Celebrating Native American Heritage Month: A Reading List from Professor Emeritus Hertha D. Sweet Wong

Celebrating Native American Heritage Month Banner, A Reading List from Professor Emerita Hertha D. Sweet Wong
November 17, 2023

We're delighted to bring you this reading list from Professor Emeritus Hertha D. Sweet Wong to celebrate Native American Heritage Month. Of the list, Professor Wong writes: "There is such a rich and varied abundance of Indigenous literature that this brief sampling could be vastly longer. 'First Wave' simply refers to titles and authors associated with the tremendous Native literary production that began in the 1960s and 70s (referred to controversially as 'the Native American Renaissance'), launched by N. Scott Momaday's Pulitzer Prize-winning novel, House Made of Dawn. 'Second Wave' refers both to more recent publications, but also to the younger generation of Indigenous writers and their often 'irreverent' voices."

First Wave

House Made of Dawn

House Made of Dawn Book Cover

"A young Native American, Abel has come home from war to find himself caught between two worlds. The first is the world of his grandfather's, wedding him to the rhythm of the seasons, the harsh beauty of the land, and the ancient rites and traditions of his people. But the other world—modern, industrial America—pulls at Abel, demanding his loyalty, claiming his soul, and goading him into a destructive, compulsive cycle of depravity and disgust.

Beautifully rendered and deeply affecting, House Made of Dawn has moved and inspired readers and writers for the last fifty years. It remains, in the words of The Paris Review, 'both a masterpiece about the universal human condition and a masterpiece of Native American literature.'"

(from Birchbark Books)

The Way to Rainy Mountain

The Way to Rainy Mountain Book Cover

"The paperback edition of The Way to Rainy Mountain was first published twenty-five years ago. One should not be surprised, I suppose, that it has remained vital, and immediate, for that is the nature of story. And this is particularly true of the oral tradition, which exists in a dimension of timelessness. I was first told these stories by my father when I was a child. I do not know how long they had existed before I heard them. They seem to proceed from a place of origin as old as the earth.

"The stories in The Way to Rainy Mountain are told in three voices. The first voice is the voice of my father, the ancestral voice, and the voice of the Kiowa oral tradition. The second is the voice of historical commentary. And the third is that of personal reminiscence, my own voice. There is a turning and returning of myth, history, and memoir throughout, a narrative wheel that is as sacred as language itself."

-N. Scott Momaday from the new Preface.

(from UNM Press)

Dwellings

Dwellings Book Cover

"Award-winning Chickasaw poet and novelist Linda Hogan explores her lifelong love of the living world and all its inhabitants.

'We want to live as if there is no other place,' Hogan tells us, 'as if we will always be here. We want to live with devotion to the world of waters and the universe of life.' In offering praise to sky, earth, water, and animals, she calls us to witness how each living thing is alive in a conscious world with its own integrity, grace, and dignity. In Dwellings, Hogan takes us on a spiritual quest borne out of the deep past and offers a more hopeful future as she seeks new visions and lights ancient fires.

(From W.W. Norton Publishers)

Weaving Sundown in a Scarlet Light: 50 Poems for 50 Years

Weaving Sundown in a Scarlet Light: 50 Poems for 50 Years Book Cover

"In this gemlike volume, Harjo selects her best poems from across fifty years, beginning with her early discoveries of her own voice and ending with moving reflections on our contemporary moment. Generous notes on each poem offer insight into Harjo’s inimitable poetics as she takes inspiration from Navajo horse songs and jazz, reckons with home and loss, and listens to the natural messengers of the earth. As evidenced in this transcendent collection, Joy Harjo’s “poetry is light and elixir, the very best prescription for us in wounded times.” (Sandra Cisneros, Millions).

throwing fire at the Sun, water at the Moon

throwing fire at the Sun, water at the Moon, Book Cover

"Throwing Fire at the Sun, Water at the Moon is a blend of ancient myths, poetry, journal extracts, short stories, and essays that tell her people's story from the early 1500s to the present, and her family's story over the past five generations. Reproductions of Endrezze's paintings add an additional dimension to her story and illuminate it with striking visual imagery. Endrezze has combed history and legend to gather stories of her immediate family and her mythical ancient family, the two converging in the spirit of storytelling. She tells Aztec and Yaqui creation stories, tales of witches and seductresses, with recurring motifs from both Yaqui and Chicano culture. She shows how Christianity has deeply infused Yaqui beliefs, sharing poems about the Flood and stories of a Yaqui Jesus. She re-creates the coming of the Spaniards through the works of such historical personages as Andrés Pérez de Ribas. And finally she tells of those individuals who carry the Yaqui spirit into the present day. People like the Esperanza sisters, her grandmothers, and others balance characters like Coyote Woman and the Virgin of Guadalupe to show that Yaqui women are especially important as carriers of their culture."

(from University of Arizona Press)

Second Wave

Love Medicine

Love Medicine Book Cover

"Set on and around a North Dakota Ojibwe reservation, the first novel by bestselling, National Book Award-winning author Louise Erdrich is the epic story about the intertwined fates of two families: the Kashpaws and the Lamartines. With astonishing virtuosity, each chapter draws on a range of voices to limn its tales. Black humor mingles with magic, injustice bleeds into betrayal, and through it all, bonds of love and family marry the elements into a tightly woven whole that pulses with the drama of life."

(from Birchbark Books)

Ceremony

Ceremony Book Cover

"More than thirty-five years since its original publication, Ceremony remains one of the most profound and moving works of Native American literature, a novel that is itself a ceremony of healing. Tayo, a World War II veteran of mixed ancestry, returns to the Laguna Pueblo Reservation. He is deeply scarred by his experience as a prisoner of the Japanese and further wounded by the rejection he encounters from his people. Only by immersing himself in the Indian past can he begin to regain the peace that was taken from him. Masterfully written, filled with the somber majesty of Pueblo myth, Ceremony is a work of enduring power."

(from Penguin Random House)

The Beadworkers

The Beadworkers, Book Cover

"Told with humor, subtlety, and spareness, the mixed–genre works of Beth Piatote’s first collection find unifying themes in the strength of kinship, the pulse of longing, and the language of return.

A woman teaches her niece to make a pair of beaded earrings while ruminating on a fractured relationship. An eleven–year–old girl narrates the unfolding of the Fish Wars in the 1960s as her family is propelled to its front lines. In 1890, as tensions escalate at Wounded Knee, two young men at college—one French and the other Lakota—each contemplate a death in the family. In the final, haunting piece, a Nez Perce–Cayuse family is torn apart as they debate the fate of ancestral remains in a moving revision of the Greek tragedy Antigone.

Formally inventive and filled with vibrant characters, The Beadworkers draws on Indigenous aesthetics and forms to offer a powerful, sustaining vision of Native life."

(from Counterpoint Press)

There, There

There, There, Book Cover

"Fierce, angry, funny, heartbreaking—Tommy Orange's first novel is a wondrous and shattering portrait of an America few of us have ever seen, and it introduces a brilliant new author at the start of a major career. There There is a relentlessly paced multigenerational story about violence and recovery, memory and identity, and the beauty and despair woven into the history of a nation and its people. It tells the story of twelve characters, each of whom have private reasons for traveling to the Big Oakland Powwow. Jacquie Red Feather is newly sober and trying to make it back to the family she left behind in shame. Dene Oxendene is pulling his life back together after his uncle's death and has come to work at the powwow to honor his uncle's memory. Opal Viola Victoria Bear Shield has come to watch her nephew Orvil, who has taught himself traditional Indian dance through YouTube videos and has come to the powwow to dance in public for the very first time. There will be glorious communion, and a spectacle of sacred tradition and pageantry. And there will be sacrifice, and heroism, and unspeakable loss."

(from Birchbark Books)

Braiding Sweetgrass

Braiding Sweetgrass, Book Cover

"Drawing on her life as an indigenous scientist, a mother, and a woman, Kimmerer shows how other living beings—asters and goldenrod, strawberries and squash, salamanders, algae, and sweetgrass—offer us gifts and lessons, even if we’ve forgotten how to hear their voices. In a rich braid of reflections that range from the creation of Turtle Island to the forces that threaten its flourishing today, she circles toward a central argument: that the awakening of a wider ecological consciousness requires the acknowledgment and celebration of our reciprocal relationship with the rest of the living world. For only when we can hear the languages of other beings will we be capable of understanding the generosity of the earth, and learn to give our own gifts in return."

(from Milkweed Press)

Never Whistle at Night: An Indigenous Dark Fiction Anthology

Never Whistle at Night: An Indigenous Dark Fiction Anthology, Book Cover

"Many Indigenous people believe that one should never whistle at night. This belief takes many forms: for instance, Native Hawaiians believe it summons the Hukai’po, the spirits of ancient warriors, and Native Mexicans say it calls Lechuza, a witch that can transform into an owl. But what all these legends hold in common is the certainty that whistling at night can cause evil spirits to appear—and even follow you home.

These wholly original and shiver-inducing tales introduce readers to ghosts, curses, hauntings, monstrous creatures, complex family legacies, desperate deeds, and chilling acts of revenge. Introduced and contextualized by bestselling author Stephen Graham Jones, these stories are a celebration of Indigenous peoples’ survival and imagination, and a glorious reveling in all the things an ill-advised whistle might summon."

(from Penguin Random House)

The Only Good Indians

The Only Good Indians, Book Cover

"Seamlessly blending classic horror and a dramatic narrative with sharp social commentary, The Only Good Indians follows four American Indian men after a disturbing event from their youth puts them in a desperate struggle for their lives. Tracked by an entity bent on revenge, these childhood friends are helpless as the culture and traditions they left behind catch up to them in a violent, vengeful way."

(from Birchbark Books)

Bad Indians: A Tribal Memoir

Bad Indians: A Tribal Memoir, Book Cover

"This beautiful and devastating book—part tribal history, part lyric and intimate memoir—should be required reading for anyone seeking to learn about California Indian history, past and present. Deborah A. Miranda tells stories of her Ohlone Costanoan Esselen family as well as the experience of California Indians as a whole through oral histories, newspaper clippings, anthropological recordings, personal reflections, and poems. The result is a work of literary art that is wise, angry, and playful all at once, a compilation that will break your heart and teach you to see the world anew."

(from Heyday Publishers)