Joel B. Altman

"'For murder, though it have no tongue, will speak / With most miraculous organ': Shakespeare's Talking Dumb Shows," Shakespearean Theater Conference, Stratford, Ontario, June, 2015; "What did Hermione's Statue look like?  The Four Ladies of Mantua and the Science of True Opinion," Shakespeare Association of America, St. Louis, April 2014; "'A sad tale's best for winter,' but for spring a comedy is better: Time, Turn, and Genre in The Winter's Tale," Shakespeare Association of America, Toronto, April, 2013; "Ekphrasis," in Early Modern Theatricality, ed. Henry S. Turner (Oxford: Oxford University Press, 2013-2014); "Virtual Presence and Vicarious Identity in The First Tetralogy," in Shakespeare Up Close: Reading Early Modern Texts, ed. Russ McDonald, Nicholas D. Nace, and Travis D. Williams (London: Arden Shakespeare, 2012); "Julio at the Crossroads: Intertextuality, Intermediality, and Transfiguration in 'The Winter's Tale,' Harvard Renaissance Colloquium, April 2012.  "'Your sorrow was too sore laid on': Shakespeare and the Subject of Ekphrasis." University of St. Andrews, UK, October 2011; Shakespeare Association of America, Bellevue WA, April 2011. "Giulio Romano and the Rhetoric of Visual Representation in 'The Winter's Tale.'" Doreen Townsend Center for the Humanities, Berkeley, April 2010.