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Katherine HobbsSpecialtiesSelected Publications and Papers Delivered“The Ineffectual Feminist?: Mina Loy and Political Rhetoric of Identity.” Women’s Writing. Special Issue: “Women’s Writing from 1900-1920,” forthcoming. “‘Something yet unvoiced’: Ethel Smyth and Artistic Activism.” Afterlives: Virginia Woolf and Resonance, Université Sorbonne Nouvelle, Paris, France. May 2022. “‘Odd and incorrect’: Jane Eyre, Convention, and the Politics of Literary Criticism.” INCS 2022. “‘The “Rights of Woman” in a new aspect’: Margaret Oliphant and the Literary History of the Woman Question in Blackwood’s Edinburgh Magazine.” NAVSA 2022. "Representative Anomaly: Eliza Lynn Linton and the Victorian Woman Question." British Women Writers Conference, Texas Christian University, Fort Worth, TX. March 2020. "Sensational Autobiography: Female Authorship, Marriage, and Melodramatic Self-Presentation in 1850s England." ELH 86.3 (2019): 699-728. "Anna Jameson and the Romance of Argument." Form Across Literature and the Sciences in Nineteenth-Century Britain, Aix-Marseille Université. May 2019. Heringman, Noah, and Katherine Hobbs. “Commentary for Plate 1.8: Plan of Ancient Verulamium.” Vetusta Monumenta: Ancient Monuments, a Digital Edition. 2019. https://scalar.missouri.edu/vm/vol1plate8-plan-of-verulamium. “Sensation and Feminine Musical Agency in Jessie Fothergill’s The First Violin.” Interdisciplinary Nineteenth-Century Studies Supernumerary Conference, Rome, Italy. 14 June 2018. “‘Warbling charms’: Reading Dalila in Handel’s Samson.” American Comparative Literature Association Annual Meeting, Los Angeles, CA. 30 March 2018. "‘So all the women are one woman’: Eliot's Kundry," in The Edinburgh Companion to T. S. Eliot and the Arts, ed. Frances Dickey and John Morgenstern (Edinburgh University Press, 2016), 134-45. English Department Classes
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