Dora Zhang

Title: 
Associate Professor
Biography: 

My research interests have focused on Anglo-American and European modernist fiction, novel theory,  literature and philosophy, affect theory, visual culture, and aesthetics. More recently, my worked has also turned to contemporary literature, especially Asian American and Asian diasporic literature, and cultural studies.

My first book, Strange Likeness: Description and the Modernist Novel ("Thinking Literature" series, University of Chicago Press, 2020) turns to some experiments of modernist form - by Henry James, Marcel Proust, and, most centrally, Virginia Woolf - in order to reinvigorate our thinking about the ubiquitous but still under-theorized category of novelistic description. I have also written on topics including the role of atmospheres in everyday life, Roland Barthes's travels in China, and the role of the detail in fictions that withhold some piece of social information, such as a character's gender or race.

My editorial work includes a co-edited cluster on "setting" for Modernism/modernity Print Plus, and a new annotated edition of Woolf's A Room of One’s Own for the Norton Library, which appeared in 2026.

I am currently at work on a book project, "On Being a Type," that examines what it means to understand individuals – real and fictional – as representative of larger classes of persons.

Education

Ph.D., Comparative Literature, Princeton University 

B.A., Philosophy, University of Toronto.

Role: 

Selected Publications

Articles and Book Chapters

"Pandemic Atmospheres: Severance and the 'China Virus'," Representations 169: 1 (2025), 85–103.

"The Mark of the Detail: Universalism, Type, Difference," MLQ 84: 2 (2023), 147–168.

"In Search of Lost Weather," Proust’s In Search of Lost Time, ed. Katherine Elkins (“Oxford Studies in Philosophy and Literature” series, Oxford University Press, 2022)

"Stream of Consciousness," Oxford Handbook of Virginia Woolf (Oxford University Press, 2021).

"Staying Alive" (on Ling Ma's Severance), Post 45 Contemporaries, October 2020

Strange Likeness: Description and the Modernist Novel (University of Chicago Press, 2020).

"Notes on Atmosphere," Qui Parle 27:1 (2018), 121 - 155. 

"Modernist Setting," co-authored introduction to cluster on "Setting" co-edited with Hannah Freed-Thall, Modernism/modernity Print Plus, March 2018

"Naming the Indescribable: James, Russell, Woolf and the Limits of Description," New Literary History 45.1 (Winter 2014), 51-70. Winner of the 2013 Ralph Cohen Prize.

"A Lens for an Eye: Photography and Proust," Representations 118 (Spring 2012), 103-125.

Other Writing

"Is There a Future for Literary Studies?" Chronicle of Higher Education, March 2022

"Always Already Translated" Public Books, August 2016

"Love, Loot, and Lit" The Chronicle of Higher Education, March 2015

"Melancholy Surprise: Marcel Proust's Collected Poems" Los Angeles Review of Books, July 2013

"The Sideways Gaze: Roland Barthes's Travels in China" Los Angeles Review of Books, June 2012 (translated into German and reprinted in Merkur)

"Small Talk" The Point, 2012 (translated into French and reprinted in Nouveau Projet)

Other Media

Interview about atmospheres, How to Read podcast

Interview about Strange LikenessNew Books Network podcast

Interview about my Comparative Literature course, "The Good Life," Think About It podcast

Contact

Wheeler Hall, room 437

Office Hours

By appointment

Classes Taught