound patterning; sentence and line (verse); sho...(read more) |
Shoptaw, John
|
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Spring 2021 |
143B/2 Verse: TTh 2-3:30 |
What becomes...(read more) |
Hofer, Jen Eleana
|
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Spring 2021 |
143N/1 Prose Nonfiction: MW 5-6:30 |
“Traveling, Thinking, Writing.” Much of American literature has had to do with a sense of motion. Note the journeys, e.g., in the best known texts of Melville and Twain. But note also that Harlemite Langston Hughes’ auto...(read more) |
Giscombe, Cecil S.
|
|||
Summer 2021 |
141/1 TWTh 2-4:30 |
This course will introduce students to the study of creative writing—fiction and poetry. Students will learn to talk critically about these forms and begin to feel comfortable and confident writing within these genres. Students will write a v...(read more) |
Abrams, Melanie
|
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Fall 2020 |
143A/1 MW 1:30-3 |
The aim of this course is to explore the genre of short fiction—to discuss the elements that make up the short story, to talk critically about short stories, and to become comfortable and confident with the writing of them. Students wil...(read more) |
Abrams, Melanie
|
|||
Fall 2020 |
143A/2 TTh 9:30-11 |
A short fiction workshop with a focus on the craft of writing. In this course, we will be readers, writers, and editors of short fiction. We'll read a range of published short stories in order to discover the technical ways in which a short sto...(read more) |
McFarlane, Fiona
|
|||
Fall 2020 |
143A/3 TTh 2-3:30 |
A short fiction workshop. Over the course of the semester, each student will write and revise two stories. Each participant in the workshop will edit student-written stories and will write a formal critique of each manuscript. Students are required...(read more) |
Chandra, Vikram
|
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Fall 2020 |
143B/1 This course will be taught asynchronously. |
The purpose of this class will be to produce a collective language in which to treat poetry. Writing your own poems will be a part of this task, but it will also require readings in contemporary poetry and essays in poetics, as well as some writing...(read more) |
O'Brien, Geoffrey G.
|
|||
Fall 2020 |
143C/1 TTh 11-12:30 |
This course is for students interested in or already working on a novel or novella. Questions of structure, plot, setting, character, time, and voice will be addressed in our readings and throughout the course, particularly during our workshops, wh...(read more) |
Rowland, Amy
|
|||
Fall 2020 |
143N/1 Prose Nonfiction: MW 12-1:30 |
This course is a nonfiction workshop in which you’ll learn to write about many different types of art and culture, from TV to music and film, while also developing your own voice and sensibility on the page as you learn to write about your ow...(read more) |
Saul, Scott
|
|||
Fall 2020 |
243B/1 TTh 2-3:30 |
In this semester's 243B we'll be actively fielding questions around environmentally conscious/location-oriented writing. Some beginnings: From Jonathan Skinner's introduction to the Ecopoetics section of the Cambridg...(read more) |
Giscombe, Cecil S.
|
|||
Fall 2020 |
243N/1 Prose Nonfiction Writing Workshop Thurs. 9:30-12:30 |
This is a writing workshop for Ph.D students interested in writing nonacademic literary prose. This might mean creative nonfiction, personal essay, memoir, food writing,, sports writing, nonacademic reviewing of books, film, performance, and art, a...(read more) |
Kleege, Georgina
|
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Spring 2020 |
43B/1 Introduction to the Writing of Verse TTh 3:30-5 |
This course serves an introductory creative writing workshop where participants will write, revise, and discuss their original works of poetry in a collaborative group setting. Through a series of writing prompts, technical exercises in form and me...(read more) |
Ritland, Laura
|
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Spring 2020 |
143A/1 MW 9-10:30 |
The aim of this course is to explore the genre of short fiction—to discuss the elements that make up the short story, to talk critically about short stories, and to become comfortable and confident with the writing of them. Students wil...(read more) |
Abrams, Melanie
|
|||
Spring 2020 |
143A/2 TTh 2-3:30 |
This course is a workshop that focuses on writing and revising short fiction. We will also read published short stories and other literary work to see how writers craft effective stories. We will examine the essentials of voice, character, setting,...(read more) |
Rowland, Amy
|
|||
Spring 2020 |
143B/1 MW 1:30-3 |
In this course you will conduct a progressive series of explorations in which you will try some of the fundamental options for writing poetry today (or any day)--aperture and closure; rhythmic sound patterning; sentence and line; short and long-lin...(read more) |
Shoptaw, John
|
|||
Spring 2020 |
143B/2 TTh 2-3:30 |
As some would have it, the field of verse can be organized into poems and non-poems, poets and non-poets. In this schema poets are individuals who bear responsibility for the asethetic choices that produce poems, and poems are things that instruct ...(read more) |
Matuk, Farid |
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Spring 2020 |
143N/1 Prose Nonfiction: TTh 12:30-2 |
This class will be conducted as a writing workshop to explore the art and craft of the personal essay. We will closely examine the essays in the assigned anthology, as well as students’ exercises and essays. Writing assignments wi...(read more) |
Kleege, Georgina
|
|||
Spring 2020 |
243A/1 MW 1:30-3 |
The purpose of this workshop is to begin to write a novel or a story collection. It is unlikely that you will finish writing either in the three months we spend together. Fiction takes time. There are some reported exceptions to this, but given tha...(read more) |
Serpell, C. Namwali
|
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Spring 2020 |
243B/1 W 3-6 |
Studies in contemporary poetic cases will focus our discussions of each other's poems. Only continuing UC Berkeley graduate students (and upper-division students with considerable writing experience) are eligible to apply for this cou...(read more) |
O'Brien, Geoffrey G.
|
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Summer 2020 |
143A/1 TTh 2-5 |
This course is a laboratory for student writers to work on short stories or, if appropriate, chapters from longer fictional projects. Over the eight weeks, we will help you discover your own methods for building worlds, developing characters, struc...(read more) |
Walter, David
|
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Summer 2020 |
143A/2 TTh 9-12 |
This course is a laboratory for student writers to work on short stories or, if appropriate, chapters from longer fictional projects. Over the eight weeks, we will help you discover your own methods for building worlds, developing characters, struc...(read more) |
Walter, David
|
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Fall 2019 |
43A/1 Introduction to the Writing of Short Fiction TTh 12:30-2 |
(Note: This course was added on April 26.) The aim of this course is to introduce students to the study of short fiction—to explore the elements that make up the genre, and to enable students to talk critically about short stories a...(read more) |
Abrams, Melanie
|
|||
Fall 2019 |
143A/1 TTh 12:30-2 |
A short fiction workshop with a focus on the craft of writing. In this course, we will be readers, writers, and editors of short fiction. We'll read a range of published short stories in order to discover the technical ways in which a short sto...(read more) |
McFarlane, Fiona
|
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Fall 2019 |
143A/2 |
This section of English 143A has been canceled (June 4, 2019). ...(read more) |
Chandra, Vikram
|
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Fall 2019 |
143B/1 MW 12-1:30 |
The question is whether or not poetry can be more than a series of successful gestures, as F. Scott Fitzgerald put it rather long ago, or arrive at something other than the statement or restatement of an emotional truth or idea. Can poetry int...(read more) |
Giscombe, Cecil S.
|
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Fall 2019 |
143N/1 Prose Nonfiction: TTh 11-12:30 |
This course is a creative nonfiction workshop in which you'll learn to write about many different types of art and culture, from TV and film to music and the built environment, while developing your own voice as a writer and reflecting on what ...(read more) |
Saul, Scott
|
|||
Fall 2019 |
143N/2 Prose Nonfiction: TTh 3:30-5 |
This is a creative nonfiction writing workshop focused on the topic of food. Food writing encompasses more than snooty restaurant reviews or poetic descriptions of the taste of wine, coffee, and chocolate. Food writing can include memoi...(read more) |
Kleege, Georgina
|
|||
Spring 2019 |
43B/1 Introduction to the Writing of Verse TTh 11-12:30 |
Even if it's written in solitude, poetry is a highly social form of art. A poet may speak to their reader, to their city, to their government, to their time. They may write to their friends or fellow poets, or they may write to, with, or agains...(read more) |
Wilson, Mary
|
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Spring 2019 |
143A/1 TTh 11-12:30 |
A short fiction workshop. Over the course of the semester, each student will write and revise two stories. Each participant in the workshop will edit student-written stories and will write a formal critique of each manuscript. Students are req...(read more) |
Chandra, Vikram
|
|||
Spring 2019 |
143A/2 W 3-6 |
A fiction workshop in which students will be expected to turn in material approximately every third week, to be edited and discussed in class. Emphasis will be upon editing and revising. Quality rather than quantity is the ideal, but each...(read more) |
Oates, Joyce Carol
|
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Spring 2019 |
143B/1 MW 9-10:30 |
A writing and literature course in which students will become familiar with trends in 20th- and 21st-century poetry. The selected poetry will be linked to developments in the other arts. Students will write poems based upon models offered by establ...(read more) |
Reed, Ishmael S.
|
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Spring 2019 |
143B/2 TTh 9:30-11 |
In this course you will conduct a progressive series of explorations in which you will try some of the fundamental options for writing poetry today (or any day)—aperture and closure; rhythmic sound patterning; sentence and line; short and lon...(read more) |
Shoptaw, John
|
|||
Spring 2019 |
143B/3 TTh 12:30-2 |
This is a workshop class. Students will be submitting drafts of new poems weekly, reading lots of poetry, reading and critiquing each other's new work, so regular attendance and participation is mandatory. Only continuing UC Berkeley ...(read more) |
Hass, Robert L.
|
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Spring 2019 |
143D/1 Expository and Critical Writing : TTh 11-12:30 |
This course in the critical essay is designed for students who are writing a thesis-length research paper. For the first weeks of class, we will explore and share our own experiences, processes, obstacles and goal...(read more) |
Donegan, Kathleen
|
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Spring 2019 |
143N/1 M 3-6 |
Much of American literature has had to do with a sense of motion. Note the journeys, e.g., in the best known texts of Melville and Twain. But note also that Harlemite Langston Hughes' autobiography, The Big Sea, begins on a boat a...(read more) |
Giscombe, Cecil S.
|
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Spring 2019 |
243N/1 Prose Nonfiction Writing Workshop W 3-6 |
Creative Nonfiction: A graduate level writing workshop, open to graduate students from any department. Open also to undergraduate students from any department who have taken English 143-level writing seminars or have equivalent skills or expe...(read more) |
Farber, Thomas
|
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Summer 2019 |
143A/1 TuWTh 2-4:30 |
The Literary Magazine and the Short Story as Genre. This course will be both a short fiction workshop and a craft class studying the literary short story as a genre. Rather than approach literary fiction as the norm from which genre fiction d...(read more) |
No instructor assigned yet. |
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Summer 2019 |
143A/2 MW 2-5 |
In this eight-week course, we will focus on two things: learning about contemporary publishing venues for short fiction—both traditional journals and online platforms—and workshopping the participants' fiction. Together, we will rea...(read more) |
Muhammad, Ismail
|
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Summer 2019 |
143B/1 TuWTh 10-12:30 |
This course is a poetry writing workshop. Students will submit new drafts of poems weekly, and we will read and discuss these together, supporting each other's growth as writers. We will also study contemporary examples focusing on poetry of th...(read more) |
Benjamin, Daniel
|
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Summer 2019 |
143N/1 Prose Nonfiction: TuTh 2-5 |
This eight-week summer class centers on workshopping your own literary nonfiction, helping you draw on the distinctive forms and techniques of the personal essay, memoir, travel writing, cultural criticism, and journalistic reportage to speak to, o...(read more) |
Stevenson, Max
|
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Fall 2018 |
143A/2 TTh 11-12:30 |
This workshop is designed to hone basic elements of the short story. We will read some exceptional stories in a variety of genres. We will compose and revise 1-2 stories over the course of the semester. Only continuing students are ...(read more) |
Serpell, C. Namwali
|
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Fall 2018 |
143A/3 TTh 3:30-5 |
The aim of this course is to explore the genre of short fiction – to discuss the elements that make up the short story, to talk critically about short stories, and to become comfortable and confident with the writing of them. Stud...(read more) |
Abrams, Melanie
|
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Fall 2018 |
143B/1 TTh 2-3:30 |
In addition to reading and writing poems, we'll also: study prosody via weekly scanning assignments; read critical essays on poetics; historicize formal conventions and talk about genre; create; destroy; rebuild; delight. I'm hoping th...(read more) |
Nicholson, Sara |
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Fall 2018 |
143B/2 Tues. 3:30-6:30 |
The purpose of this class will be to produce a collective language in which to treat poetry. Writing your own poems will be a part of this task, but it will also require readings in contemporary poetry and essays in poetics, as well as some wr...(read more) |
O'Brien, Geoffrey G.
|
|||
Fall 2018 |
143N/1 Prose Nonfiction: MW 3-4:30 |
This course is a nonfiction workshop in which you'll learn to write about many different types of art and culture, from TV and film to music and other forms of performance, while developing your own voice as a writer and reflecting on...(read more) |
Saul, Scott
|
|||
Fall 2018 |
143N/2 Prose Nonfiction: TTh 12:30-2 |
This class will be conducted as a writing workshop to explore the art and craft of the personal essay. We will closely examine the essays in the assigned anthology, as well as students’ exercises and essays. Writing assignments wi...(read more) |
Kleege, Georgina
|
|||
Fall 2018 |
243A/1 MW 1:30-3 |
A graduate-level fiction workshop. Students will write fiction, produce critiques of work submitted to the workshop, and participate in discussions about the theory and practice of writing. We’ll also read published fiction and essays about w...(read more) |
Chandra, Vikram
|
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Fall 2018 |
243B/1 Thurs. 9:30-12:30 |
In this semester's 243B we'll be actively fielding questions around environmentally conscious/location-oriented writing. Some beginnings: From Jonathan Skinner's introduction to the Ecopoetics section of the new...(read more) |
Giscombe, Cecil S.
|
|||
Spring 2018 |
43B/1 Introduction to the Writing of Verse MW 9-10:30 |
This is a collaborative workshop where participants will learn to think critically and supportively about others’ creative work and their own, fostering an ongoing practice of editing and revision throughout the semester. Students will develo...(read more) |
Gaston, Lise
|
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Spring 2018 |
143A/1 MW 1:30-3 |
The aim of this course is to explore the genre of short fiction – to discuss the elements that make up the short story, to talk critically about short stories, and to become comfortable and confident with the writing of them. Stud...(read more) |
Abrams, Melanie
|
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Spring 2018 |
143A/2 TTh 11-12:30 |
A short fiction workshop. Over the course of the semester, each student will write and revise two stories. Each participant in the workshop will edit student-written stories and will write a formal critique of each manuscript. Students are req...(read more) |
Chandra, Vikram
|
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Spring 2018 |
143A/3 Thurs. 3:30-6:30 |
A fiction workshop in which students will be expected to turn in material approximately every third week, to be edited and discussed in class. Emphasis will be upon editing and revising. Quality rather than quantity is the ideal, but each...(read more) |
Oates, Joyce Carol
|
|||
Spring 2018 |
143B/1 TTh 9:30-11 |
This is a workshop, a studio class. The principle is immersion. Students will be expected to be reading poetry all the time, writing it, giving and receiving feedback on the drafts of poems you will be turning in weekly. Attendance...(read more) |
Hass, Robert L.
|
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Spring 2018 |
143B/2 TTh 12:30-2 |
In this course you will conduct a progressive series of explorations in which you will try some of the fundamental options for writing poetry today (or any day)--aperture and closure; rhythmic sound patterning; sentence and line; short and long-lin...(read more) |
Shoptaw, John
|
|||
Spring 2018 |
143N/1 Prose Nonfiction: TTh 3:30-5 |
This is a creative nonfiction writing workshop focused on the topic of food. Food writing encompasses more than snooty restaurant reviews or poetic descriptions of the taste of wine, coffee, and chocolate. Food writing can include memoi...(read more) |
Kleege, Georgina
|
|||
Summer 2018 |
143A/1 MW 2-5 |
In this eight-week course, we will focus on two things: learning about contemporary publishing venues for short fiction—both traditional journals and online platforms—and workshopping the participants’ fiction. Together, we will r...(read more) |
Young, Rosetta
|
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Fall 2017 |
143A/1 MW 11-12:30 |
A short fiction workshop. Over the course of the semester, each student will write and revise two stories. Each participant in the workshop will edit student-written stories and will write a formal critique of each manuscript. Stu...(read more) |
Chandra, Vikram
|
|||
Fall 2017 |
143B/1 MW 12:30-2 |
In this course you will conduct a progressive series of explorations in which you will try some of the fundamental options for writing poetry today (or any day)--aperture and closure; rhythmic sound patterning; sentence and line; short and long-lin...(read more) |
Shoptaw, John
|
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Fall 2017 |
143B/2 W 3-6 |
Soundings: A Poetry Workshop "How you sound??" the poet Amiri Baraka asked. This workshop is designed to be an exploration of "voice" through poetic form, music, kitchen appliances, rush hour traffic, and the nat...(read more) |
Singleton, Giovanni
|
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Fall 2017 |
143B/3 TTh 2-3:30 |
The purpose of this class will be to produce a collective language in which to treat poetry. Writing your own poems will be a part of this task, but it will also require readings in contemporary poetry and essays in poetics, as well as some wr...(read more) |
O'Brien, Geoffrey G.
|
|||
Fall 2017 |
143N/1 Prose Nonfiction: MW 9:30-11 |
This course is a nonfiction workshop in which you'll learn to write about many different types of art and culture, from TV and music to theater and visual art—in other words, the genres discussed in the culture-and-arts pages of major new...(read more) |
Saul, Scott
|
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Fall 2017 |
143T/1 TTh 12:30-2 |
This is a workshop in the translation of poetry into English. Workshop members will develop a project and submit a translation a week (together with the original poem and a word-for-word version), and the work of the class will be for members to gi...(read more) |
Hass, Robert L.
|
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Fall 2017 |
166/4 Special Topics: TTh 5-6:30 |
One of the ideas behind this course offering is that poetry and essays (life-writing, creative non-fiction, “essaying,” etc.) have similar aims or field-marks—both are literary vehicles of exploration and documentation; both value...(read more) |
Giscombe, Cecil S.
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Fall 2017 |
243B/1 Tues. 9-12 |
This workshop/seminar is for poets who already have a body of work (however large or small) and who are currently working on a project or collection. Participants should be working toward furthering development of the project and toward the formula...(read more) |
Hejinian, Lyn
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Spring 2017 |
43A/1 Introduction to the Writing of Short Fiction TTh 11-12:30 |
This is an introductory course on writing short fiction. Its aim is twofold: to help students become more practiced and confident fiction writers, and to foster reflection on and mindful engagement with the writing process. Toward those end...(read more) |
Mansouri, Leila
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Spring 2017 |
43B/1 Introduction to the Writing of Verse TTh 3:30-5 |
This course is primarily a poetry workshop. Reading and writing assignments will help generate our workshop material and give us the language and tools to treat that material. Readings will include poetry and poetics from the last seve...(read more) |
Gregory, Jane
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Spring 2017 |
143A/1 MW 3:30-5 |
The aim of this course to explore the genre of short fiction – to discuss the elements that make up the short story, to talk critically about short stories, and to become comfortable and confident with the writing of them. Studen...(read more) |
Abrams, Melanie
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Spring 2017 |
143A/2 TTh 11-12:30 |
This workshop is designed to hone basic elements of the short story: style, voice, perspective, structure, plot, character, and so on. We will read some exceptional short stories in a variety of genres. We will compose and revise 1-3 short stories...(read more) |
Serpell, C. Namwali
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Spring 2017 |
143A/3 Thurs. 3:30-6:30 |
A fiction workshop in which students will be expected to turn in material approximately every third week, to be edited and discussed in class. Emphasis will be upon editing and revising. Quality rather than quantity is the ideal, but each s...(read more) |
Oates, Joyce Carol |
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Spring 2017 |
143B/1 TTh 9:30-11 |
In this course you will conduct a progressive series of explorations in which you will try some of the fundamental options for writing poetry today (or any day)--aperture and closure; rhythmic sound patterning; sentence and line; short and long-li...(read more) |
Shoptaw, John
|
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Spring 2017 |
143B/2 TTh 3:30-5 |
The purpose of this class will be to produce a collective language in which to treat poetry. Writing your own poems will be a part of this task, but it will also require readings in contemporary poetry and essays in poetics, as well as some ...(read more) |
O'Brien, Geoffrey G.
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Spring 2017 |
143C/1 TTh 2-3:30 |
The purpose of this workshop is to begin to write a novel. It is unlikely that you will finish writing a novel in the three months we spend together. Novels take time. There are some reported exceptions to this—Jack Kerouac wrote the first d...(read more) |
Serpell, C. Namwali
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Spring 2017 |
143N/1 Prose Nonfiction: TTh 2-3:30 |
This class will be conducted as a writing workshop to explore the art and craft of the personal essay. We will closely examine the essays in the assigned anthology, as well as students’ exercises and essays. Writing assignments w...(read more) |
Kleege, Georgina
|
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Spring 2017 |
243A/1 TTh 9:30-11 |
A graduate-level fiction workshop. Students will write fiction, produce critiques of work submitted to the workshop, and participate in discussions about the theory and practice of writing. We’ll also read published fiction and essays about ...(read more) |
Chandra, Vikram
|
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Spring 2017 |
243N/1 Prose Nonfiction Writing Workshop: Tues. 3:30-6:30 |
A graduate-level writing workshop, open both to graduate students from any department as well as to undergraduate students from any department who have taken English 143-level writing seminars or have equivalent skills or experience. Drawin...(read more) |
Farber, Thomas
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Fall 2016 |
143A/1 MW 2-3:30 |
A short fiction workshop. Over the course of the semester, each student will write and revise two stories. Each participant in the workshop will edit student-written stories and will write a formal critique of each manuscript. St...(read more) |
Chandra, Vikram
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Fall 2016 |
143B/1 MW 11-12:30 |
In this course you will conduct a progressive series of explorations in which you will try some of the fundamental options for writing lyric poetry today (or any day)--aperture and closure; rhythmic sound patterning; sentence and line; short and l...(read more) |
Shoptaw, John
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Fall 2016 |
143B/2 TTh 2-3:30 |
This workshop will draw inspiration from the counsel of Ralph Waldo Emerson: "People wish to be settled: only as far as they are unsettled is there any hope for them." In this spirit, we will experiment with different generative exercise...(read more) |
Szybist, Mary |
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Fall 2016 |
143N/1 Prose Nonfiction: TTh 9:30-11 |
Much of American literature has had to do with a sense of motion. Note the journeys, e.g., in the best known texts of Melville and Twain. But note also that Harlemite Langston Hughes’ autobiography, The Big Sea, begins on a bo...(read more) |
Giscombe, Cecil S.
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Fall 2016 |
143N/2 Prose Nonfiction: TTh 12:30-2 |
A seminar on auto/biography, with a special emphasis on what it means to write lives that are hidden, overlooked, circumscribed. An unconventional seminar/workshop 1) that will be as experimental as the work we’ll be trying to produce; 2) ...(read more)
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Ellis, Nadia
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Fall 2016 |
143N/3 Prose Nonfiction: TTh 12:30-2 |
This course is a nonfiction workshop in which you’ll learn to write about many different types of art and culture, from theater and visual art to music and TV — in other words, the genres that one finds discussed in the culture-and-art...(read more) |
Saul, Scott
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Fall 2016 |
243B/1 F 11-2 |
Studies in contemporary poetic cases (Graham Foust, Sarah Nicholson, Morgan Parker, Juliana Spahr, Jenny Zhang, and others) will focus our discussions of each other's poems. Only continuing UC Berkeley students are eligible to app...(read more) |
O'Brien, Geoffrey G.
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Spring 2016 |
43B/1 Introduction to the Writing of Verse MW 4-5:30 |
What can poems do, and how do they do it? This course will explore how we as poets engage with the world through our writing, and how we as readers find value in poems. Our goal will be to develop an expansive sense of possible poetic acts, and to...(read more) |
Klavon, Evan
|
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Spring 2016 |
143A/2 TTh 2-3:30 |
This class will be conducted as a writing workshop. We will discuss the stories in the assigned anthology and writing by students in the class. Assignments will include three short writing exercises, two new short stories, and critique...(read more) |
Kleege, Georgina
|
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Spring 2016 |
143A/3 Thurs. 3:30-6:30 |
A fiction workshop in which students will be expected to turn in material approximately every third week, to be edited and discussed in class. Emphasis will be upon editing and revising. Quality rather than quantity is the ideal, but each s...(read more) |
Oates, Joyce Carol
|
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Spring 2016 |
143B/1 TTh 9:30-11 |
In this course you will conduct a progressive series of explorations in which you will try some of the fundamental options for writing poetry today (or any day)--aperture and closure; rhythmic sound patterning; sentence and line; short and long-li...(read more) |
Shoptaw, John
|
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Spring 2016 |
143B/2 TTh 3:30-5 |
At a pivotal moment in the development of her practice, the experimental composer Maryanne Amacher is said to have conducted a notebook-based self-analysis that revolutionized her relationship to composition. In this course, parallel to the writin...(read more) |
Moschovakis, Anna |
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Spring 2016 |
143N/1 Prose Nonfiction: MW 1:30-3 |
Much of American literature has had to do with a sense of motion. Note the journeys, e.g., in the best known texts of Melville and Twain. But note also that Harlemite Langston Hughes’ autobiography, The Big Sea, begins on a boat and...(read more) |
Giscombe, Cecil S.
|
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Spring 2016 |
243B/1 W 3-6 |
Studies in contemporary poetic cases (Anne Boyer, Graham Foust, Fred Moten, Chris Nealon, Ed Roberson, Juliana Spahr, Simone White, and others) will focus our discussions of each other's poems. Only continuing UC Berk...(read more) |
O'Brien, Geoffrey G.
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Fall 2015 |
143A/1 MW 4-5:30 |
A short fiction workshop. Over the course of the semester, each student will write and revise two stories. Each participant in the workshop will edit student-written stories and will write a formal critique of each manuscript. St...(read more) |
Chandra, Vikram
|
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Fall 2015 |
143B/1 TTh 11-12:30 |
In this course you will conduct a progressive series of explorations in which you will try some of the fundamental options for writing poetry today (or any day)--aperture and closure; rhythmic sound patterning; sentence and line; short and long-li...(read more) |
Shoptaw, John
|
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Fall 2015 |
143B/2 TTh 12:30-2 |
What I take as a given is that poetry is a public activity, one with the job of disrupting the status quo, the “interested” discourse of TV and advertising, the endless double-talk of politics. This semester I’m wanting us to (read more) |
Giscombe, Cecil S.
|
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Fall 2015 |
143C/1 TTh 2-3:30 |
The purpose of this course is to begin writing a novel. None of us will finish writing a novel in the three months we spend together. Novels take time, notwithstanding NaNoWriMo. There are some reported exceptions to this—Jack Kerouac wrote ...(read more) |
Serpell, C. Namwali
|
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Fall 2015 |
143N/1 Prose Nonfiction: MW 9:30-11 |
This course is a creative writing workshop to explore the art and craft of the personal essay. We will read and discuss the essays in the assigned anthology as well as work submitted by students. Writing assignments will include three ...(read more) |
Kleege, Georgina
|
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Spring 2015 |
43B/1 Introduction to the Writing of Verse TTh 2-3:30 |
By attending to the triangulation of politics, prosody, and history within poetry of the last four hundred years, we will build a rigorous foundation for our own poetic experiments. Together, we will ask: What practical skills does one need in ord...(read more) |
Stancek, Claire Marie
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Spring 2015 |
143A/1 MW 11-12:30 |
The aim of this course is to explore the genre of short fiction – to discuss the elements that make up the short story, to talk critically about short stories, and to become comfortable and confident with the writing of them. Stu...(read more) |
Abrams, Melanie
|
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Spring 2015 |
143A/2 TTh 9:30-11 |
This course is a creative writing workshop. Students will write 3 short exercises and 2 short stories (approximately 50 pages over the whole semester). We will discuss the stories in the anthology as well as work produced by students i...(read more) |
Kleege, Georgina
|
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Spring 2015 |
143B/1 M 3-6 |
The purpose of this class will be to produce a collective language in which to treat poetry. Writing your own poems will be a part of this task, but it will also require readings in contemporary poetry and essays in poetics, as well as some ...(read more) |
O'Brien, Geoffrey G.
|
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Spring 2015 |
143D/1 Expository and Critical Writing : TTh 2-3:30 |
This course is designed to prepare and support students who are planning to write a critical research essay as part of the English major. We will begin by discussing various kinds of literary critical essays in order to identify models and m...(read more) |
Donegan, Kathleen
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Spring 2015 |
143N/1 W 3-6 |
Like & Love: an upper-division creative nonfiction writing workshop, open to continuing undergraduate and graduate students from any department. Drawing on narrative strategies found in memoir, the diary, travel writing, and fiction, students ...(read more) |
Farber, Thomas
|
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Spring 2015 |
243A/1 TTh 12:30-2 |
A graduate-level fiction workshop. Students will write fiction, produce critiques of work submitted to the workshop, and participate in discussions about the theory and practice of writing. We’ll also read published fiction and essays about ...(read more) |
Chandra, Vikram
|
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Spring 2015 |
243B/1 TTh 11-12:30 |
Poet Erica Hunt, writing about the “pleasure of cultural resonance” and “Black sources of a radical aesthetic” described “an aesthetics whose goals are critical, investigative, disruptive [and] which aims to wear its ...(read more) |
Giscombe, Cecil S.
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Fall 2014 |
43A/1 Introduction to the Writing of Short Fiction MW 10:30-12 |
A short fiction workshop. Over the course of the semester, each student will write and revise two stories. Each participant in the workshop will edit student-written stories, and will write a formal critique of each manuscript. S...(read more) |
Chandra, Vikram
|
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Fall 2014 |
143A/1 MW 1:30-3 |
A short fiction workshop. Over the course of the semester, each student will write and revise two stories. Each participant in the workshop will edit student-written stories, and will write a formal critique of each manuscript. S...(read more) |
Chandra, Vikram
|
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Fall 2014 |
143A/2 TTh 12:30-2 |
This class is a workshop in short fiction. It is designed to introduce students to the basic principles of narrative style and structure, and to encourage a model of constructive critique in a workshop setting. Our readings will include short stor...(read more) |
Tranter, Kirsten
|
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Fall 2014 |
143B/1 MW 4-5:30 |
What I take as a given is that poetry (and by implication, all "creative writing") is a public activity, one with the job of disrupting the status quo, the "interested" discourse of TV and advertising, the endless double-talk o...(read more) |
Giscombe, Cecil S.
|
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Fall 2014 |
143B/2 TTh 11-12:30 |
In this course you will conduct a progressive series of explorations in which you will try some of the fundamental options for writing poetry today (or any day)--aperture and closure; rhythmic sound patterning; sentence and line; short and long-li...(read more) |
Shoptaw, John
|
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Fall 2014 |
143B/3 TTh 3:30-5 |
A seminar in writing poetry. Only continuing UC Berkeley students are eligible to apply for this course. To be considered for admission, please electronically submit 5 of your poems, by clicking on the link below; fill out the applicati...(read more) |
Roberson, Edwin
Roberson, Ed |
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Fall 2014 |
143N/1 Prose Nonfiction: MW 12-1:30 |
This class will be conducted as a writing workshop to explore the art and craft of the personal essay. We will closely examine the essays in Phillip Lopate’s anthology, as well as students’ exercises and essays. Writing ass...(read more) |
Kleege, Georgina
|
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Fall 2014 |
143N/2 TTh 2-3:30 |
Within a workshop setting, we will read, discuss, and practice writing the major forms and styles of nonfiction, with special attention to the essay as a literary genre. Students will express their understanding and appreciation of this lite...(read more) |
McQuade, Donald
|
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Fall 2014 |
243N/1 |
This course has been canceled. ...(read more) |
Farber, Thomas
|
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Spring 2014 |
43B/1 Introduction to the Writing of Verse TTh 9:30-11 |
This course is primarily a poetry workshop. Reading and writing assignments will help generate our workshop material and give us the language and tools to treat that material. These assignments will engage both vision and process; they...(read more) |
Gregory, Jane
|
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Spring 2014 |
143A/1 TTh 12:30-2 |
This class will be conducted as a writing workshop where students will submit and discuss their own short fiction. We will also closely examine the work of the published writers in the assigned anthology. Students will complete 3 short...(read more) |
Kleege, Georgina
|
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Spring 2014 |
143A/2 TTh 2-3:30 |
This class is a workshop in short fiction. It is designed to introduce students to the basic principles of narrative style and structure, and to encourage a model of constructive critique in a workshop setting. Our readings will include short stor...(read more) |
Tranter, Kirsten
Tranter, Kirsten |
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Spring 2014 |
143B/1 TTh 11-12:30 |
In this course you will conduct a progressive series of explorations in which you will try some of the fundamental options for writing poetry today (or any day)--aperture and closure; rhythmic sound patterning; sentence and line; short and long-li...(read more) |
Shoptaw, John
|
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Spring 2014 |
143B/2 W 3-6 |
From an essay: I find [form] interesting as a site, as a point of disembarkation for talking about that other stuff, for the ongoing work of investigation and experiment. Sonnets can be navigated but the point, in all my classes, i...(read more) |
Giscombe, Cecil S.
|
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Spring 2014 |
143N/1 Thurs. 3:30-6:30 |
A seminar in the writing of prose nonfiction as an art. To be considered for admission to this class, please submit 5 -10 photocopied pages of your creative nonfiction (no poetry or academic writing), along with an application form, to ...(read more) |
Solnit, Rebecca
Solnit, Rebecca |
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Spring 2014 |
243B/1 M 11-2 |
Studies in contemporary poetic cases (Anne Boyer, Farnoosh Fathi, Brenda Hillman, Ben Lerner, Fred Moten, Lisa Robertson, Dana Ward, and others) and a few essays will focus our discussions of each other's poems. To be considered for...(read more) |
O'Brien, Geoffrey G.
|
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Fall 2013 |
143A/1 TTh 11-12:30 |
The aim of this course is to explore the genre of short fiction--to discuss the elements that make up the short story, to talk critically about short stories, and to become comfortable and confident with the writing of them. Students will write tw...(read more) |
Abrams, Melanie
|
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Fall 2013 |
143B/1 TTh 12:30-2 |
In this course you will conduct a progressive series of explorations in which you will try some of the fundamental options for writing poetry today (or any day)--aperture and closure; rhythmic sound patterning; sentence and line; short and long-li...(read more) |
Shoptaw, John
|
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Fall 2013 |
143B/2 TTh 3:30-5 |
A seminar in writing poetry. To be considered for admission to this class, please submit 5 photocopied pages of your poems, along with an application form, to Professor Sutherland's mailbox in 322 Wheeler, BY 4:00 P.M., TUESDAY, APR...(read more) |
Sutherland, Keston
Sutherland, Keston |
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Fall 2013 |
143N/1 Prose Nonfiction: Thurs. 3:30-6:30 |
Much of American literature has had to do with a sense of motion. Note the journeys, e.g., in the best known texts of Melville and Twain. But note also that Harlemite Langston Hughes’ autobiography, The Big Sea, begins on a boat and...(read more) |
Giscombe, Cecil S.
|
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Fall 2013 |
143T/1 TTh 9:30-11 |
This is a workshop in the translation of poetry into English. Workshop members will develop a project and submit a translation a week (together with the original poem and a word-for-word version) and the work of the class will be for members to gi...(read more) |
Hass, Robert L.
|
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Spring 2013 |
43B/1 Introduction to the Writing of Verse TTh 2-3:30 |
Watermelons Green Buddhas On the fruit stand. We eat the smile And spit out the teeth. --Charles Simic Poetry’s hardy stuff. It doesn’t have to be sacred. In this course we’re g...(read more) |
Loofbourow, Lili
Loofbourow, Liliana |
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Spring 2013 |
143A/1 MW 1:30-3 |
A short fiction workshop. Over the course of the semester, each student will write and revise two stories. Each participant in the workshop will edit student-written stories, and will write a formal critique of each manuscript. S...(read more) |
Chandra, Vikram
|
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Spring 2013 |
143A/2 Tues. 3:30-6:30 |
This limited-enrollment workshop course will concentrate on the form, theory and practice of short fiction. To be considered for admission to this class, please submit 10-12 photocopied pages of your fiction, along with an application f...(read more) |
Mukherjee, Bharati
|
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Spring 2013 |
143A/3 Thurs. 3:30-6:30 |
A fiction workshop in which students will be expected to turn in material approximately every third week, to be edited and discussed in class. Emphasis will be upon editing and revising. Quality rather than quantity is the ideal, but each s...(read more) |
Oates, Joyce Carol |
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Spring 2013 |
143B/1 TTh 11-12:30 |
In this course you will conduct a progressive series of explorations in which you will try some of the fundamental options for writing poetry today (or any day)—aperture and closure; rhythmic sound patterning; sentence and line; short and lo...(read more) |
Shoptaw, John
|
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Spring 2013 |
143N/1 Thurs. 3:30-6:30 |
An upper-division creative nonfiction writing workshop open to students from any department. Drawing on narrative strategies found in memoir, the diary, travel writing, and fiction, students will have work-shopped three literary nonfiction 5-10 pa...(read more) |
Farber, Thomas
|
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Spring 2013 |
143T/1 TTh 12:30-2 |
This is a workshop in the translation of poetry into English. Workshop members will develop a project and submit a translation a week (together with the original poem and a word-for-word version) and the work of the class will be for members to gi...(read more) |
Hass, Robert L.
|
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Spring 2013 |
166/2 Special Topics: TTh 12:30-2 |
This course will focus on each novelist's invention of, or critique of, national identity myths in a time of national crisis. Students will explore the intimate connection between choice of narrative strategy and construction of meaning....(read more) |
Mukherjee, Bharati
|
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Fall 2012 |
43A/1 Introduction to the Writing of Short Fiction TTh 11-12:30 |
A short fiction workshop. Over the course of the semester, each student will write and revise two stories. Each participant in the workshop will edit student-written stories, and will write a formal critique of each manuscript. S...(read more) |
Chandra, Vikram
|
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Fall 2012 |
143A/1 MW 12-1:30 |
This class will be conducted as a writing workshop where students will submit and discuss their own short fiction. We will also closely examine the work of published writers. Students will complete 3 short writing assignments and appro...(read more) |
Kleege, Georgina
|
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Fall 2012 |
143A/2 TTh 3:30-5 |
This workshop is designed to hone basic elements of fiction writing: grammar, diction, syntax, structure, plot, character, style, and so on. We will read a handful of short stories from a coursepack, David Mitchell&r...(read more) |
Serpell, C. Namwali
|
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Fall 2012 |
143B/1 MW 4-5:30 |
This seminar/workshop in the writing of poetry is intended for the exploration of contemporary solutions to long-standing, as well as recent, questions facing poets. Students in the class will undertake writing projects in relation to technical an...(read more) |
Hejinian, Lyn
|
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Fall 2012 |
143B/2 TTh 12:30-2 |
In this course you will conduct a progressive series of experiments in which you will explore some of the fundamental options for writing poetry today—aperture and closure; rhythmic sound patterning; sentence and line; short and long-lined p...(read more) |
Shoptaw, John
|
|||
Fall 2012 |
143B/3 TTh 2-3:30 |
A seminar in writing poetry. This will be a series of writer-on-writing facilitated sessions, providing opportunities for students writing, reading, and talking about a range of poetries, including their own work. There will be a strong, text-base...(read more) |
Walsh, Catherine
Walsh, Catherine |
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Fall 2012 |
165/1 Special Topics: TTh 9:30-11 |
Among other issues associated with the composition of poetry, this class seeks to contend with the difficulties that arise from how a poem is displayed on the page. We will look at a number of poets, such as Cummings...(read more) |
Campion, John
|
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Fall 2012 |
243A/1 Tues. 3:30-6:30 |
This workshop course will concentrate on the form, theory and practice of fiction. Workshop participants are required to write a minimum of 45 pages of original fiction, fulfill specific assignments on craft, attend all workshop sessions, and prov...(read more) |
Mukherjee, Bharati
|
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Spring 2012 |
43A/1 Introduction to the Writing of Short Fiction TTh 9:30-11 |
A short fiction workshop. Over the course of the semester, each student will write and revise two stories. Each participant in the workshop will edit student-written stories, and will write a formal critique of each manuscript. S...(read more) |
Chandra, Vikram
Chandra, Vikram |
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Spring 2012 |
43B/1 Introduction to the Writing of Verse: MW 10:30-12 |
In the late sixteenth and early seventeenth centuries, a number of British poets adapted the Italian sonnet to craft a form that would become central to English literature: fourteen lines of iambic pentameter, with three rhymed quatrains and a clo...(read more) |
Pugh, Megan
Pugh, Megan |
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Spring 2012 |
143A/1 TTh 2-3:30 |
A short fiction workshop. Over the course of the semester, each student will write and revise two stories. Each participant in the workshop will edit student-written stories, and will write a formal critique of each manuscript. S...(read more) |
Chandra, Vikram
Chandra, Vikram |
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Spring 2012 |
143A/2 Tues. 3:30-6:30 |
This limited-enrollment workshop will concentrate on the form, theory and practice of short fiction. Permission of instructor is required. To be considered for admission to this class, please submit 12-15 photocopied pages o...(read more) |
Mukherjee, Bharati
Mukherjee, Bharati |
|||
Spring 2012 |
143B/1 TTh 11-12:30 |
In this course you will conduct a progressive series of experiments in which you will explore some of the fundamental options for writing poetry today—aperture and closure; rhythmic sound patterning; sentence and line; short and long-lined p...(read more) |
Shoptaw, John
Shoptaw, John |
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Spring 2012 |
143C/1 Long Narrative: W 3-6 |
In this class, we’ll be reading and discussing various novels under 150 pages from a diverse group of authors. The point is to take a close look at a text of manageable size, paying attention to its structure – how the author manages t...(read more) |
Alarcon, Daniel
Alarcon, Daniel |
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Spring 2012 |
143N/1 TTh 11-12:30 |
This class will be conducted as a writing workshop to explore the art and craft of the personal essay. We will closely examine the essays in the assigned anthology, as well as students’ exercises and essays. Writing assignments w...(read more) |
Kleege, Georgina
Kleege, Georgina |
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Spring 2012 |
143N/2 TTh 12:30-2 |
This will be a course in the essay, and it is designed to help students who are writing an undergraduate thesis-length paper. We will begin by getting acquainted with various kinds of essays—narrative and descriptive, personal and research-b...(read more) |
Gallagher, Catherine
Gallagher, Catherine |
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Spring 2012 |
143N/3 Prose Nonfiction: TTh 2-3:30 |
Book List: Students should come to class before buying books. The list will likely include some of the following: Basho’s Back Roads to Far Towns (translated by Cid Corman); Joseph Conrad’s Heart of Darkness; Tete-Mic...(read more) |
Giscombe, Cecil S.
Giscombe, Cecil |
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Spring 2012 |
143T/1 TTh 2-3:30 |
This is a workshop course in the translation of poetry. Participants need to be at least moderately competent in some language other than English. All of the work will involve translating from other languages into English. Participants will be exp...(read more) |
Hass, Robert L.
Hass, Robert |
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Spring 2012 |
243N/1 Prose Nonfiction Writing Workshop: M 3-6 |
A graduate creative nonfiction writing workshop open to students from any department. Drawing on narrative strategies found in memoir, the diary, travel writing, and fiction, students will have work-shopped three 10-20 page literary nonfiction pie...(read more) |
Farber, Thomas
Farber, Thomas |
|||
Summer 2012 |
N141/1 MTuTh 2-4 |
This course will introduce students to the study of writing short fiction. Students will learn to talk critically about short stories and begin to feel comfortable and confident with their own writing of them. Students will write both longer and s...(read more) |
Abrams, Melanie
|
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Fall 2011 |
143A/1 MW 12-1:30 |
A short fiction workshop. Over the course of the semester, each student will write and revise two stories. Each participant in the workshop will edit student-written stories, and will write a formal critique of each manuscript. Students are requir...(read more) |
Chandra, Vikram
Chandra, Vikram |
|||
Fall 2011 |
143A/2 Tues. 3:30-6:30 |
This workshop course concentrates on the form, theory and practice of the short story. Students admitted to the course will be required to write a minimum of 45 pages of original fiction, complete assignments on specific aspects of narrative strat...(read more) |
Mukherjee, Bharati
Mukherjee, Bharati |
|||
Fall 2011 |
143B/1 TTh 9:30-11 |
In this course you will conduct a progressive series of experiments in which you will explore some of the fundamental options for writing poetry today—aperture, partition, closure; rhythmic sound patterning; sentence & line; stanza; shor...(read more) |
Shoptaw, John
Shoptaw, John |
|||
Fall 2011 |
143B/2 TTh 12:30-2 |
I’ll ask students to be interested in form as a site, as a point of disembarkation for talking about that other stuff, for the ongoing work of investigation and experiment. Poems can be formally navigated but the point, in all my classes, is...(read more) |
Giscombe, Cecil S.
Giscombe, Cecil |
|||
Fall 2011 |
143B/3 Verse: Tues. 3:30-6:30 |
In this course, we’ll work towards new understandings of sound, of the human voice and voicing, of language’s relationship to the voice and to its own sonic dimensions, and of the ways in which visual and musical and other sonic media ...(read more) |
Goldman, Judith
Goldman, Judith |
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Fall 2011 |
143N/1 W 3-6 |
This workshop course concentrates on the form, theory and practice of creative nonfiction, particularly on the personal essay. Students admitted to the course will be required to write a minimum of 45 pages, complete assignments, and participate i...(read more) |
Mukherjee, Bharati
Mukherjee, Bharati |
|||
Fall 2011 |
243B/1 MW 4-5:30 |
This workshop is for poets who already have a body of work (however large or small) and who are currently working on a project or collection. It presupposes two things: that poetry as a project is as rigorous an undertaking as more typically schol...(read more) |
Hejinian, Lyn
Hejinian, Lyn |
|||
Spring 2011 |
43A/1 Introduction to the Writing of Short Fiction TTh 11-12:30 |
A short fiction workshop. Over the course of the semester, each student will write and revise two stories. Each participant in the workshop will edit student-written stories, and will write a formal critique of each manuscript. Students are requir...(read more) |
Chandra, Vikram
Chandra, Vikram |
|||
Spring 2011 |
43B/1 Introduction to the Writing of Verse TTh 9:30-11 |
Introduction to the Writing of Verse is a reading course as well as a writing course, designed to introduce you to poems written in a wide range of poetic forms and styles, with a wide variety of subjects and approaches. It is also designed to off...(read more) |
Beck, Rachel
Beck, Rachel |
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Spring 2011 |
143A/1 TTh 2-3:30 |
This class will be conducted as a writing workshop where students will submit and discuss their own short fiction. We will also closely examine the work of published writers. Students will complete 3 short writing assignments and approximately 40 ...(read more) |
Kleege, Georgina
Kleege, Georgina |
|||
Spring 2011 |
143B/1 MW 4-5:30 |
The purpose of this class will be to produce an unfinished language in which to treat poetry. Writing your own poems will be a part of this task, but it will also require readings in contemporary poetry and essays in poetics, as well as some writi...(read more) |
O'Brien, Geoffrey G.
O'Brien, Geoffrey |
|||
Spring 2011 |
143B/2 TTh 12:30-2 |
In this course you will conduct a progressive series of experiments in which you will explore some of the fundamental options for writing poetry today--aperture, partition, closure; rhythmic sound patterning; sentence & line; stanza; short &am...(read more) |
Shoptaw, John
Shoptaw, John |
|||
Spring 2011 |
143N/1 TTh 12:30-2 |
This will be a course in the essay, and it is designed to help students who are writing an undergraduate thesis-length paper. We will begin by getting acquainted with various kinds of essays (narrative and descriptive, personal and research-based,...(read more) |
Gallagher, Catherine
Gallagher, Catherine |
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Spring 2011 |
143N/2 Prose Nonfiction: TTh 3:30-5 |
Much of American literature has had to do with a sense of motion. Note the journeys, e.g., in the best known texts of Melville and Twain. But note also that Harlemite Langston Hughes’ autobiography, The Big Sea, begins on a boat and...(read more) |
Giscombe, Cecil S.
Giscombe, Cecil |
|||
Spring 2011 |
143N/3 Tues. 3:30-6:30 |
Rooms and Lives: a creative or literary nonfiction workshop open to students from any department. Drawing on narrative strategies found in memoir, the diary, travel writing, and fiction, students will have work-shopped in class three 10-20 page pi...(read more) |
Farber, Thomas
Farber, Thomas |
|||
Spring 2011 |
243A/1 Tues. 3:30-6:30 |
This graduate fiction workshop will concentrate on the form, theory and practice of fiction. Workshop participants are required to (1) write a minimum of 45 pages of original fiction (e.g. several short stories and/or chapters of a novel-in-progre...(read more) |
Mukherjee, Bharati
Mukherjee, Bharati (a. k. a. Blaise, B.) |
|||
Fall 2010 |
143B/1 M 3-6 |
"A poem is a small (or large) machine made of words" --William Carlos Williams How do poems work? To that question there are at least as many answers as there are poems. Often poets have the experience of writing intuitively, mov...(read more) |
Zapruder, Matthew J
Zapruder, Matthew |
|||
Fall 2010 |
143B/2 TTh 11-12:30 |
In this course you will conduct a progressive series of experiments in which you will explore some of the fundamental options for writing poetry todayâ€â€aperture, partition, closure; rhythmic sound patterning; sentence & line; stanza; short & ...(read more) |
Shoptaw, John
Shoptaw, John |
|||
Fall 2010 |
143N/1 TTh 2-3:30 |
This course will offer students  in a workshop setting  the opportunity to read, discuss, and practice writing the major forms and styles of nonfiction prose, with special attention to understanding, appreciating  and practi...(read more) |
McQuade, Donald
McQuade, Donald |
|||
Fall 2010 |
143T/1 TTh 9:30-11 |
This is a practical workshop for students wishing to work at translating poetry into English, so students need to have at least an intermediate knowledge of the language they wish to translate from. The class works like a poetry writing workshop: s...(read more) |
Hass, Robert L.
Hass, Robert |
|||
Fall 2010 |
243B/1 M 3-6 |
The point will be to write poetry in public spaces, to write with an eye toward performance/ publication. My assumption is that people entering the class will enter with projects underway and/or with a strong interest in the problems and issues of ...(read more) |
Giscombe, Cecil S.
Giscombe, Cecil |
|||
Spring 2010 |
43B/1 Introduction to the Writing of Verse MW 3-4:30 |
A workshop course intended for students who have recently begun to write verse or who have not previously taken a course in creative writing. To be considered for admission to this class, please submit 5 photocopied pages of your poems,...(read more) |
Chen, Christopher
Chen, Christopher |
|||
Spring 2010 |
143A/1 MW 1:30-3 |
This class will be conducted as a writing workshop where students will submit and discuss their own short fiction. We will also closely examine the work of published writers in the anthology. Students will complete 3 short writing assignments approx...(read more) |
Kleege, Georgina
Kleege, Georgina |
|||
Spring 2010 |
143B/1 TTh 11-12:30 |
In this course you will conduct a progressive series of experiments in which you will explore some of the fundamental options for writing poetry todayâ€â€aperture, partition, closure; rhythmic sound patterning; sentence & line; stanza; short & lon...(read more) |
Shoptaw, John
Shoptaw, John |
|||
Spring 2010 |
143B/2 Verse: Thurs. 3:30-6:30 |
In this advanced poetry workshop, we will not only deepen our own writing practices, but also become increasingly familiar with the wide range of poetry-making materials and strategies. To this end, we will treat this course both as a workshop, where ...(read more) |
Fisher, Jessica
Fisher, Jessica |
|||
Spring 2010 |
143N/1 Prose Nonfiction: Tues. 3:30-6:30 |
This workshop course concentrates on the form, theory and practice of creative nonfiction, particularly on the personal essay. Workshop participants are required to write a minimum of 45 pages of original non-fictional narrative during the semester.<...(read more) |
Mukherjee, Bharati
Mukherjee, Bharati\n(a.k.a. Blaise, B.) |
|||
Spring 2010 |
243B/1 W 3-6 |
Topics in poetics raised by theorists (Barthes, Bourdieu, Deleuze, Glissant, Riffaterre) and practitioners (Alcalay, Joron, Mackey, Palmer, Spahr et al.) will focus our discussion of each other’s poetry. To be considered for adm...(read more) |
O'Brien, Geoffrey G.
O'Brien, Geoffrey |
|||
Spring 2010 |
243N/1 Prose Nonfiction Writing Workshop: Thurs. 3:30-6:30 |
Rooms and lives: a creative or literary nonfiction graduate workshop open to students from any department. Drawing on narrative strategies found in memoir, the diary, travel writing, and fiction, students will have workshopped in class three 10-20 pag...(read more) |
Farber, Thomas
Farber, Thomas |
|||
Fall 2009 |
143A/1 TTh 9:30-11 |
A short fiction workshop. Over the course of the semester, each student will write and revise two stories. Each participant in the workshop will edit student-written stories, and will write a formal critique of each manuscript. Students are require...(read more) |
Chandra, Vikram
Chandra, Vikram |
|||
Fall 2009 |
143A/2 TTh 12:30-2 |
This limited-enrollment workshop course will concentrate on the form, theory and practice of short fiction. To be considered for admission to this class, please submit 12-15 photocopied pages of your fiction, along with an application...(read more) |
Mukherjee, Bharati
Mukherjee, Bharati (a.k.a. Blaise, Bharati) |
|||
Fall 2009 |
143B/1 M 3-6 |
I’ll ask students to be interested in form as a site, as a point of disembarkation for talking about that other stuff, for the ongoing work of investigation and experiment. Poems can be formally navigated but the point, in all my classes, is...(read more) |
Giscombe, Cecil S.
Giscombe, Cecil |
|||
Fall 2009 |
143B/2 Verse: Poetry in Practice and in Theory W 3-6 |
Poets can’t just write their poetry. Ever since the beginnings of Western thought, poets have had to defend themselves and their art form, both explicitly and implicitly – yet almost always evasively. It was Plato, two millennia ago, who c...(read more) |
Bouvier, Geoff
Bouvier, Geoff |
|||
Fall 2009 |
143B/3 TTh 11-12:30 |
In this course you will conduct a progressive series of experiments in which you will explore the fundamental options for writing poetry today – aperture, partition, closure; rhythmic sound patterning; sentence & line; stanza; short & lo...(read more) |
Shoptaw, John
Shoptaw, John |
|||
Fall 2009 |
143N/1 Prose Nonfiction: Traveling, Thinking, Writing TTh 2-3:30 |
Much of American literature has had to do with a sense of motion. Note the journeys, e.g., in the best known texts of Melville and Twain. But note also that Harlemite Langston Hughes’ autobiography, The Big Sea, begins on a boat and det...(read more) |
Giscombe, Cecil S.
Giscombe, Cecil |
|||
Fall 2009 |
243A/1 TTh 2-3:30 |
A graduate-level fiction workshop. Students will write fiction, produce critiques of work submitted to the workshop, and participate in discussions about the theory and practice of writing. We’ll also read published fiction and essays about writ...(read more) |
Chandra, Vikram
Chandra, Vikram |
|||
Spring 2009 |
43B/1 Introduction to the Writing of Verse: TTh 2-3:30 |
This poetry course is themed on the idea of “translation,” but conceived very largely, to include not just translations between languages, but also between different periods within a single language (such as between Old and Middle or Middl...(read more) |
Johnson, Eleanor |
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Spring 2009 |
143A/1 MW 12:30-2 |
A short fiction workshop. Over the course of the semester, each student will write and revise two stories. Each participant in the workshop will edit student-written stories, and will write a formal critique of each manuscript. Stude...(read more) |
Chandra, Vikram
Chandra, Vikram |
|||
Spring 2009 |
143A/2 T 3:30-6:30 |
A short fiction workshop open to students from any department. Students will write three short stories, generally 10-20 pages in length. Each week, students will also turn in one-page written critiques of each of the three student stories being ...(read more) |
Farber, Thomas
Farber, Thomas |
|||
Spring 2009 |
143B/1 M 3-6 |
Writing and Poems. Weekly written assignments. To be considered for admission to this class, please submit 5 photocopied pages of your poems, along with an application form, to Professor Reines' mailbox in 322 Wheeler, BY 4:00...(read more) |
Reines, Ariana |
|||
Spring 2009 |
143B/2 Verse: TTh 9:30-11 |
In this course you will conduct a progressive series of experiments in which you will explore the fundamental options for writing poetry today -- aperture, partition, closure; rhythmic sound patterning; relations between the sentence and line of verse...(read more) |
Shoptaw, John
Shoptaw, John |
|||
Spring 2009 |
143N/1 MW 9-10:30 |
This course will offer students — in a workshop setting — the opportunity to read, discuss, and practice writing the major forms and styles of nonfiction prose, with special attention to understanding, appreciating — and practicing &...(read more) |
McQuade, Donald
McQuade, Don |
|||
Spring 2009 |
143N/2 Prose Nonfiction: MW 3-4:30 |
This class will be conducted as a writing workshop to explore the art and craft of the personal essay. We will closely examine the essays in Phillip Lopate’s anthology, as well as students’ exercises and essays. Writing assignm...(read more) |
Kleege, Georgina
Kleege, Georgina |
|||
Spring 2009 |
243A/1 TTh 12:30-2 |
This limited-enrollment workshop course will concentrate on the form, theory and practice of fiction. Undergraduate students may apply for admission to this graduate course. To be considered for admission to this class, please...(read more) |
Mukherjee, Bharati
Mukherjee, Bharati (a.k.a. Blaise, B.) |
|||
Fall 2008 |
143A/1 TTh 11-12:30 |
This is a course on the form, theory and practice of short fiction. Students are required to fulfill assignments on specific aspects of craft, analyze aesthetic strategies in selected stories by published authors, and to write approximately 45 pages o...(read more) |
Mukherjee, Bharati
Mukherjee, Bharati |
|||
Fall 2008 |
143A/2 TTh 12:30-2 |
A short fiction workshop, with accompanying readings from a contemporary anthology. Typically, workshops are free-wheeling explorations of form, style and content and this one will be no different. Course demands: depending upon the final size of the...(read more) |
Blaise, Clark
Blaise, Clark |
|||
Fall 2008 |
143A/3 TTh 2-3:30 |
This class will be conducted as a writing workshop where students will submit and discuss their own short fiction. We will also closely examine the work of published writers. Students will complete 3 short writing assignments approximately 40 pages of...(read more) |
Kleege, Georgina
Kleege, Georgina |
|||
Fall 2008 |
143B/1 MW 4-5:30 |
"This version of English 143B will be tied in with Prof. Charles Altieri?s English 45C/1 class; for entrance into this 143B class, students must be enrolled in (or, under special circumstances, auditing) that 45C class. This 143b/45c connection is int...(read more) |
Hejinian, Lyn
Hejinian, Lyn |
|||
Fall 2008 |
143B/2 TTh 11-12:30 |
Please email jshoptaw@berkeley.edu for more information regarding this course. ...(read more) |
Shoptaw, John
Shoptaw, John |
|||
Fall 2008 |
143N/1 Prose Nonfiction: TTh 2-3:30 |
This course concentrates on the practice of creative non-fiction, particularly on the writing of the personal essay. Students are expected to fulfill specific assignments and to write approximately 45 pages of original non-fictional narrative. ...(read more) |
Mukherjee, Bharati
Mukherjee, Bharati |
|||
Fall 2008 |
143T/1 Poetry Translation: TTh 9:30-11 |
The purpose of the class is to give students a chance to work on verse translation, to share translations and give and receive feedback on their work, to read about the theory and practice of translation, and perhaps to try out different practices and...(read more) |
Hass, Robert L.
Hass, Robert |
|||
Fall 2008 |
243B/1 Graduate Course: M 3-6 |
"The point will be to write poetry in public spaces, to write with an eye toward performance/ publication. My assumption is that people entering the class will enter with projects underway and/ or with a strong interest in the problems and issues of p...(read more) |
Giscombe, Cecil S.
Giscombe, Cecil |
|||
Spring 2008 |
43B/1 Lower Division English: TTh 11-12:30 |
This workshop will teach various approaches toward the writing of verse. In addition to weekly writing assignments, students will read a range of poetry and essays, and will be encouraged to attend local poetry readings. ...(read more) |
Fisher, Jessica
Fisher, Jessica |
|||
Spring 2008 |
143A/1 American Literature: MW 1:30-3 |
"A short fiction workshop. Over the course of the semester, each student will write and revise two stories. Each participant in the workshop will edit student-written stories, and will write a formal critique of each manuscript. Students are required ...(read more) |
Chandra, Vikram
Chandra, Vikram |
|||
Spring 2008 |
143B/1 TTh 9:30-11 |
In this course you will conduct a progressive series of experiments in which you will explore the fundamental options for writing poetry today�aperture, partition, closure; rhythmic sound patterning; sentence & line; stanza; short & long-lined poems; ...(read more) |
Shoptaw, John
Shoptaw, John |
|||
Spring 2008 |
143B/2 TTh 3:30-5 |
The purpose of this class will be to produce an unfinished language in which to treat poetry. Writing your own poems will be a part of this task, but it will also require readings in contemporary poetry and essays in poetics, as well as some writing d...(read more) |
O�Brien, Geoffrey |
|||
Spring 2008 |
143B/3 Verse: W 3-6 |
This class will mine site-specific writing and post-conceptual art. Collectively we�ll develop a critical vocabulary through readings; individually students will pursue forms of experimental research that will inform their own projects. Our readings w...(read more) |
Shaw, Lytle |
|||
Spring 2008 |
143N/1 Prose Nonfiction: TTh 9:30-11 |
"Much of American literature has had to do with a sense of motion. Note the journeys, e.g., in the best known texts of Melville and Twain. But note also that Harlemite Langston Hughes� autobiography, The Big Sea, begins on a boat and details his adven...(read more) |
Giscombe, Cecil S.
Giscombe, Cecil |
|||
Spring 2008 |
143N/2 Prose Nonfiction: TTh 12:30-2:00 |
This workshop course concentrates on the form, theory and practice of creative nonfiction, particularly on the writing of the personal essay. Students are required to fulfill specific assignments and to write 45 pages of nonfictional narrative....(read more) |
Mukherjee, Bharati
Mukherjee, Bharati |
|||
Spring 2008 |
143N/3 Prose Nonfiction: M 3-6 |
This class will be conducted as a writing workshop to explore the art and craft of the personal essay. We will closely examine the essays in Phillip Lopate�s anthology, as well as students� exercises and essays. Writing assignments will include three ...(read more) |
Kleege , Georgia |
|||
Spring 2008 |
143T/1 Poetry Translation: TTh 12:30-2 |
The purpose of the class is to give students a chance to work on verse translation, to share translations and give and receive feedback on their work, to read about the theory and practice of translation, and perhaps to try out different practices and...(read more) |
Hass, Robert L.
Hass, Robert |
|||
Spring 2008 |
243A/1 Graduate Course: MW 10:30-12 |
"A graduate-level fiction workshop. Students will write fiction, produce critiques of work submitted to the workshop, and participate in discussions about the theory and practice of writing. We�ll also read published fiction and essays about writing f...(read more) |
Chandra, Vikram
Chandra, Vikram |
|||
Fall 2007 |
43A/1 Literature In English: MW 3-4:30 |
The aim of this course is to introduce students to the study of short fiction - to explore the elements that make up the genre, and to enable students to talk critically about short stories and begin to feel comfortable and confident with their own wr...(read more) |
Abrams, Melanie (a.k.a. Chandra, M.J.) |
|||
Fall 2007 |
143A/1 TTh 12:30-2 |
A short fiction workshop. Over the course of the semester, each student will write and revise two stories. Each participant in the workshop will edit student-written stories, and will write a formal critique of each manuscript. Students are required t...(read more) |
Chandra, Vikram
Chandra, Vikram |
|||
Fall 2007 |
143A/2 TTh 3:30-5 |
"The question is whether or not poetry can be more than a series of successful gestures, as F. Scott Fitzgerald put it rather long ago, or arrive at something other than the statement or restatement of an emotional truth or idea. Can poetry intervene...(read more) |
Giscombe, Cecil S.
Giscombe, Cecil |
|||
Fall 2007 |
143B/3 W 3-6 |
The purpose of this class will be to produce an unfinished language in which to treat poetry. Writing your own poems will be a part of this task, but it will also require readings in contemporary poetry and essays in poetics, as well as some writing d...(read more) |
O'Brien, Geoffrey G.
O'Brien, Geoffrey |
|||
Fall 2007 |
C143V/1 TTh 9:30-12:30 |
Visual autobiography encompasses a wide range of self-representations and self-narrations: conventional books in which images are integral to the whole, rather than mere supplementation or illustration; pictographic (picture-writing) ledgerbooks; phot...(read more) |
Wong, Hertha D. Sweet
Wong, Hertha |
|||
Fall 2007 |
143N/1 TTh 11-12:30 |
This workshop course concentrates on the practice of creative non-fiction, particularly on the writing of the personal essay. Students are required to fulfill specific assignments and to write 45 pages of non-fictional narrative. ...(read more) |
Mukherjee, Bharati
Mukherjee, Bharati (a.k.a.: Blaise, B.) |
|||
Fall 2007 |
243A/1 MW 10:30-12 |
"A graduate-level fiction workshop. Students will write fiction, produce critiques of work submitted to the workshop, and participate in discussions about the theory and practice of writing. We�ll also read published fiction and essays about writing f...(read more) |
Chandra, Vikram
Chandra, Vikram |
|||
Spring 2007 |
43B/1 Lower Division Coursework: TTh 12:30-2 |
This workshop will teach various approaches toward the writing of verse. In addition to weekly writing assignments, students will read a range of poetry and essays, and will be encouraged to attend local poetry readings....(read more) |
Fisher, Jessica
Fisher, Jessica |
|||
Spring 2007 |
143A/1 Junior Coursework: MW 1:30-3 |
The aim of this course is to explore the genre of short fiction?to discuss the elements that make up the short story, to talk critically about short stories, and to become comfortable and confident with the writing of them. Students will write two sho...(read more) |
Abrams, Melanie (a.k.a. Chandra, M.J.) |
|||
Spring 2007 |
143A/2 Junior Coursework: W 3-6 |
"A short fiction workshop open to students from any department. Students will write three short stories, generally 10-20 pages in length. Each week, students will also turn in one-page written critiques of each of the three student stories being works...(read more) |
Farber, Thomas
Farber, Thomas |
|||
Spring 2007 |
143B/1 MW 10-11:30 |
In this course you will conduct a progressive series of experiments in which you will explore the fundamental options for writing poetry today?aperture, partition, closure; rhythmic sound patterning; sentence & line; stanza; short & long-lined poems; ...(read more) |
Shoptaw, John
Shoptaw, John |
|||
Spring 2007 |
143B/2 Thurs. 3:30-6:30 |
The purpose of this class will be to produce an unfinished language in which to treat poetry. Writing your own poems will be a part of this task, but it will also require readings in contemporary poetry and essays in poetics, as well as some writing d...(read more) |
O?Brien, Geoffrey |
|||
Spring 2007 |
143N/1 Junior Coursework: Tues. 3:30-6:30 |
Rooms and Lives: a creative nonfiction workshop open to students from any department. Drawing on narrative strategies found in memoir, the diary, travel writing, and fiction, students will have workshopped in class three 10-20 page pieces. Each will t...(read more) |
Farber, Thomas
Farber, Thomas |
|||
Spring 2007 |
143N/2 Junior Coursework: Thurs. 3:30-6:30 |
This class will be conducted as a writing workshop to explore the art and craft of the personal essay. We will closely examine the essays in Phillip Lopate?s anthology, as well as students? exercises and essays. Writing assignments will include 3 shor...(read more) |
Kleege, Georgina
Kleege, Georgina |
|||
Spring 2007 |
243A/1 Graduate Course: Tues. 2-5 |
This limited-enrollment workshop course will concentrate on the form, theory and practice of fiction. Undergraduate students are welcome to apply for admission to this graduate workshop....(read more) |
Mukherjee, Bharati
Mukherjee (Blaise), Bharati |
|||
Fall 2006 |
43B/1 Lower Division Coursework: TTh 3:30-5 |
This is a seminar in writing poetry, conducted as a workshop and intended for lower-division students. ...(read more) |
Gravendyk-Burrill, Hillary |
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Fall 2006 |
143A/2 Upper Division Coursework: TTh 2-3:30 |
This is a course on the form, theory and practice of short fiction. It will be conducted as a workshop. Students are required to fulfill assignments on specific aspects of craft, to analyze aesthetic strategies in selected short stories by published a...(read more) |
Mukherjee, Bharati
Mukherjee, Bharati (a.k.a.: Blaise, B.) |
|||
Fall 2006 |
143B/1 Upper Division Coursework: W 3-6 |
The purpose of this class will be to produce an unfinished language in which to treat poetry. Writing your own poems will be a part of this task, but it will also require readings in contemporary poetry and essays in poetics, as well as some writing d...(read more) |
O'Brien, Geoffrey G.
O'Brien, Geoffrey |
|||
Fall 2006 |
143B/2 Upper Division Coursework: TTh 9:30-11 |
In this course you will conduct a progressive series of experiments in which you will explore the fundamental options for writing poetry today�aperture, partition, closure; rhythmic sound patterning; sentence & line; stanza; short & long-lined poems; ...(read more) |
Shoptaw, John
Shoptaw, John |
|||
Fall 2006 |
143B/3 Upper Division Coursework: TTh 11-12:30 |
How might the writer use the various techniques and theories of translation, including mistranslation, as experimental tools to aid in the composition of new poems? Rather than approaching translation as the conventional transfer of meaning from one l...(read more) |
Robertson, Lisa |
|||
Fall 2006 |
143N/1 Upper Division Coursework: TTh 11-12:30 |
This course concentrates on the practice of creative non-fiction, particularly on the writing of the personal essay. Students are required to fulfill specific assignments and to write approximately 45 pages of non-fictional narrative. Format of course...(read more) |
Mukherjee, Bharati
Mukherjee, Bharati (a.k.a.: Blaise, B.) |
|||
Fall 2006 |
243B/1 Graduate Course: MW 12-1:30 |
This workshop is for poets who already have a body of work (however large or small) and who are currently working on a project or collection. It presupposes two things: that poetry as a project is as rigorous an undertaking as more typically scholarly...(read more) |
Hejinian, Lyn
Hejinian, Lyn |
|||
Spring 2006 |
43A/1 Lower Division Coursework: TTh 11-12:30 |
The aim of this course is to introduce students to the study of short fiction?to explore the elements that make up the genre, and to enable students to talk critically about short stories and begin to feel comfortable and confident with their own writ...(read more) |
Abrams, Melanie |
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Spring 2006 |
43B/1 Lower Division Coursework: TTh 12:30-2 |
This workshop aims to help you develop skills as a writer of poetry. My hope is that you will bring to class works that you consider incomplete, that are still unfamiliar to you, and about which you are sincerely curious. In each meeting we will read ...(read more) |
Carr, Julie |
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Spring 2006 |
143A/1 Upper Division Coursework: MW 12-1:30 |
"A seminar in writing short stories. To be considered for admission to this class, please submit 10-15 photocopied pages of your fiction, along with an application form, to Professor Chandra's mailbox in 322 Wheeler, BY 4:00 P.M., TUESD...(read more) |
Chandra, Vikram
Chandra, Vikram |
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Spring 2006 |
143A/2 Upper Division Coursework: Tues. 3:30-6:30 |
"A short fiction workshop open to students from any department. Students will write three short stories, 10-20 pages in length. Each week, students will also turn in one-page written critiques of student stories being workshopped as well as a 2-page j...(read more) |
Farber, Thomas
Farber, Thomas |
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Spring 2006 |
143B/1 Upper Division Coursework: MW 10:30-12 |
In this course you will conduct a progressive series of experiments in which you will explore the fundamental options for writing poetry today?aperture, partition, closure; rhythmic sound patterning; sentence & line; stanza; short & long-lined poems; ...(read more) |
Shoptaw, John
Shoptaw, John |
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Spring 2006 |
143B/2 Upper Division Coursework: TTh 2-3:30 |
The purpose of this class will be to produce an unfinished language in which to treat poetry. Writing your own poems will be a part of this task, but it will also require reading essays in poetics and sometimes writing under extreme formal constraints...(read more) |
O'Brien, Geoffrey G.
O'Brien, Geoffrey |
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Spring 2006 |
143N/1 Upper Division Coursework: W 3-6 |
"A nonfiction workshop open to students from any department. Drawing on narrative strategies of memoir, the diary, travel writing, and fiction, students will write and have workshopped in class two 10-20 page pieces. Each will emerge out of detailed d...(read more) |
Farber, Thomas
Farber, Thomas |
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Spring 2006 |
143N/2 Upper Division Coursework: Thurs. 3:30-6:30 |
This class will be conducted as a writing workshop to explore the art and craft of the personal essay. We will closely examine the essays in Phillip Lopate?s anthology, as well as students? exercises and essays. Writing assignments will include 3 shor...(read more) |
Kleege, Georgina
Kleege, Georgina |
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Spring 2006 |
143T/1 Upper Division Coursework: TTh 9:30-11 |
This is a workshop for the translation of poetry. Translators are expected to share their work and to participate in the criticism of the work of others. Discussion will range from the larger problems of the possibility of translation to the particula...(read more) |
Hass, Robert L.
Hass, Robert |
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Spring 2006 |
243A/1 Graduate Course: TTh 2-3:30 |
This is a limited-enrollment workshop for graduate and undergraduate fiction writers. Workshop members will be expected to write approximately 45 pages of original fiction, which may be several short stories or chapters of a novel-in-progress. The cou...(read more) |
Mukherjee, Bharati
Mukherjee (Blaise), Bharati |
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Spring 2006 |
243B/1 Graduate Course: W 3-6 |
Topics in poetics raised by philosophers (Agamben, Badiou, Barthes, Bourdieu) and by practitioners (Alcalay, Ashbery, Joron, Moxley, Palmer) will focus our discussion of each other?s poetry. In addition to writing poems every week you?ll have two seme...(read more) |
O'Brien, Geoffrey G.
O'Brien, Geoffrey |
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Fall 2005 |
43A/1 Lower Division Coursework: MW 3-4:30 |
In this course, students will learn the basic elements of fiction writing. Students will be expected to write two short stories during the semester. The course will be organized as a workshop. All stories will be edited and critiqued by the instructor...(read more) |
Abrams, Melanie |
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Fall 2005 |
43A/2 Lower Division Coursework: TTh 2-3:30 |
This is a workshop course intended for students who have recently begun to write fiction or who have not previously taken a course in creative writing. ...(read more) |
Chandra, Vikram
Chandra, Vikram |
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Fall 2005 |
43B/1 Lower Division Coursework: Thurs. 3:30-6:30 |
The purpose of this class will be to produce a mobile, surprising, unfinished language in which to treat poetry. Writing poems will be a part of this task, but only a part. There will also be a modest amount of critical writing and reading, short writ...(read more) |
O'Brien, Geoffrey G.
O'Brien, Geoffrey |
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Fall 2005 |
143A/1 Upper Division Coursework: TTh 9:30-11 |
T.B.A. ...(read more) |
Chandra, Vikram
Chandra, Vikram |
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Fall 2005 |
143A/2 Upper Division Coursework: TTh 12:30-2 |
This is a course on the form, theory and practice of short fiction. It will be conducted as a workshop. Students are required to fulfill assignments on specific aspects of craft, to analyze aesthetic strategies in selected short stories by published a...(read more) |
Blaise (Mukherjee), Bharati |
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Fall 2005 |
143B/1 Upper Division Coursework: TTh 12:30-2 |
In this workshop/seminar, we will engage in hands-on investigations into a variety of possibilities inherent to poetic logic, and with an emphasis on inventions and experiments, we will attempt to employ those logics. Attention will also be paid to mo...(read more) |
Hejinian, Lyn
Hejinian, Lyn |
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Fall 2005 |
143B/2 Upper Division Coursework: TTh 2-3:30 |
"In this course you will conduct a progressive series of experiments in which you will explore the fundamental options for writing poetry today--aperture, partition, closure; rhythmic sound patterning; sentence & line; stanza; short & long-lined poems...(read more) |
Shoptaw, John
Shoptaw, John |
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Fall 2005 |
143B/3 Upper Division Coursework: Tues. 3:30-6:30 |
The advanced workshop in poetry will give students the opportunity to learn about their own capabilities as writers. We will stress poetry as an art of composition in language that differs from other uses of language (journal writing, letter writing, ...(read more) |
McMorris, Mark |
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Fall 2005 |
143N/1 Upper Division Coursework: TTh 3:30-5 |
"This course concentrates on the practice of creative non-fiction, particularly on the writing of the personal essay. Students are required to fulfill specific assignments and to write approximately 45 pages of non-fictional narrative. ...(read more) |
Blaise (Mukherjee), Bharati |
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Fall 2005 |
243A/1 Graduate Course: TTh 11-12:30 |
This is a graduate level workshop course in writing fiction, intended for students who have already achieved the basic skills of characterization, plotting, etc. Qualified undergrad-uates will be eligible. This course has no prerequisites, but I'll ex...(read more) |
Loewinsohn, Ron
Loewinsohn, Ron |
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Spring 2005 |
43B/1 Lower Division Coursework: MW 1:30-3 |
"In this workshop, we will analyze and experiment with archaic through current modes of writing in verse. We will develop and discuss a substantial number of poems over the course of the semester: approximately one a week. On the premise that creative...(read more) |
Scappettone, Jennifer |
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Spring 2005 |
143A/1 Upper Division Coursework: W 3-6 |
"A short fiction workshop open to students from any department. Students will write three short stories, 10-20 pages in length. Each week, students will also turn in one-page written critiques of student stories being workshopped as well as a 2-page j...(read more) |
Farber, Thomas
Farber, Thomas |
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Spring 2005 |
143B/2 Upper Division Coursework: TTh 11-12:30 |
In this course you will conduct a progressive series of experiments in which you will explore the fundamental options for writing poetry today -- aperture, partition, closure; rhythmic sound patterning; sentence & line; stanza; short & long-lined poem...(read more) |
Shoptaw, John
Shoptaw, John |
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Spring 2005 |
243A/1 Graduate Course: TTh 11-12:30 |
This is a graduate level workshop course in writing fiction, intended for students who have already achieved the basic skills of characterization, plotting, etc. Qualified undergrad-uates will be eligible. This course has no prerequisites, but I'll ex...(read more) |
Loewinsohn, Ron
Loewinsohn, Ron |
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Fall 2004 |
43A/1 Lower Division Coursework: MW 9:30-11 |
In this course the elements of fiction will be practiced and discussed. Students will be expected to complete at least two short stories during the semester. This work will be edited and criticized by the instructor and the class. The class will also ...(read more) |
Reed, Ishmael S.
Reed, Ishmael |
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Fall 2004 |
143A/1 Upper Division Coursework: MW 2:30-4 |
This is an advanced workshop course in writing fiction, intended for students who are already pretty experienced with the basic skills of characterization, plotting, etc. This course has no prerequisites, but a knowledge of the critical vocabulary we ...(read more) |
Loewinsohn, Ron
Loewinsohn, Ron |
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Fall 2004 |
143B/1 Upper Division Coursework: MW 10-12 |
"In this course you will conduct a progressive series of experiments in which you will explore the fundamental options for writing poetry today--aperture, partition, closure; rhythmic sound patterning; sentence & line; stanza; short & long-lined poems...(read more) |
Shoptaw, John
Shoptaw, John |
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Fall 2004 |
143B/2 Upper Division Coursework: TTh 5-6:30 |
This workshop is for those who love to read and write poetry and who wish to continue the serious study and practice of poetics. Although much of our time will be spent discussing student poems, we'll also analyze poetry and essays on poetics from two...(read more) |
Fulton, Alice |
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Fall 2004 |
143B/3 Upper Division Coursework: Thurs. 3:30-6:30 P.M. |
The purpose of this class will be to produce a mobile, surprising, unfinished language in which to treat poetry. Writing poems will be a part of this task, but only a part. There will also be a modest amount of critical writing, short written commenta...(read more) |
O'Brien, Geoffrey G.
O'Brien, Geoffrey |
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Fall 2004 |
143N/2 Upper Division Coursework: TTh 3:30-5 |
"This class will concentrate on the art and craft of the personal essay. Students will complete three short writing assignments and two new essays. We will discuss the essays in the assigned anthology as well as students? work. To be co...(read more) |
Kleege, Georgina
Kleege, Georgina |
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Fall 2004 |
143T/1 Upper Division Coursework: TTh 9:30-11 |
"This is a workshop for the translation of poetry. Translators are expected to share their work and to participate in the criticism of the work of others. Discussion will range from the larger problems of the possibility of translation to the particul...(read more) |
Hass, Robert L.
Hass, Robert |